Straight from the printing press! The autumn issue of our art newspaper DEEDS.NEWS has just arrived at our editorial office. It will be distributed from tomorrow onwards. In this issue of DEEDS.NEWS, the art and culture newspaper of ART@Berlin, you will find the most important dates from contemporary and performing arts in the capital for Berlin’s autumn of art until the winter of 2019/20. In addition to Berlin’s largest art event of the year, Berlin Art Week, and selected exhibition recommendations for Berlin galleries, art museums and cultural institutions, you will also encounter the annual theme “Bauhaus” and the 30th anniversary of the fall of the Berlin Wall. Until the winter, art lures visitors to various Berlin districts.    

Being one of the first of many “pioneer usages” of the vast empty spaces of the Haus der Statistik, STATISTA is testing whether working in the spirit of the Commons is an option within today’s context of city development. With the aid of ten distinct playing fields, STATISTA generates artistic prototypes for a civil society built on collective principles. The first results of these long-term artistic working processes will be made publicly visible over the STATISTA Presentation Week from 11 – 16 September 2019. Including neighbourhood initiatives, a cryptocurrency based on the wellbeing of bees, a facade design built for ecological inclusivity, and an international conference. Temporary usage, in this case, does not lead to gentrification, but to a form of urban renewal that is to the benefit of the city users. Read the article with the complete program of the presentation week further on > DEEDS.WORLD <   Image caption: STATISTA – das Kunstprojekt im Haus der Statistik STATISTA | Haus der Statistik | Presentation Week | ART at Berlin  

until 01.11. | #2558ARTatBerlin | Crone Berlin currently shows the exhibition Medusa: Floating Body by the artists Tomas Kleiner and Marco Biermann. The work of Marco Biermann and Tomas Kleiner, who have been working together as a performative collective for the past five years, investigates the interaction of public and individual space in which we may act. Their performances and actions have been exhibited in institutions including Museum Abteiberg in Mönchengladbach, Kunsthalle Düsseldorf, Kunstsammlung Nordrhein-Westfalen, Museum Morsbroich in Leverkusen, and Belvedere 21 in Vienna. The exhibition Medusa: Floating Body captures and documents their newest performance, which began on the Rhine near Düsseldorf at the end of June and will continue in the rooms of Galerie Crone in Berlin. The romantic notion of breaking out of routine and taking off for new shores inspired the artists to use Medusa: Floating Body to once again playfully engage with the public space.  The project saw them drift down the Rhine on a specially made air mattress over the course of a day, past the town of Uerding and the city of Duisburg to an unknown destination. Extensive communication with the authority for water and shipping (DLRG), the coast guard, the local regulatory agency, […]

until 19.10 | #2581ARTatBerlin | Galerie Sievi currently shows the exhibition Shells by the artist Berit-Kristina Weiss. The paintings by Berit-Kristina Weiss are workpieces, not “please don’t touch” paintings. A statement – if present – should remain in the background and should not be transported, decoded or read. Only the subjective engagement of the viewer with the picture counts, a freedom that, surprisingly, still often unsettles. The pictures actually want to cause unrest as a piece of “artificial nature”, as something organic in a tidy ambience. The pictures can be described as “grown”, since the painter in an often long creative process of the canvas literally abruptly what is finally to be seen: works with power and depth. Since 2018, the repertoire has been extended to include sculptural works that see themselves as a further development of the way we work and as a result of our fascination with the material. Berit-Kristina Weiss was born in Berlin and completed her studies at the UdK and TU Berlin. She has lived and worked in Munich and Berlin for about 15 years. Vernissage:  Friday, 6 September 2019, 7 pm, Music: Anne-Christin Schwarz / Violoncello + Harmut Walter / Kontrabass Exhibition period: Friday, […]

until 27.10. | #2573ARTatBerlin | EBENSPERGER RHOMBERG BERLIN shows from 13th September 2019 the exhibition Damn View by the artist Mark van Yetter. Vernissage: Friday, 13 September 2019, 6 – 9 pm Exhibition period: Friday, 13 September – Sunday, 27 October 2019   Image caption: Courtesy of EBENSPERGER RHOMBERG BERLIN – Mark van Yetter Exhibition Mark van Yetter – EBENSPERGER RHOMBERG BERLIN | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibition Berlin Galleries | ART at Berlin

until 09.11. | #2565ARTatBerlin | BQ Berlin presents from 14th September 2019 a solo exhibition by the artist Jochen Lempert. Vernissage: Friday, 13 September 2019, 6 – 9 pm Exhibition period: Saturday, 14 September – Saturday, 9 November 2019   Image caption: Courtesy of BQ Berlin – Jochen Lempert Exhibition Jochen Lempert – BQ Berlin | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 19.10. | #2560ARTatBerlin | Galerie EIGEN + ART Berlin presents from 13 September 2019 the exhibition  HOW TO FANCY THE LIGHT OF A CANDLE AFTER IT IS BLOWN OUT by the artist Olaf Nicolai. Vernissage: Friday, 13 September 2019, 5:00 – 8:00 pm Ausstellungsdaten: Friday, 13 September to Saturday, 19 October 2019   Image caption: Courtesy Galerie EIGEN + ART Berlin, Olaf Nicolai Exhibition Olaf Nicolai – Galerie EIGEN + ART | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 19.10. | #2561ARTatBerlin | Galerie Michael Haas shows 14th September 2019 the exhibtion Lost Tribes by the artist Heinz Ackermans. After studying sculpture at the Folkwangschule in Essen in the 1980s, Heinz Ackermans (*1949) emerged in an environment of a new figuration with idiosyncratic sculptures. In them, his fascination with the human body was combined with a fondness for mythologically inspired figures and unusual materials and their combination. At that time he became known for example with large figures made from LEGO bricks. Such and other works were soon presented in solo and group exhibitions, in the National Gallery in West Berlin et al. Ackermans added his own enthusiasm for a variety of materials and their unorthodox treatment to the general at this time revived interest in representations of the human body, mythological motifs and the narrative. – In the 1990s, the artist concentrated on collecting contemporary art, creating an outstanding collection. Here, his genuinely artistic interests are visible in a different and expanded form. For a number of years, Ackermans returned increasingly to his own sculpting. He continues to work with a wide variety of materials that he is combining in always surprisingly ways. These include gypsum and […]

until 26.10. | #2547ARTatBerlin | Esther Schipper shows from 13 September 2019 the exhibition Perfect Society by the artist Roman Ondak. Esther Schipper is pleased to announce Roman Ondak’s first solo exhibition with the gallery. Entitled Perfect Society, the exhibition includes new sculptures, a painting, and works on paper. A major theme in Ondak’s oeuvre, most of the works take as point of departure found objects-be they utilitarian or everyday, from the world of construction, athletic equipment, art and design, or mass-produced ephemera. Slight alterations, added modifications, and/or precise restructuring of elements create works of art that, while playing on echoes of its original shape, function or state, exude a simple, classical sense of beauty and rhythm. Organized to create a delicate looking convex surface rising from the ground, the large-scale sculpture, Perfect Society, 2019, is assembled from several thousand short pieces of heating, water and gas pipe of varying diameter. Its central circular shape, around which curved parts