until 01.08. | #4717ARTatBerlin | Galerie Gilla Lörcher shows from Thursday, 26 June 2025 (Opening: 26.06.) the group exhibition „VOLLBILDMODUS #2“ with Claudia Desgranges, Katrina Blannin, Doris Marten, Christine Reifenberger, Birte Horn and Sandrine Mahéo. VOLLBILDMODUS is an exhibition series featuring six female artists from Berlin, Ulm, Cologne, and London who explore abstract painting in a variety of forms. The exhibition presents an interaction of painting within space. Colour painting, minimalism, concrete painterly approaches, and gestural elements combine to create a dynamic interplay of color and movement. The result is an engaging alternation of perception levels, turning VOLLBILDMODUS into a stage for painting. Participating artists are Claudia Desgranges, Katrina Blannin, Birte Horn, Sandrine Mahéo, Doris Marten, and Christine Reifenberger. The concept for the exhibition originated from the Cologne-based painter Claudia Desgranges. Following the first presentation at Kunstraum 21 in Bonn in March 2025, Galerie Gilla Lörcher in Berlin serves as the second venue for the VOLLBILDMODUS series. The exhibition will continue to be shown at various art locations throughout 2025–2027, each time with a different focus. Opening: Thursday, June 26, 2025, 7:00 – 9:00 p.m. Exhibition date: Friday, 27 June – Friday, 1  August 2025     Image caption title: […]

until 12.07. | #4715ARTatBerlin | Galerie Tammen shows from 06. June 2025 (Vernissage 13.06.) the exhibition “James Joyce und die Farben des Ulysses“ by the artist Werner Schmidt. Werner Schmidt, Skies for James Joyce 2, 2024 / 2025, Mischtechnik auf MDF / Eichen-Kassette, je 40 x 50 cm Vernissage and Bookpresentation: Friday, 13. June 2025, 5:30  – 9:00 pm Exhibition period: Friday, 06. June until Saturday, 12. July 2025     Image caption: Werner Schmidt, Skies for James Joyce 1, 2024 / 2025, Mischtechnik auf MDF / Eichen-Kassette, je 40 x 50 cm Exhibition Werner Schmidt – Galerie Tammen | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 12.07. | #4708ARTatBerlin | Galerie EIGEN + ART Berlin shows from 12. June 2025 the exhibition “Agree to disagree” by the artist Raul Walch. Based on his scholarship as prizewinner of the Villa Romana in Florence, Walch explores the global textile industry in his new textile installations, assemblages and the new video work using the city of Prato as an example. A large-format banner stretching across the façade of the gallery transposes the exhibition into the public space. “Be patient! Calming news is on its way.” We laugh even though the world is crashing down on us. Raul Walch confronts this fragile world, which is reflected in his works, with cross-media scraps that seem like a chain of quotations, but without inverted commas. Walch has been exploring textiles as a medium since his studies, but the globalised hybridity of the material in Prato and Florence has repositioned his work Dressing the Wind (Prato) is a commentary on Florence, Prato and the bamboo of Tuscany. Deep in the earth, flags wave in the wind on seven metre high poles. The patterns and fabrics have survived the heavy rain of spring and the wind. On fabrics from various warehouses in Prato […]

until 21.06. | #4709 ARTatBerlin | Jarmuschek + Partner presents from 12th June 2025 (Vernissage: 11.06.) the duo exhibitionn „Inszenierte Idylle“ (staged idylls) by the artists Oliver Gröne and Wolfgang Siesing. An ideal world, a refuge, a retreat or an overgrown scene of a past that is no longer visible: the images of seemingly untouched nature can stand for many things. Oliver Gröne and Wolfgang Siesing present us Inzenierte Idylle (staged idylls) in paintings, photographs and texts. What do painters and photographers discover on the outside and what do they create from within? Is the viewer’s place of longing different from that of the artist? Wolfgang Siesing studied photography and politics at the HBK and TU Braunschweig. He repeatedly works at the cultural and political interfaces of our society and also finds the motifs and themes for his reportages in war zones. His photographs and texts have already been presented at numerous places, including ADAC Urlaub, America Journal, Artmapp, AWO, Audi, Die Neue Reiselust, Der Spiegel, Die Süddeutsche Zeitung, German Historical Museum, FOCUS, Geo-Saison, Guardian, HPP, MAX, Monopol, PLAYBOY, Revue, ver.di, Volkswagen, Welt, Wunderwelt Wissen, Stern, FHM… Oliver Gröne was born in 1969 in Lemgo, North Rhine-Westphalia. He lives and works in Berlin […]

until 25.07. | #4705ARTatBerlin | AOA;87 shows from Tuesday, 24 June 2025 (Opening: 21.06.) the group exhibition „Into the fire“ with Sunmin Park, Holger Schmidhuber, Max Schulze, Christine Moldrickx, Christian Hellmich und Jessica Buhlmann. Angst rules. In the economy, in politics, in society at large. Paralyzed, we stare past the crises at whatever may still be looming— like a squirrel frozen in the headlights of an oncoming Porsche Cayenne. The saving leap? Hardly even crosses our minds anymore. Jessica Buhlmann, okno 2024, Öl auf Leinwand, Textil, 110 x 93 x 18 cm. Credit: Zhao He Don’t dare try something new. Don’t take any risks. And for heaven’s sake—now of all times—don’t make a mistake. Better to do nothing. At most, perhaps: restrict, exclude, barricade. Just in case. Algorithmically conditioned and optimized for conformity in our desires and needs, we place our hope in the almighty AI like children awaiting Santa Claus. Already it calculates with chilling precision what suits us, what’s good for us, what path to take. It’ll sort things out. Meanwhile, we tighten our belts—both financially and ideologically. And in this golden age of advanced cowardice, a cunning few keep stuffing their pockets— while the rest often do […]

until 12.07. | #4702ARTatBerlin | Galerie feinart berlin shows from 31. May 2025 the exhibition BEASTS by the artist Boriana Pertchinska. Beasts. They are to be feared, they are wild, powerful, strange, scary and banished from the safe haven of civilisation. Is it because of a dark, ancient relationship that humans have always been fascinated by them? Born in Sofia in 1974 and based in Berlin since 2012, artist Boriana Pertchinska reinterprets the mythological and symbolically charged animal creatures that appear in her works: “beasts” as embodiments of hidden powers and inner demons. Leaping tigers, snake-like coiled dragons, fanged predatory fish – the inner being of a human being seems to have taken shape in all these animal creatures. Boriana Pertchinska, Beasts I, 2023, Left part: pigments, acrylic, charcoal, fire on paper Right part: pigments, acrylic, chalk base on jute, diptych 130 x 170 cm, © B. Pertchinska  In terms of form and content, the artist works with bipolarity. Most of her works are diptychs, i.e. double images. In the inner space of each double image mirrored on the central axis, a dialogue is created between the two sides. The full meaning of each work of art is only revealed […]

until 07.06. | #4699ARTatBerlin | Galerie Inga Kondeyne shows from Friday, 16. May 2025 an exhibition by the artist Johannes Regin in the backstage of the gallery. Johannes Regin’s works are based on the precise placement of dot patterns, which are applied in several layers on top of each other. This creates grids with minimal variations that indicate shifts in tension in the rhythm. Older traces of colour and traces of drawing are visible in the works, indicating the found material used. The structural arrangement appears uniform, but reveals a multitude of creative details. In the current work phase, the dots are placed two or three times on top of each other. The working process requires concentration and a conscious examination of the material. Regin uses found objects, the surfaces of which he works on by drawing, painting, engraving, punching or chiselling. The choice of colours and techniques is deliberate, often with more accentuated tones at the edges. Colour overlays complement the visual effect. The result is a differentiated structure that combines creative stability with openness to change. Born in Neubrandenburg in 1986, Johannes Regin lives and works in Berlin and Spechthausen. He studied at the Kunsthochschule Berlin-Weißensee from 2007 […]

until 27.06. | #4695 ARTatBerlin | DUVE BERLIN currently shows the exhibition „An egg in the pocket“ by the artist Lula Broglio. Lula Broglio (1993 in Imperia, Italy) lives and works in Biella. She studied Painting at the Albertina Academy of Fine Arts in Turin, where she completed her undergraduate studies in 2015 and later obtained a Master’s degree in finer arts in 2018.. In 2015, she co-founded Spaziobuonasera (an artist-run space in Turin); in 2017, Club Pineta (an artist residency). Over the past five years, Lula Broglio has exhibited her work in numerous national and international galleries and institutions, including: Post fair with Tureen Dallas (Los Angeles, 2025), Nevven (Göteborg, 2024) Museo della Sapienza (Rome, 2024), Salotto Studio (Milan, 2023), GOBEN X GU11 (Cologne, 2023), Castello di Rivoli (Turin, 2023), Fondazione Pino Pascali (Polignano a Mare, 2022), Amanita (S’chanf, 2022), Palazzina (Basel, 2021), Fondazione Sandretto Re Rebaudengo (Turin, 2021), Fondazione Smart (Rome, 2021), and Basis (Frankfurt, 2018). One day, a bird laid a paintbrush on a pair of knees. The brush was slipped into a pocket and turned into an egg. Nothing extraordinary — the pocket became a nest, and the step an ancient rhythm, lulling it.  The egg […]

at 04.05. | #4693ARTatBerlin |Galerie Eigenheim Berlin shows on Sunday, 04 May 2025 a one-day exhibition with the title Frühlingsfest zum Gallery Weekend Berlin. Spring revitalises the senses, Berlin invites you to a big art weekend – and the EIGENHEIM gallery is taking part with a spring festival on Sunday in the studio of photographer Nina Röder. The studio is located in the immediate vicinity of Berlin’s main railway station and offers a wildly romantic atmosphere for art lovers. A selection of new works by EIGENHEIM artists Gökçen Dilek Acay, Anna Bittersohl, Frederik Foert, Enrico Freitag, Nina Röder and Lars Wild will be on display. Visitors will also get an insight into the current exhibition at Galerie EIGENHEIM Weimar with sculptures by Stefan Böhm and paintings by Stephan Dill. The programme begins on Sunday, 4 May 2025 at 11 a.m. with a Mediterranean brunch, a selection of drinks, relaxed music and discussions with the artists present. In the afternoon, a barbecue, culinary delights and artistic surprises will round off the festival. Galerie EIGENHEIM is looking forward to welcoming numerous guests and to a Sunday full of art enjoyment. Spring festival date: Sunday, 04 May 2025, from 11 am to 7 […]

until 07.06. | #4673ARTatBerlin | Galerie Georg Nothelfer shows from 02. May 2025 (Opening: 30.04.) the exhibition INK with the artists Henri Michaux, Walter Stöhrer, Britta Lumer, Oliver Thie, Andrey Klassen, Walter Menne, Toni Mauersberg. Galerie Nothelfer presents seven artistic positions on the subject of ink drawings. On display are historical works from the post-war period as well as contemporary works that offer an overview of the medium. The INK exhibition uses ink as a curatorial leitmotif. The aim is to view the material as an independent carrier of discursive aspects and to unite both historical and process-related elements without creating conflicts between form, material and content. Under the title INK, works on paper and other image carriers are shown that cover a period of sixty years. The exhibition thus combines the informal basis of the gallery programme with current positions. Henri Michaux, Untitled, 1962, Mixed media/Arches/Velin, 74,8 x 106,1 cm In art history, the term ‘ink’ covers all colouring liquids used for writing and drawing. The usual components are water, carbon black particles and binding agents. There are also natural sepia inks made from cuttlefish and iron gall inks, which are created through chemical reactions. Due to the large […]

until 31.05. | #4688ARTatBerlin | Galerie alexander levy shows from 02. May 2025 the exhibition Inhale Exhale by the artist Noémie Goudal. Addressing the challenges inherent in her work, Noémie Goudal engages in a dizzying exercise: through the prism of paleoclimatology, how can we comprehend a world in motion – a reality that runs counter to contemporary conceptions of our planet as a fixed entity, with neatly defined continents and immutable borders? For the artist, this fundamental problem – the landscape in flux and our struggle to grasp it – is explored from a variety of vantage points, through photographic series, videos and immersive installations. What binds the works together is paleo-climatology, a compelling discipline that studies the past to better understand the future. Noémie Goudal draws on it as a foundation to craft the chapters of a visual epic; currently on view at the exhibition Inhale Exhale. IN EX HALE: a neon work presented on the gallery’s window repeats its title in a jolting rhythm, the two prefixes IN and EX alternately flickering on and off. This is no image of calm respiration: the light flares and stutters like a syncopated breath, an extrasystole. What does this restless breathing […]

until 29.05. | #4685ARTatBerlin | PSM Gallery shows from Friday, 02. May 2025 the Solo-exhibition “Between conformity and resistance” by the artist Almut Linde. Almut Linde’s work revolves around the right questions: whose voices are really heard, how is security defined in a society that attacks people’s rights, and what drives acts of destruction? Between Conformity and Resistance presents three early works that laid the foundation for her artistic path since the 1990s, including a reactivated participatory work alongside its original form. The series Dirty – Minimal #16.1 – Headrests Individualised by Vandalism (1997-2001) documents vandalised headrests on the tracks of the S-Bahn Hamburg Hbf – Ahrensburg, which Linde collected and photographed. In Dirty Minimal #9.1 – Postal Logistics Centre (1992), she captured the unnoticed, repetitive movements of postal workers and transformed functional processes into visual compositions. In 1994, Linde commissioned a survey on personal well-being that resulted in unique drawings depicting people’s responses in Dirty Minimal #12.1 – State of Being. This survey is now being reissued and invites visitors to reflect on how perceptions of safety have evolved over three decades. Linde has long scrutinised the social and institutional dynamics that marginalise groups of individuals, illuminating their actions […]

until 06.06. | #4682ARTatBerlin | KLEMM’S shows from 02. May 2025 the exhibition Spiral Diaries by the artist Leelee Chan. KLEMM’S presents the second solo exhibition Spiral Diaries, by Leelee Chan (b. 1984, Hong Kong) showcasing a brand new body of work for Gallery Weekend Berlin 2025. For her second exhibition with Klemm’s, Spiral Diaries, Chan presents a new body of dexterously layered sculptures featuring bronze, stone, glass, and metal elements, incorporating found natural and industrial materials. In this new body of works, she employs old-world artisanal practices, lost-wax bronze casting, and stone carving, together with technological advancements such as CNC milling, tempered glass, and 3D printed metal, giving the resulting sculptures both a classical and futuristic tone. In this new series, Chan readdresses elements that have structured her work over the years, such as shells, plastic egg packaging, or hex nuts. Interplaying their diverse physical properties and cultural meanings, Chan continues her investigation of materiality and layered temporality through her astute sensitivity to material objects and her deep reverence for process. In Spiral Diaries, the recurring motifs of natural forms, mollusks, plants, and whelk egg cases probe her perpetual fascination with the unsettling metamorphosis of the natural world, particularly the mollusk’s supreme resilience and their ability […]

until 21.06. | #4680ARTatBerlin | Crone Berlin shows from 02. May 2025 the exhibition Double Standard by the artist Anthony Goicolea. Crone Berlin is showing the exhibition “Double Standard” by New York artist Anthony Goicolea, as part of Gallery Weekend Berlin. On view are new paintings on canvas and Mylar in which Goicolea explores a theme that runs like a red thread through his entire body of work: the contradiction between inner and outer perception, the conflict between self-determination and external influence, the tension between societal norms and personal identity—resulting from diverse cultural backgrounds, sexual orientations, or gender roles. Anthony Goicolea, Courtesy Crone Berlin Anthony Goicolea, born in 1971 as the son of Cuban immigrants in Atlanta, Georgia, is one of the most versatile contemporary artists of his generation. In the late 1990s, he gained recognition for his digital photo collages and video works, later focusing primarily on painting and installations. In 2018, he created the prominent LGBTQ+ Memorial in Hudson River Park, a monument commissioned by the City of New York to commemorate both the victims of the 2016 attack on a gay nightclub in Orlando and all others who have suffered violence due to their queer identities. In […]

until 15.06. | #4677ARTatBerlin | Loock Galerie presents from 02. May 2025 the exhibition Picnic on Paper by the artist Takehito Koganezawa. To mark 25 years of collaboration with Japanese artist Takehito Koganezawa, LOOCK Gallery is presenting Picnic on Paper, a solo exhibition featuring drawings, watercolors, and a video work. His work is currently included in In anderen Händen: Highlights der Sammlung Philara in der Miettinen Collection, Berlin (25.04.-27.07.2025) and will be shown in Takehito Koganezawa: Eins auf Zwei, Zwei aus Eins, a solo exhibition at the Humboldt Forum Berlin (24.05.–12.10.2025). This exhibition includes recent acquisitions made by the Museum für Asiatische Kunst and site-specific works by Koganezawa. Reflecting on past experiences and his artistic practice, Koganezawa recently stated: The earliest artwork I can recall was a drawing made with a ballpoint pen. Not a drawing in the usual sense—more a quiet ritual of motion. I drew ovals over and over until the paper began to break. The movement of my hand flowed through the pen, leaving behind lines—traces of a gesture, fixed on the surface. It felt like running laps on a track: breathless, focused, and strangely excited. I think I was trying to touch the feeling itself. There was wonder in how a physical act could stay in material, […]

until 21.06. | #4672ARTatBerlin | Galerie Mutare presents from Friday, 16th May 2025, the exhibition with paintings by the artist Karl Oppermann. Talk by gallery owner Michaela Schubert with friends and family. Participation in the event by personal invitation, registration by email is therefore requested. Opening: Friday, 16th May 2025, 6pm – 9pm Exhibition dates: Friday, 16th May until Saturday, 21st. June 2025     Image caption title: Karl Oppermann, courtesy of Galerie Mutare Exhibition Karl Oppermann – Gallery Mutare | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 14.06. | #4668ARTatBerlin | Russi Klenner shows from Saturday, 03. May 2025 (Opening 02.05.) the exhibition Eclipsed Echoes by the artist Hamid Yaraghchi. This series of paintings aims to depict the subjectivity of the experience of sound in particular musical performance situations: Music and Emotion. From the perspective of the listener, Yaraghchi interprets performance as a static visual form designed to explore contrasting emotional states – combining beauty and pleasure with moments of melancholic irritation. Through carefully conceived visual compositions, the audience is invited to cross the threshold from viewing to listening and finally to performing, fully engaging with this intimate atmosphere. Music-making is understood as an act of connection with the universal. The artist captures not only the physicality of the musicians – their gestures, their passion and their vulnerability – but also the emotional nuances that permeate the performance. Opening: Friday, 02. May 2025, at 7 pm Exhibition date: Saturday, 03. May to Saturday, 14. June 2025     Image caption title: Hamid Yaraghchi, A Lullaby for the Lonely, 2024, oil on canvas, 200 x 180 cm Exhibition Hamid Yaraghchi – Galerie Russi Klenner | Zeitgenössische Kunst | Contemporary Art | Ausstellungen Berlin Galerien – ART at […]

bis 28.06. | #4664ARTatBerlin | EBENSPERGER BERLIN  shows from 3rd May 2025 (Vernissage 02.05.) the exhibition „Elektronikfilme“ by the artist Ludwig Schönherr. With his Elektronikfilme, Schönherr was an early explorer of television’s visual language as an artistic medium. In this series, he filmed individual television images, interspersed with flickering colours, creating a unique aesthetic that oscillates between experimental cinema, Fluxus, and pop culture. These works mark the beginning of a lifelong engagement with the omnipresence of television and the aesthetics of mass media imagery. „Life on television is far more interesting than real life outside.“ Ludwig Schönherr, Electronic No. 18 (Series Red), 1968, Super 8, silent, 28´, Although Schönherr’s works defy clear categorisation—neither purely structuralist nor merely pop—they possess a striking timelessness. His art remained largely undiscovered for years, partly due to his modesty, partly because it resists conventional classification. This exhibition is dedicated to his visionary body of work and invites audiences to rediscover the hypnotic visual language of his Elektronikfilme. Opening: Friday, 2nd May 2025, 6-9 pm Exhibition dates: Friday, 2nd May until Saturday, 28th June 2025     Title image caption: Ludwig Schönherr, Electronic No. 18 (Series Red), 1968, Super 8, silent, 28´, Exhibition Ludwig Schönherr – EBENSPERGER BERLIN | Zeitgenössische Kunst […]

until 28.06. | #4661ARTatBerlin | EBENSPERGER BERLIN shows from 3rd May 2025 (Vernissage 02.05.) the exhibition „Holographic Universe“ by the artists Bonnie Camplin and Beatrice Brown. The Holographic Universe is a duo exhibition and the result of a three-year research collaboration between Beatrice Brown and Bonnie Camplin. In an ongoing, intimate dialogue, the two artists explore the fluidity of reality through psionic protocols, amnesiac retrieval methods, and speculative fiction. Their shared practice moves between artistic research, non-linear thinking, and alternative models of consciousness—always with the aim of challenging dominant paradigms and opening up new spaces of experience. The exhibition also marks Brown’s first major presentation in Berlin. Opening: Friday, 2nd May 2025, 6-9 pm Exhibition dates: Friday, 2nd May until Saturday, 28th June 2025     Title image caption: Bonnie Camplin, Every Woman has a Stargate in Her Knickers, 2018, Duraprint , 64×63 cm Exhibition Bonnie Camplin + Beatrice Brown – EBENSPERGER BERLIN | Zeitgenössische Kunst in Berlin | Contemporary Art | ExhibitionsBerlin Galleries | ART at Berlin

until 21.06. | #4659ARTatBerlin | Galerie Barbara Thumm shows from 03. May 2025 (Opening: 02.05.) the exhibition Spleen by the artist Roméo Mivekannin. Galerie Barbara Thumm presents Roméo Mivekannin’s second solo exhibition at the gallery for this year’s Gallery Weekend. Mivekannin deals with the works of European painters such as Jean-Léon Gérôme or Eugène Delacroix, who depicted the ‘Orient’ in staged scenes and often showed women and objects as eroticised representations or symbols of submission. Mivekannin precisely adopts the design elements of the original paintings, including architectural references, geometric patterns, plant ornaments and textile representations. Mivekannin’s free-hanging canvases are created on old bed sheets, which are part of his artistic practice. The sheets are treated in liquids whose composition is inspired by rituals steeped in the tradition of the Kingdom of Dahomey (present-day Benin). Galerie Barbara Thumm will present one of Mivekannin’s first sculptural installations in collaboration with Cécile Fakhoury at Art Basel Unlimited this year. The artist is currently represented with two solo exhibitions at the Musée du Louvre-Lens and the Collezione Maramotti. Opening: Friday, 02 May 2025, 6 – 9 pm Exhibition dates: Saturday, 03 May – Saturday, 21 June 2025 Gallery Weekend Berlin: Saturday, 3 May: 11 […]

until 16.08. | #4656ARTatBerlin | neugerriemschneider (linienstrasse) shows from 03. May 2025 (Opening: 02.03.) the group exhibition „advective motion, nebulous currents“ by the artists Ai Weiwei, Isa Genzken, Louise Lawler, Sharon Lockhart, Tomás Saraceno, Simon Starling, Tobias Rehberger, Shilpa Gupta, Mario García Torres, Thomas Bayrle, Pae White, Andreas Eriksson. The group exhibition advective motion, nebulous currents takes obfuscation as its focus, with narratives dissolved behind fog, distorted, streaked, rippled and pixelated in transformative actions, or softened to blurs. Here, in sculptures, photographs, prints and textiles, the rigidity of an articulated image dissipates and reality becomes malleable — undefinable and fleeting. As compositions meld in on themselves, perception reconfigures to scenes dreamlike and surreal, with afterimages, reverberations and ambient fluidity reflecting the ambiguities of modern existence. Ai Weiwei – Nord Stream, 2022Ai Weiwei’s Nord Stream (2022) uses a photograph of the whirlpool resulting from a ruptured Nord Stream 2 natural-gas pipeline, taken by the Danish Ministry of Defense, as the base for its large-scale iteration in pixel-like Lego bricks, creating a link between the source and its wide-spread presence across digital media. Captured southeast of the Danish island of Bornholm on September 27, 2022, a day after the leak began, the […]

until 21.06. | #4653ARTatBerlin | Galerie kajetan Berlin shows from Saturday, 26 April 2025 (Opening: 25.04.) the exhibition A Pause in Process by the artist Bettina Blohm. Gallery kajetan is pleased to present A Pause in Process, the second solo exhibition of artist Bettina Blohm (*1961), who lives and works between New York and Berlin. On view are large-scale paintings and one drawing from the years 2019 to 2025, characterized by an abstract visual language with a geometric sensibility. Implied grids, serial — mostly square — forms, and multilayered color modulations shape Blohm’s painterly vocabulary. The exhibition title already hints at a central aspect of her practice: the pause within an open working process and the resulting shifts in compositional development that become the actual subject of her work. Bettina Blohm, A Pause in Process, Ausstellungsansicht / Exhibition view 2025, Courtesy the artist & Galerie kajetan, Photo: Marcus Schneider The exhibition opens with the painting Ascension (2023), presented in dialogue with the drawing From the Series: Veronica (2023). These two works enter into a tension-filled exchange and provide a compelling introduction to Blohm’s multifaceted visual language. The square-format painting Ascension appears to move vertically upwards: deep black rectangles, marked with traces […]

until 04.05. | #4650ARTatBerlin | Galerie Kremers shows from 30. April 2025 (Opening 29.04.) the exhibition “I am so green” by the artist Fiona Ackerman. Canadian artist Fiona Ackerman was born in 1978 in Montreal, Canada, and studied Fine Arts at Concordia University and at the Emily Carr University of Art and Design in Vancouver, where she currently lives and works. Fiona Ackerman is considered one of Canada’s most renowned artists and has exhibited widely in prominent galleries in Vancouver, Calgary, and Toronto, as well as at international art fairs. She has also held several exhibitions in Germany, including in Münster, Nuremberg, Düsseldorf, and Berlin. Fiona Ackerman, Motorik, 2024, Mischtechnik auf Leinwand, 172,5 x 132 cm Her fourth solo exhibition at Galerie Kremers presents abstract, vibrant works that highlight the playful and expressive aspects of her practice. Ackerman is also active as a musician and is a member of the all-female band “KCAR.” The exhibition title “I’m so green” is a reference to the Cologne-based Krautrock band “Can.” This year, Fiona Ackerman will design Booth #12 at PAPER POSITIONS BERLIN (May 1–4 in the airport reception hall). The featured concept envisions the booth as a trompe-l’œil: a room within a […]

until 14.06. | #4647ARTatBerlin | Galerie Thomas Schulte (Charlottenstraße) shows from 3rd May (Vernissage: 02.05.) the exhibition „Sekunde“ by the artist Jonas Weichsel. Opnening: Friday, 2nd May 2025, 6 to 9 pm Exhibition dates: Saturday, 3rd May to Saturday, 14th June 2025     Bildunterschrift Titel: Jonas Weichsel, “Feb3 (08)”, 2025 Exhibition Jonas Weichsel – Gallery Thomas Schulte | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 14.06. | #4644ARTatBerlin | AOA;87 presents from 1st May 2025 (Vernissage: 02.05.) the exhibition „My desire, my dream, my despair“ by the Italian artist collective Numero Cromatico. On the occasion of Gallery Weekend 2025, AOA;87 is opening the exhibition „My desire, my dream, my despair“ by the Italian artist collective Numero Cromatico, which provides an insight into their latest artistic research. The exhibition presents three series of artworks that dialogue with each other through form, language and colour, offering the public an immersive experience: crossable curtains, luminous pieces and tapestries, artworks that activate the public on several sensory levels. Numero Cromatico, Words are always the object of love, 2023, Arazzi, handgefertigter Wandteppich aus Wolle auf Holzplatte, 50 x 70 cm, Photo: Numero Cromatico Is the exhibition, entitled My desire, my dream, my despair, a declaration of the artists’ love for art or for the public? Or is it a tool that Numero Cromatico offers the spectator to investigate their deepest feelings and bring them to consciousness? The only way to understand this is to experience the artworks and the exhibition space designed ad hoc by the Italian collective. Numero Cromatico, In your eyes dwells my flesh, 2023, Arazzi, handgefertigter […]

until 04.06. | #4640ARTatBerlin | Max Hetzler Gallery (Bleibtreustraße 45) presents from 1st May 2025 the exhibition by the artist Sergey Kononov. Galerie Max Hetzler is showing an exhibition of ten paintings by Sergey Kononov at Bleibtreustraße 45 in Berlin. This is the artist’s first solo exhibition at the gallery. In his intimate portraits, Ukrainian painter Sergey Kononov captures quiet moments of solitude or togetherness. Light-drenched and pooled in grainy, ochre tones, Kononov’s canvases exude a tenderness and familiarity reminiscent of a bygone era, thus probing the conventions of realist painting. ‘It’s important for me to capture a luminosity. I want to recreate the look of old films – that grain, that warm light – which I’ve loved my whole life,’ the artist explains.1 In the present exhibition, three closely cropped portraits depict faces obscured by cascading locks of golden hair. Subsumed in their inner selves, eyes closed or cast downward in martyr-like poses, Kononov’s subjects are imbued with the immediacy of photographic snapshots and the timelessness of ancient frescoes. In other compositions, Kononov presents lingering glimpses of domestic solitude. A girl falls asleep in the study of an Italian palazzo, slumped over an open book. In another painting, she languidly […]

until 28.06. | #4637ARTatBerlin | BBA Gallery shows from 2nd May 2025 (Vernissage: 30.04.) the exhibition „IMAGEMAKER“ by the artist Katsutoshi Yuasa. BBA Gallery Berlin announces the opening of the exhibition ‘IMAGEMAKER’ by Japanese artist Katsutoshi Yuasa, which will take place as part of Gallery Weekend Berlin 2025. This is not only his first solo exhibition in Berlin, but also his first exhibition in Germany. Yuasa has previously exhibited at the Royal Academy of Arts in London and the Victoria and Albert Museum. About the artist Katsutoshi Yuasa (b. 1978, Japan) is a printmaker whose work explores the nature of photography through woodblock printmaking. He holds an MA in Printmaking from the Royal College of Art, London, and has exhibited worldwide, including solo exhibitions at the Lawrence Art Centre, Kansas, and YUKI-SIS Gallery, Tokyo. His work can be found in prestigious collections such as the Victoria Albert Museum and the Museum of Contemporary Art Leipzig. Yuasa lives and works in Kanagawa Prefecture and teaches at Tama Art University. He has also completed residencies at institutions such as Graphic Studio Dublin, Cité Internationale des Arts and Kala Art Institute. © Image: Katsutoshi Yuasa Katsutoshi Yuasa, born in Tokyo and educated at […]

until 17.05. | #4634ARTatBerlin | Jarmuschek + Partner shows from the 05. April 2025 (Opening: 04.04.) the exhibition “nichtsdestotrotz” by the artist Elisa Manig. Belts, handles, holders and barriers. In Elisa Manig’s current works, seemingly realised safety concepts meet tangible limitations and restrictions – only to be revealed as something completely different in the next moment. Our notions of flowing sequences, physical processes and order are repeatedly undermined by the artist’s objects. What just seemed familiar and functional turns out to be an illusion that distorts, irritates and humorously outrages. In Elisa Manig’s absurd universe of devices, we are repeatedly thrown back on our expectations and demands on the world around us, confronted with challenges and forced to think in a completely new way; a good exercise for the worst-case scenario… About Elisa Manig  The artist Elisa Manig lives in Hamburg and was born in 1987 in Karl-Marx-Stadt (now Chemnitz). She began her studies of fine art at the Muthesius Academy of Fine Arts in Kiel in 2011 and continued at the HfBK Dresden in 2014. She graduated in 2018 as a master student (Meisterschülerin) of Monika Brandmeier. In the same year, she received the Saxon State Scholarship. Her work has already been […]

until 26.04. | #4630ARTatBerlin | Buchmann Galerie shows from 28. März 2025 the exhibition “30 Years”. The Buchmann Galerie celebrates its 30th anniversary with an exhibition surveying the gallery’s roster of artists. The gallery has presented close to 200 exhibitions over the course of thirty years, starting in Cologne in 1995 and, since 2005, located in Berlin with two adjacent spaces. Participating artists: Anna & Bernhard Blume, Greg Bogin, Daniel Buren, Pedro Cabrita Reis, Lawrence Carroll, Tony Cragg, Martin Disler, Gajin Fujita, Alberto Garutti, Des Hughes, Raffi Kalenderian, Wolfgang Laib, Jason Martin, Tatsuo Miyajima, Wilhelm Mundt, Arnold Odermatt, Bettina Pousttchi, Fiona Rae, Joel Sternfeld, William Tucker, Lawrence Weiner, Clare Woods. Opening: Friday, 28 March 2025, from 6:00 to 8:00 pm Exhibition date: Friday, 28 March – Saturday, 26 April 2025     Bildunterschrift Titel: Courtesy by Buchmann Galerie. Exhibition 30 Years – Buchmann Galerie | Zeitgenössische Kunst in Berlin | Contemporary Art | Ausstellungen Berlin Galerien | ART at Berlin

until 14.06. | #4627ARTatBerlin | Galerie Judin shows from 2nd May 2025 the exhibition „Bombois de Anholt“. Participating artists:: Catherine Anholt, Tom Anholt, Sara Anstis, Emmanuel Bornstein, Ian Davis, Thomas Delaroziere, Andriu Deplazes, Louis Fratino, Georgina Gratrix, Hortensia Mi Kafchin, Ryan Mosley, Minyoung Kim, Simphiwe Ndzube, Magdalena Shummer-Fangor, Esther Pearl Watson. Curated by Tom Anholt. Camille Bombois (French, 1883–1970) is one of the most storied unknowns of French art in the 20th century. A weightlifter and wrestler, who performed in the circus, and tugged  boats for a living, he became a self-taught painter at an advanced age. He sold his paintings, mostly small formats, on the banks of the Seine in Paris. In 1924, the famous art critic and dealer Wilhelm Uhde took notice of Bombois – allegedly after receiving a hint from his friend Pablo Picasso – and helped him to his first gallery appearance. By 1938, Bombois was canonical enough to be included in “Masters of Popular painting”, a momentous group exhibtion in New York’s MoMA. And in 1955, his work was presented at the “documenta 1” in Kassel. It was the modernity and individuality of expression that had captivated Picasso and his peers – and it has […]

until 07.06. | #4626ARTatBerlin | Galerie EIGEN + ART Berlin shows from 2nd May 2025 the exhibition „La Bocca di Berlino“ by the artist Samorì . Central to Nicola Samorì’s work is the idea that the most visceral way to ignite the experience of pleasure in art is by the shock of cruel depictions that get under the skin, an aspect of human nature that has intensely occupied art theory since antiquity. Samorì’s painstaking painterly handling of the epidermis of baroque images creates a sensuously dense foil for his artistic probing of the emotional and aesthetic depths of this unsettling subject.[…] Exerpt from the exhibition text by Nicola Suthor / Yale University Translation by Lisa Lawrence Opening: Friday, 2nd May 2025, 6 – 9 pm. Exhibition dates: Friday, 02nd. May– Saturday, 07th. June 2025     Titile image caption: Nicola Samori, untitled, 2024, Onyx, 42 x 62 cm, Berlin. Nicola Samorì – Galerie EIGEN + ART | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 31.03. | #4620ARTatBerlin | Sexauer Gallery shows from 28. March 2025 the exhibition “Hallucinogenic Nightmare Dream” by the artist Hannah Parr. Hallucinogenic Nightmare Dream “Some say the ancestors live in the drums,” says Hannah Parr as she introduces me to her work. Born in the UK, she now lives and works in Zürich, following time spent in Berlin and Santo Domingo. In recent years, she has devoted her practice to working with barrier slats, a material commonly found on Swiss construction sites. She finds them stacked on the street, sometimes with the help of construction workers who assist in gathering them. In her studio, Parr carefully tends to each slat, first cleaning it before cutting it with her table saw. She describes this process as both intimate and rhythmic, calling it an “action of cutting to release and reveal truths”—a transformation of the wood from one state to another, much like an instrument that only reaches its full potential when played. For her, the key is patience, allowing the material to guide the process rather than adhering to a fixed plan. She explains, “Each individual cut wood piece serves as a guide, shaping the work as it evolves through […]

until 24.04. | #4617ARTatBerlin | AOA;87 shows from the 30. March 2025 (Opening: 29.03.) the exhibition “Veni Vidi Venus” by the artist Ida-Marie Corell. Galerie AOA;87 presents the exhibition Veni Vidi Venus by Ida-Marie Corell, an interdisciplinary art project about the Venus of Willendorf. On display is a compendium of 108 works published in the graphic novel of the same name – a humorous and exploratory approach to the famous prehistoric artefact. The opening will be accompanied by Veni Vidi Voice, a live audiovisual performance that translates Corell’s exploration of Venus into an acoustic dimension. Music plays a central role in her work as a synaesthete, as it combines visual and sonic perception in particular. In Corell’s artistic exploration, the Venus of Willendorf tells her own story. Corell describes this encounter as an initiation, as a dialogue between past and present, art and viewer. Anyone who engages with Venus becomes part of an expanded consciousness. Ida-Marie Corell, Veni Vidi Venus #139, 2017-2022, Visual study on paper with pencil, watercolours and collage, 34.5 x 26.5 cm Corell’s work combines historical and mythological contexts with a critical reflection on the role of women and marginalised identities in history. Themes such as witch-hunts […]

until 24.04. | #4611ARTatBerlin | AOA;87 shows from 22 March 2025 (Opening: 21.03.) the exhibition “Galatea will Freiheit” (> Galatea wants freedom) by the artist Martine Johanna. AOA;87 presents the solo exhibition “Galatea Will Freiheit” by Dutch artist Martine Johanna. The exhibition intertwines perceptions of ancient Greek mythology with contemporary themes of strength, poetry, escapism, and dark humor. Painted like living sculptures—flawless, graceful, and timeless—these figures are not merely objects of admiration but embodiments of power: both fragile and untamed, mythical yet deeply human. They evoke a quiet, introspective resilience, inviting the viewer into a space where logic is suspended—a world where the boundaries between wakefulness and dreams blur, at once beautiful and enigmatic. Laughing until it hurts, 2025, Arcyl on wood, customised frame, 100 x 70 x 5.5 cm Some figures are infused with dark humor—irony and wit manifest in floating heads, referencing the beheading of Medusa. This nods to the ways in which women, influenced by male-dominated perspectives, often judge one another. A Cella, 2025, Acrylic on linen, 140 cm x 100 cm x 2,5 cm The exhibition reflects on the construction of identity from the artist’s deeply personal perspective—a process in which memory, cultural influences, and self-perception […]

until 27.04. | #4623ARTatBerlin | Luisa Catucci Gallery shows from 14th March 2025 (Opening: 13.03.) the Duo Exhibition  „The Wisdom of the Peacocks“ by the artist Wolfgang Flad and Rémy Hysbergue. Luisa Catucci Gallery, in collaboration with Jaeger Art Advisory, is delighted to present The Wisdom of the Peacock, an artistic dialogue between two exceptional masters of color—Berlin-based Wolfgang Flad and Paris-based Rémy Hysbergue. Both artists, mutual admirers of each other’s work, explore materiality, light, and abstraction in a captivating exchange that bridges sculpture and painting. Wolfgang Flad, Courtesy Luisa Catucci Gallery. Wolfgang Flad’s artistic practice is deeply rooted in relief and texture, incorporating abstract aluminum casts, iridescent glass works, and mixed-media compositions. His recent series, Dark Side of the Moon, features intricate reliefs veiled behind reflective, color-shifting glass panels, challenging the viewer’s perspective and engagement with the work. These sculptural pieces echo lunar landscapes—cratered surfaces, cosmic depth, and shifting light—while simultaneously inviting interpretations that range from oceanic shallows to interstellar formations. The mirrored surfaces integrate the viewer’s own reflection into the artwork, collapsing physical, pictorial, and human space into a singular, fluctuating entity. With a career that spans international exhibitions and museum acquisitions—including a monumental installation at the Tampa Museum of Art in Florida—Flad remains […]

until 17.04. | #4610ARTatBerlin | Galerie Esther Schipper shows from 14. March 2025 a Solo-exhibition by the artist Thomas Demand. Thomas Demand has already had five solo exhibitions at the Esther Schipper Gallery. On display is a series of eleven hand-printed lithographs produced by the legendary print publisher Gemini G.E.L. and installed on a new wallpaper specially designed for this presentation. The wallpaper shows a pattern of blue and red circles and is based on the old carpeting in the International Congress Center Berlin (ICC), which was inaugurated in 1979 in what was then West Berlin. The ICC was the most expensive building in the city at the time and was listed as a historical monument in 2019, but has been largely abandoned in recent years. The pattern, interpreted by Demand in a color version, provides a perfect backdrop for the artist’s lithographs, which focus on architectural structures of historical and cultural significance. Each individual lithograph reflects the complex history of the site depicted and is characterized by exquisite craftsmanship. The series includes notable works such as Concattedrale Gran Madre di Dio, which depicts the cathedral in Taranto, Italy, designed by Gio Ponti in 1970. Demand emphasizes the openwork walls […]

bis 26.04. | #4638ARTatBerlin | Galerie Sievi shows from 08. März 2025 (Opening: 07.03.) the exhibition Farbspuren und Umformung by the artist Norman Gebauer. Norman Gebauer 1958 born in Wiedenbrück 1974 – 77 Apprenticeship as cabinet maker 1981 – 83 Apprenticeship as a stonemason and stone sculptor 1983 – 84 Qualified for technical college entrance qualification for design in Münster Norman Gebauer, Die Zeit draengt, 2021 1985 – 87 Studies at the Accademia di Belle Arti, Florence 1987 – 88 Studies at the Kunstakademie, Düsseldorf 1988 – 90 Studies at the Accademia di Belle Arti di Brera, diploma in sculpture, Milan 1990 – 95 Studied at the Accademia di Belle Arti di Brera, Diploma in Painting, Milan 1994 – 95 ERASMUS scholarship at the Academy of Fine Arts, Munich Norman Gebauer, Hochhaus b, 2023,  60 x 15 x 15 cm 1994 1st prize at the National Graphic Art Exhibition, Gorlago, Bergamo 1998 Scholarship from the Aldegrever Society, Großpösna-Leipzig 1999 International Graphic Arts Prize, MAES Museum, Vitória, Brazil 2002 Graphic art scholarship, Weimar 2003 France Scholarship, Aldegrever Society, Münster 2008/2018 Working scholarship, Wallhausen Castle Lives and works as a freelance artist in Berlin since 1995. Opening: Friday, 07 March 2024 at […]

until 12.04. | #4604ARTatBerlin | KLEMM’S currently presents the exhibition “Dialect“ by the artist Felipe Romero Beltrán. The exhibition Dialect is the first solo exhibition of the Colombian artist Felipe Romero Beltrán at KLEMM’S Gallery. On display are selected works from his photo series Dialect (2020-2023) and the video work Recital (2020). Beltrán experiments with a visual understanding similar to documentary photography, an anticipation that quickly dissolves in the irritating artificiality of the scenes. The images bear witness to the photographer’s sensitive empathy, yet simultaneously reveal his distinct artistic style. His extremely precise compositions succeed in posing questions about identity, power dynamics, and social structures, while at the same time creating a completely new imagery that resists clear typological classification. Beltrán’s images achieve a dual impact, in which their visual potency supercedes their narrative power. His work fosters a subtle yet profound reflection on migration not only as a geographical phenomenon but also as a bureaucratic, social, and emotional experience. Felipe Romero Beltrán Dialect, 2022, Pigment Print, 50 x 40 cm, courtesy of the artist and HATCH After presentations at the Biennale für Aktuelle Fotografie Mannheim/Heidelberg (2022), at the Festival of Young European Photography, Paris (2023), as well as impressive solos […]

until 06.04. | #4602ARTatBerlin | BBA Gallery shows from 01. March 2025 the group exhibition “BBA MPB Award – Perspectives in diversity”. Featured as part of the Monat der Fotografie-Off Berlin 2025 festival, the BBA MPB Award: Perspectives in Diversity exhibition celebrates artistic excellence through the lens of diversity, bringing together three distinct voices—Willi Dorner (Austria), Nora Obergeschwandner (Austria), and Norberto Pezzotta (Italy). Their works explore the intersections of identity, urban transformation, human intimacy, and evolving perceptions of beauty, offering a dynamic dialogue on contemporary society. Willi Dorner’s practice traverses the realms of performance and visual arts, engaging with urban landscapes to examine how architecture and identity intertwine. Nora Obergeschwandner’s photographic series In Between presents a poignant exploration of human relationships, intimacy, and attachment. Rooted in personal experience, the project navigates the emotional landscapes of love, vulnerability, and self-discovery. Norberto Pezzotta challenges conventional aesthetics with Augmented Unreality, a project interrogating beauty in the age of artificial intelligence. Together, these artists offer a multifaceted exploration of diversity—not only in representation but also in artistic approach and conceptual depth. BBA MPB Award: Perspectives in Diversity invites viewers to engage with themes of transformation, emotional depth, and the evolving narratives of human identity […]

until 29.03. | #4599ARTatBerlin | Galerie Inga Kondeyne – Raum für Zeichnung shows from 21st February 2025 a solo exhibition by the artist Alexander Klenz in the backstage of the gallery. Upon entering backstage, visitors will recognize a stable, precisely placed structural order, accompanied by special plays of color. A rectangle, drawn on a vertical sheet of paper, seemed for a long time to be a typical template within Alexander Klenz’s works. He filled it with basic shapes, using them to create an imaginary network of tension. The rectangle has disappeared as a drawing in the new works. Shifts that move beyond the self-imposed boundaries expand Alexander Klenz’s work system in an exciting way. Surprisingly, in the new drawings, thickened, often hook-shaped colored lines grow through the balanced compositions, in which square, deep black areas can still be found. The lines connect the fields, lead beyond them or challenge an interplay. Interrelated leaf sequences are waiting to be discovered. 1974 born in Bützow 1995 – 2001 studied at the KH Berlin Weißensee with Hanns Schimansky and Dieter Goltzsche; 2002-2003 master student with Hanns Schimansky; 2012 nominated for the Rostock Art Prize for Graphics, Rostock; since 2018 co-initiator of the exhibition […]

until 12.04. | #4596ARTatBerlin | Galerie Max Hetzler ( Bleibtreustraße 15/16) shows from Saturday, 01. March 2025 the group exhibition “Stories of your lives” with works by: Giulia Andreani, Louise Bonnet, Glenn Brown, Manuele Cerutti, Marcus Cope, David Czupryn, Carroll Dunham, Walton Ford, Lenz Geerk, Ernst Yohji Jaeger, Ragnar Kjartansson, Sergey Kononov, Pia Krajewski, Victor Man, Danielle Mckinney, Keita Morimoto, Paulina Olowska, Pietro Roccasalva, Jan-Luka Schmitz, Rinus Van de Velde and Joseph Yaeger. The exhibition brings together a variety of remarkable contemporary artists who are redefining, expanding and challenging the possibilities and boundaries of portraiture, emphasising the enduring importance of this traditional genre in our complex and interconnected world. Curated by Eugenio Re Rebaudengo, the exhibition celebrates portraiture not merely as a reflection of physical likeness but as a profound storytelling act – one capable of holding the complexity and depth of lives lived, dreamed, and yet to be imagined. Through this lens, the exhibition redefines portraiture as a dynamic and resonant genre, affirming its relevance in capturing the multifaceted essence of humanity today. Inspired by author Ted Chiang’s acclaimed collection of speculative stories, Stories of Your Lives examines the contemporary portrait as a vessel for narrative. These works go beyond mere […]

until 12.04. | #4593ARTatBerlin | Kuckei + Kuckei shows from the 28. February 2025 an exhibition by the artist Barbara Probst. This exhibition with current works by Barbara Probst is taking place as part of EMOP 2025 (European Month of Photography, Berlin). Barbara Probst’s works each consist of several photographs that show the same subject from different perspectives at the same time. The individual images are so different that this connection is only slowly revealed. For Probst, this fragmentation of the moment into a series of images is a means of exploring the ambiguity inherent in every photographic image. Thanks to a remote-controlled system, she can simultaneously press the shutter release of different cameras pointing at the same subject from different angles. The camera’s optics provide a different view of the same reality from each perspective, revealing the subjectivity of perception. The moment expands, becomes fragmented and unfolds before our eyes like a multi-layered, kaleidoscopic narrative. Probst uses this method to question the ambivalences of photographic representation while exploring the conventions and genres of photography, from reportage and surveillance to portraits, still lifes and fashion shots. Barbara Probst, Exposure #187: Milan, Fondazione Prada, Cisterna, 09.20.23, 5:35 p.m., 2023, Ultrachrome ink […]

until 22.03. | #4590ARTatBerlin | Galerie SCHMALFUSS BERLIN shows from 15. February 2025 the exhibition “Challenge of Colour – Hymnen an die Nacht” by the artists Jürgen Durner and Jörg Bach. Jürgen Durner’s paintings are based on the perception of artificial light in urban space. Many differently colored light sources are reflected in reflecting window panes, which in turn merge very artificial illuminations of interior and exterior spaces. Jürgen Durner, Königsblau, Oil on canvas, 55 x 55 cm, 2024 Currently, Durner succeeds in immensely increasing the color values of these light situations and thus bringing them to absolute brilliance. He explores the possibilities of painting with oil on canvas anew through the experimental combination of colors and techniques, thus reaching the limits of what can be painted. Jürgen Durner, Planeten, 2024, Oil on canvas, 160x240cm Jörg Bach, Bleibe, Corten, Lack, 13 x 13 x 14 cm, 2024 Jörg Bach, Reflektor, 2024, Stainless steel, 45 x 80 x 32 cm Jörg Bach mainly produces sculptures made of sheet steel in numerous variations and sizes. He creates both large and small wall objects as well as floor and free-standing sculptures, which can be natural, painted or made of polished stainless steel. Jörg […]

until 01.03. | #4587ARTatBerlin | Galerie Thomas Schulte (Charlottenstraße) is currently showing the exhibition “Mondkalb mit Reibekuchen” by the artist Betram Jesdinsky. Myths and motors, carpet landscapes, packed lunches and fantastical creatures – nothing in this world (or beyond it) escapes Bertram Jesdinsky’s artistic cosmos. The artist’s pictorial worlds bend time and space, everyday objects seem to take on strange lives of their own, and overpopulated canvases pulsate with life. Born in 1960, Jesdinsky studied at the Kunstakademie Düsseldorf and later went on to co-found the “Anarchistische GummiZelle” in 1980, which became known for its experimental films and performances. In April 1992, at the age of 32, Jesdinsky took his own life, leaving behind an diverse body of paintings, sculptures, music and films. Thomas Schütte’s dedicated 2022 exhibition in the Skulturenhalle in Neuss, offered a comprehensive view of his oeuvre. This year, the exhibition Mondkalb mit Reibekuchen (Moon Calf with Hash Browns), at Galerie Thomas Schulte takes a new look at Bertram Jesdinsky’s artistic life and work. The show illustrates the great autonomy of his work, which is reflected both in the breadth and versatility of the media he employs as well as the uniqueness of his artistic vision embodied in his […]

until 12.04. | #4584ARTatBerlin | RASCHE RIPKEN shows from 14. February 2025 the exhibition Licht aus, Tür zu by the artist Ralph Merschmann. From February 14 to April 12, 2025, the gallery Rasche Ripken will present new paintings by Ralph Merschmann in a solo exhibition titled Licht aus, Tür zu. In his latest works, the artist has adopted a new compositional approach that can be described as a kind of architectural planning exercise. He organizes the canvas using geometric color forms, almost as if they were modular elements of a construction set, combining in endless new arrangements. His paintings shift between top-down and side views, sometimes evoking floor plans or street maps, and at other times resembling fragmented house facades with embedded doors and windows. These elements are either symmetrically distributed across a monochromatic background or arranged – partly dark, partly lit – in free formations that deliberately defy any structural logic. As in his previous series, the artist continues to organize his latest works through the successive layering and superimposition of modular shapes to form complex, multi-layered compositions. The lacquered areas of paint sometimes resemble adhered, reflective foils, making both illusion and materiality central themes and subjects of his […]

until 22.03. | #4581ARTatBerlin | Kristin Hjellegjerde Gallery Berlin shows from the 21. February 2025 (Opening: 20.02.) the Group exhibition “Ethereal” by the artists Bianca Barandun, Kim Booker, Carri, Saskia Fleishman, Michelle Jezierski, Anne Griffiths, Alessandro Keegan and Thomas Trum. Ethereal, a group exhibition at Kristin Hjellegjerde Gallery, Berlin, brings together some of the most exciting artists working with abstraction today. The show considers how the abstract style has provided fertile ground for artists throughout history, inviting a playful approach to materiality, symbolism and texture, with particular attention paid to emotional states, rhythm and ephemerality. Exploring everything from memory and spirituality to our relationship with everyday objects, architecture and nature, Ethereal invites us to pay closer attention to the world around us. Working at the intersection of print, drawing and sculpture, Swiss artist Bianca Barandun seeks to capture complex emotions through colour and forms. For this exhibition, she presents a ceramic sculpture from her ongoing ‘Silos’ series, for which she interviews people about their memories, asking them to describe only the visual aspects. She then translates these details into a code, exploring how language affects not only the ways in which we communicate recollections, but the act of remembering itself. […]

until (to follow) | #4578ARTatBerlin | ARTES Berlin presents from 4th February 2025 the group exhibition ‘Highlights on Paper’. ARTES Berlin presents the new exhibition series ‘Highlights on Paper’. To kick off the series, the focus is on watercolour painting, which displays an impressive variety and expressiveness in its works. On display are watercolours by renowned artists such as Emil Nolde, Klaus Fußmann, Erich Heckel, Karin Kneffel, Günther Uecker, Gerhard Richter and many others. Each of these masters brings their own perspective and technique to the medium and shows just how multifaceted the world of watercolour can be. The ‘Highlights on Paper’ exhibition series invites visitors to discover the extraordinary variety and different expressive possibilities of works on paper. The works on display range from classic watercolours to innovative experiments with the medium of paper, which is brought to life through a wide variety of techniques and artistic working methods. Whether delicate, powerful or abstract – each work shows how versatile and creative paper can be used as a material. Vernissage: Tuesday, 04 February 2025 Exhibition dates: Tuesday, 04 February 2025 until (to follow)     Image Caption: “Highlights on Paper”, Courtesy of ARTES Berlin (Detail). Exhibition “Highlights on Paper” […]

until 08.03. | #4575ARTatBerlin | Galerie Schindler is currently showing the exhibition ANTIMODE by the artists Andreas Hildebrandt and Susanne Ramolla. In the exhibition ANTIMODE, Andreas Hildebrandt and Susanne Ramolla present an exploration of the principle of Anti-Mode Technology™. This technology, which is used in sound engineering to reduce and eliminate disturbing acoustic room resonances, forms the starting point for the artistic exploration of the relationship between technology, space and material as well as aesthetic perception. In German, the title ANTIMODE also refers to an attitude against fashion in the traditional sense, to the principle of non-fashion – free from aesthetic conventions and without orientation towards current trends. Hildebrandt and Ramolla play with this term and use it as a metaphor for an artistic attitude that opposes superficial aesthetics and the constant hunt for novelty. It is the search for an aesthetic purity that is not subject to the dictates of fashion. Susanne Ramolla, Ramoon, 2023, Concrete, gauze tape white,22 x 16 x 15 cm Hildebrandt and Ramolla are interested in the ambivalence between the technical process of anti-fashion and the concept of anti-fashion as an aesthetic attitude that is not orientated towards fashionable trends. The technology, which can eliminate […]

until 05.04. | #4572ARTatBerlin |Galerie Friese shows from Saturday, 08. February 2025 (Opening: 07.02.) the exhibition SOULVA by the artist Anna Leonhardt. We are used to reading a succession, a temporal sequence in pictures, just as we experience it in life. In Anna Leonhardt’s work, one might initially think: there is a background to the picture, which is the foil for the appearance of shiny, shimmering colour forms. An event of painting takes place on the surfaces of the background, which says a lot about Anna Leonhardt’s understanding of art. We are dealing with the material of colour in its most beautiful form, because it acts as such and at the same time evokes associations. On it are abstract forms in which a tremendous interaction takes place, an inner and outer dialogue of colour with itself and the viewer. Anna Leonhardt, VOIS, 2025, Öl auf Leinwand, 45 x 60 cm, Foto: Lars Wiedemann As with the so-called background of the picture itself, what is being talked about here is the in-between, the pathos and the importance of the incidental. Sometimes, it seems, all that matters in a picture is this small trace of colour, this difference, which is almost forgotten in […]

until 14.03. | #4569ARTatBerlin | DIEHL shows from Saturday, 08. February 2025 (Opening: 07.02.) the Exhibition “Nicht Schwarz, nicht Weiß, nur schmutziges Grau” by the artist Christa Jeitner. Opening: Friday, 07. February 2025, 7 pm. Exhibition dates: Saturday, 08. February until Friday, 14. March 2025     Title image caption: Christa Jeitner, Fortgeführter Zyklus Licht des Nichts X-XII, XII: Schostakowitsch: “Nicht Schwarz, nicht Weiß, nur schmutziges Grau”, 1990, machine seam drawing, 46.5 x 46 cm, © the artist, photo by Alicja Kielan Exhibition Christa Jeitner – DIEHL | Zeitgenössische Kunst in Berlin | Contemporary Art | Ausstellungen Berlin Galerien | ART at Berlin

until 08.03. | #4566ARTatBerlin | Galerie Dittmar presents from Saturday, 25. January 2025 the group exhibition Artists of the Gallery. Participating artists: Arcangelo, Mona Breede, Gerhard Fietz, Georg Frietzsche, Robert Jacobsen, Gottfried Salzmann, Emil Schumacher, Sean Scully, Jan Voss Emil Schumacher, 1994, Aquatinta und Collage, 52 x 65 cm It is not a themed exhibition. The selection is cross-national and cross-generational. The most diverse media and techniques are represented and the most varied processes are developed. But the result is nothing less than disparate. The selection and hanging of the works create tension, generate correspondences and open up references. At the same time, they sharpen the eye for the individual image. Vernissage: Saturday, 25 January 2025, from 12 pm Exhibition dates: Saturday, 25 January – Saturday, 08 March 2025     Image Caption: Mona Breede, Parc Citroen III, 1998, 50 x 60 cm Exhibition Artists of the Gallery – Galerie Dittmar | Zeitgenössische Kunst in Berlin | Contemporary Art | Ausstellungen Berlin Galerien | ART at Berlin

until 22.02. | #4561ARTatBerlin | Meyer Riegger shows from 17. January 2025 (Opening 16.01) the group exhibition “I though I had lost a soul here” by the artists Tamina Amadyar, Hangama Amiri, Horst Antes, Katinka Bock, Miriam Cahn, Eva Koťátková, Jeewi Lee, Paulo Nazareth, Salvo, Michael Schmidt, Mike Silva, Feier Yu and Meng Zhang. The title of the exhibition itself is drawn from the poem Aachen (2016) by Meng Zhang (1983, Tianjin, China), who studied literature before turning to the visual arts. Her poetic drawings and prints often resemble maps or branching paths, reflecting her navigation between both Western and Chinese art traditions and ways of life. The marks of charcoal and wax on the delicate transparent paper that Zhang uses in At, Nowhere No.1 (Nirgendwo) (2020), for the artist, conjure a feeling of being lost physically, geographically and culturally, but also the simultaneous desire to find one’s place. Meng Zhang At Nowhere No.1 (Nirgendwo) 2020, charcoal, wax on transparent paper 120 x 180 cm Meng Zhang At Nowhere No.1 (Nirgendwo) 2020, charcoal, wax on transparent paper 120 x 180 cm. Installation view The fabric work buji (2024) by Tamina Amadyar (1989, Kabul, Afghanistan) is created from discarded remnants of already […]

until 05.03. | #4556ARTatBerlin | Q Gallery shows from 08. February 2025 (Opening: 07.02.) the double exhibition “IM STROM DER ZEIT” with works by the sculptor Peter Rosenzweig and the painter Ulf Meyer-Wachsmuth. The two artists share a long common path. They have known each other since the 90s. Back then, Peter Rosenzweig founded the renowned summer academy for sculpture and painting Campo dell’Altissimo in Italy. And Ulf Meyer was one of the first lecturers in painting. Until today. Both have shown their work in exhibitions and projects in several European countries. They are now being presented for the first time in a joint exhibition at the Q Gallery Berlin. In addition to current works, they are also exhibiting works from these past years. Ulf Meyer-Wachsmuth – Inland Empire, Wax tempera on nettle, 176 x 137 cm PETER ROSENZWEIG’s sculptures reflect not only his long artistic exploration of stone as a material, but also his respect for the material itself. Thousands of years of the earth’s history, an immeasurable variety of colours and shapes. Peter Rosenzweig’s works are characterised by leaving these in their original state, sometimes working on them and shaping them artistically, creating a field of tension between […]

until 01.03. | #4555ARTatBerlin | Russi Klenner shows from 18. January 2025 (Vernissage 17.01.) the exhibition Broken Toys by the artist David Moses. Since 2017, artist David Moses has been exploring the Silly Symphonies, Walt Disney’s early cartoons, and exploring how movement and time can be transformed into visual spaces He transfers the filmic events of these cartoons into a new abstract-figurative space on the canvas by fragmenting, drawing and overpainting. Traces of the original remain recognisable, dissolving into an explosion of colour surfaces and lines. In his new exhibition Broken Toys at the Russi Klenner Gallery, he concentrates on the central characters of his works. He penetrates deeper into their innermost, hidden selves and not only captures their facial expressions and extreme movements, but also scrutinises everything anew by radically dissolving and rebuilding them at the same time. While the visual realisation of music played a central role in the Silly Symphonies, this is also echoed in David Moses’ work. In his new works, rhythm and musicality are reflected in lines and colours that create a poetry of the abstract and convey emotions even more radically and intensely. David Moses, not yet titled (after Three Blind Mouseketeers, 1936), 2025, […]

until 22.02. | #4553ARTatBerlin | ChertLüdde (Potsdamer Str.) shows from 11. January 2025 the exhibitions „In the end something begins with us“ by the artist Ruth Wolf-Rehfeldt and „Controlling Chaos“ by the artist Vincent Trasov. ChertLüdde presents a dialogue between Ruth Wolf-Rehfeldt (1932, Wurzen – 2024, Berlin, Germany) and Vincent Trasov (1947, Edmonton, Canada). These exhibitions celebrate the dynamic and avant-garde spirit of Berlin, even during the geopolitical division of the city. Both artists were closely connected to their respective artistic communities and contributed to a vibrant network of collaboration and innovation. Together, their exhibitions tell the story of Berlin as a centre of artistic experimentation and international exchange, linked by the Mail Art movement. Among the like-minded is Anna Banana (1940-2024, Victoria, Canada), whose mail art correspondence is also shown as a bridge between the two exhibitions. The responses to the gallery’s Mail Art Open Call, inspired by Ruth Wolf-Rehfeldt’s Divided Planet (1970), will also be on display in the gallery’s bookshop for the duration of the exhibitions. Ruth Wolf-Rehfeldt – In the end something begins with us Ruth Wolf-Rehfeldt in her atelier in Zitherstrasse, Berlin, circa. 1978 ChertLüdde presents In the end something begins with us, an exhibition […]

until 22.02. | #4550ARTatBerlin | Galerie Max Hetzler ( Bleibtreustraße 15/16) shows from Friday, 17. January 2025 the solo exhibition by the artist Rinus Van de Velde. In a practice spanning drawing, installation, sculpture and video work, Rinus Van de Velde creates a fictional autobiography, drawing on imagined memories of a life never lived. In his pictorial world, the possibilities of reality have no limits. Due to their unusually large format, Van de Velde’s drawings are reminiscent of paintings, giving the medium an autonomous character. While he initially worked exclusively with charcoal on paper, in recent years the artist began to introduce colour to his works, creating larger oil pastels, alongside small pencil drawings. In the works on paper, handwritten texts can be found underneath the pictures, testifying to fears, wishes and longings, among other things. The words anchor the drawings in a larger narrative and determine their place within it. The video works and sculptures, which are often props for the artist’s films or depict scenes in miniature, are also part of this construct. Here the textual element can be found again in the extensive titles. In addition to Van de Velde’s latest video work, the current exhibition also […]

until 01.03. | #4547ARTatBerlin | Galerie Martin Mertens shows from 18. January 2025 the exhibition Remnant by the artist Daniel Bodner. The American painter Daniel Bodner, whose work Galerie Martin Merte has been following since 2013 and is now presenting in a fifth solo exhibition, is treading completely new formal paths with his new group of works. On closer inspection, however, it becomes clear that even in his figurative paintings, which are based on urban landscapes or the human figure, his main interest lay in exploring the relationship between painting and photography and their respective ways of depicting light. The abstract paintings in this new exhibition intensify this interest. By moving on to images that he generates unconsciously, Bodner explores the simultaneous creation and destruction of images that can occur in the analogue photographic process with its pitfalls of overexposure and underexposure, unintended chemical reactions and the physicality of technology. When looking at “photographs”, the transition from analogue to digital image production can seem insignificant. However, as digital image creation replaces the analogue photographic process, its invisible, instantaneous mechanism erases the drama of an image’s creation. By moving from scenes drawn from the world around us to an unconscious approach […]

until 19.04. | #4545ARTatBerlin | Persons Projects shows from 22nd February 2025 (Vernissage: 21.02.) the exhibition Transfigurations (1973-75) by the artist Grey Crawford. Persons Projects presents, as part of the European Month of Photography in Berlin (EMOP), Grey Crawford’s third solo exhibition, Transfigurations (1973-75). His selfperformances from the early 1970s encapsulate the spirit of an era in Southern California, in which Performance Art moved away from the platform of the audience and into the photographic framing of the moment. During this time, performance art can be best described as any type of self-absorbed activity that questioned the essence of sculpture by eliminating the object itself. The focus was on the body and its movement, and how these activities created conversations rather than answers. It was a period of experimentation, and Los Angeles – along with its extended suburbs – was the perfect place for these happenings to evolve. Local artists such as John Baldessari, Ed Ruscha, Chris Burden, and Judy Chicago were all crossing artistic boundaries, and opening up new opportunities that challenged the existing parameters of what the establishment considered to be art. Anywhere and everything became potential stages for artistic intervention. It was in this cultural setting that […]

until 15.02. | #4542ARTatBerlin | Kristin Hjellegjerde Gallery Berlin shows from the 17th January 2024 (Opening: 16.01.) the exhibition  “Barefoot – ባዶ እግር” with the artist Dawit Abebe. From January 2025, the gallery will be located in Berlin’s Mercator Höfe (address below). “Barefoot – ባዶ እግር” presents a dynamic new series of mixed media paintings that continue the artist’s research into how historical events shape cultural, political and social identities. Abebe describes the human form as “an alphabet” that he uses to shape personal and collective narratives. In these latest works, the body appears at different scales with a contrast between huge painted limbs – disembodied feet that appear like mountain ranges, and legs and torsos that extend beyond the boundaries of the canvas – and tiny silhouettes of cut-out figures from magazines. Carefully positioned objects, many of which are recurring motifs in Abebe’s work, articulate complex ideas around origin and cultural identity. Cameras in various forms – handheld cameras, surveillance cameras or embedded in smartphones – allude to surveillance, vanity and performance. The current focus on feet and shoes stems from Abebe’s research into key moments in Ethiopian history, such as the battles of Dogali (1887) and Adowa (1896) […]

until 24.01. | #4540ARTatBerlin | DIEHL shows from Friday, 06. December 2024 the Group exhibition Beschwörung – Incantation. Participating artists: Evelyne Alcide, Roudy Azor, Marie Mireille Delisme, André Eugène, Nadine Fortilus, Jean-Baptiste Jean-Joseph, Jean Muller Milord and George Valris. The exhibition Beschwörung – Incantation brings together a compelling array of works inspired by the visual language of Haitian Vodou. Drawing from a deep spiritual tradition, these pieces are not sacred objects intended for ceremonial use but are instead extraordinary artistic expressions created to sustain the lives of their makers. The artists, many of whom navigate economic instability, channel the symbols and aesthetics of Vodou into works that speak to resilience, resourcefulness, and cultural pride. This exhibition offers only a glimpse into the contemporary Haitian art scene, which is gaining increasing recognition internationally for its innovation and depth, recently highlighted as part of documenta 15 in 2022. At the same time, it reflects the challenges of life in Haiti today, including ongoing political unrest, violence, and economic struggles. Through these works, viewers are invited to explore the rich and evolving traditions of Haitian art and spirituality, gaining a little insight into a culture that continues to thrive creatively despite adversity. Curated by Fanny Gjoni […]

until 22.02. | #4536ARTatBerlin | Galerie Z22 presents from January 16, 2025 the exhibition MIT IHR (> WITH HER) – Explorations of Femininity by the artist Kerstin Dzewior. Kerstin Dzewior is a painter. And she paints women. In her realistically precise paintings, she portrays the childlike innocence, the erotic charisma, the graceful figure of women. Yet the spaces in which she places her figures remain enigmatically empty. Sometimes a structure surrounds them, then it is a glow or an abyss opens up. The women are isolated and at the same time absorbed in themselves. They play with threads, juggle with balls, draw lines on the wall or gaze into the distance. Frozen into still images of a narrative that the viewer must discover for themselves. What happened before and what happens afterwards remains hidden. But in this one magical moment, the figure becomes aware of itself. The works “Durch Sie” and “Her mind” show two women in calm certainty about their own identity. An artist can only bring this to the canvas so unerringly in expression and form if he immerses himself in the scene and finds parallels in his own emotional world. Kerstin Dzewior describes the act of painting […]

until 20.12. | #4533 ARTatBerlin | Galerie alexander levy shows 15. November 2024 the exhibition Lagelagelage of the artist Gereon Krebber. Galerie Alexander Levy is presenting new works by Gereon Krebber under the title ‘Lagelagelage’. The gallery alexander levy is pleased to present the exhibition Lagelagelage by Gereon Krebber. Lagelagelage picks up on the well-known real estate slogan, location location location, in order to encapsulate Krebber’s fascination with the tension between stable construction and delicate fragility. The works reference large cities characterized by construction projects and real estate speculation which present our societies with social segregation and exclusion amid a globalized landscape. Our urban environment is built on geometric and symmetric construction materials – structures that are disrupted and have their symmetry dissolved in the exhibition. Lagelagelage consciously plays with imagery of situations of upheaval, precarious phases and disintegrating structures, as they often appear in an urban context. The sculptures made of ceramics, polyurethane, concrete and metal are evocative of defamiliarized versions of furniture: whether shelf or playground scaffolding, bathtub or electrical switch box – the utilitarian objects are removed from their initial purpose and have taken on a life of their own. The exhibition combines individual work groups that […]

until 07.02. | #4530ARTatBerlin | Galerie aKonzept show from 30. November 2024 the exhibition Stitch of Transmission of the artist Emmanuelle Rapin. Stitch of Transmission is an artistic exploration of resilience, transformation, and transmission between nature, culture, and the cosmos. Inspired by the Cymbalaria muralis plant, Emmanuelle Rapin combines art history, science, and embroidery to explore the profound connections between past and present, earth and cosmos. Copper wire as a flow of living memory, embroidered constellations, and plaster casts embody the fragility and continuity of life. The exhibition invites reflection on our biological, cultural, and cosmic heritage – a poetic dialogue between matter, time, and the mystery of the universe. Vernissage: Saturday, 30 November 2024, 5 – 8 pm Exhibition dates: Saturday, 30 November 2024 to Saturday, 07 February 2025     Image above: Emmanuelle Rapin – Stich der Weitergabe – courtesy of Galerie aKonzept Exhibition Emmanuelle Rapin – Galerie aKonzept | Zeitgenössische Kunst | Contemporary Art | Exhibitions Galerien Berlin | ART at Berlin

until 06.01. | #4527ARTatBerlin | Dorothée Nilsson Gallery show from Friday, 29. November 2024 (Vernissage: 28.11.) the exhibition TODAY IS NOT POSSIBLE of the artist Marike Schuurman. Today is not possible consists of a selection of photographic and film works from the last 25 years. Marike Schuurman (*1964) uses the medium of photography to investigate the ambiguity of human-made spaces and landscapes. Starting point of Schuurman’s work are stories or situations that she observes and deal with absurd human attempts to change or influence the world around them. The artist uses a specific photographic technique for each theme, as well as reflecting on and illuminating the medium of photography and the associated production processes in her work. Marike Schuurman is an artist-photographer born in Groningen, The Netherlands. She studied photography at Gerrit Rietveld Academy in Amsterdam, where she got her BFA in 1998, immediately followed by a two year residency at the Rijksakademie van Beeldende Kunsten in Amsterdam. In 2003, she got a stipendium from the Dutch Fonds BKVB (Mondriaanfund) for a one-year residency at Künstlerhaus Bethanien in Berlin; in 2008 for a 6-months residency in Beijing, China and in 2009 for a residency in São Paulo, Brazil. Her work is […]

until 29.11. | #4524ARTatBerlin | Luisa Catucci Gallery (Brunnenstraße) presents from 29. November 2024 the exhibition TAKE IT EASY of the artists Gregory de la Haba and Easy. Gregory de la Haba is a renowned painter and sculptor who was born and raised in New York City. He is known for his vibrant artwork that seamlessly blends elements of fine art and street culture with a foundation of traditional artistic research. His creative journey is heavily influenced by his life in the city, which he describes as a constant source of inspiration. de la Haba uses the energy and rich cultural history of New York and the urban landscape as a constant backdrop for his artistic expression. This dynamic interaction between the chaotic yet captivating environment of city life combined with a sharp artistic vision fuels his exploration of themes related to hope, resilience and the human condition. With sweeping, freehand gestures and bold splashes of colour, de la Haba vividly negotiates the relationship between nature, poetry and form. His works exude a remarkable energy and depth of colour, drawing on the legacy of famous masters such as Mark Rothko, whose influence has left an indelible mark on de la […]

until 01.02. | #4521ARTatBerlin | Konrad Fischer Galerie shows from 23. November 2024 the Group exhibition arte povera by the artists Giovanni Anselmo, Mario Merz and Giuseppe Penone. The works on display capture the spirit of arte povera, celebrating its influence on painting, sculpture, and drawing. Through the use of unconventional, “poor” materials and forms inspired by nature, the works in the exhibition reflect the movement’s non-traditional and groundbreaking vision. Opening: Saturday, 23. November 2024, 3 – 6 pm. Exhibition dates: Saturday, 23. November – Saturday, 01. February 2025     Title image caption: arte povera, Courtesy of the artists and Konrad Fischer Galerie Exhibition arte povera –  Konrad Fischer Galerie | Zeitgenössische Kunst – Contemporary Art – Ausstellungen Berlin Galerien | ART at Berlin

until 18.01 | #4518ARTatBerlin | Sexauer Gallery presents from 22. November 2024 the exhibition Field of Fragments by the artist Jeewi Lee. Field of Fragments For years, Jeewi Lee has been working artistically with traces, embodied memories and phenomena of time, often linked to natural processes. Some time ago, Lee turned her attention to sand as a soil material. In her exhibition Field of Fragments, she radicalizes this approach and presents a total installation that introduces visitors macroscopically and microscopically to this mineral-organic material that seems so familiar to us all, but is in fact full of wonders. Lee will show sculptures and pictures made of sand, but this time she will focus on individual grains and their astonishingly different shapes. Sand is often considered insignificant, but it is one of the world’s most important resources. Sand is used to make concrete, cement and glass, thus without sand there would be no roads or cities. Sand is used to produce electronic parts, without sand there would be no solar panels or microchips and no artificial intelligence. We use sand to make toothpaste, jeans and entire islands. Beyond use by humans, sand is also an important reservoir for drinking water and […]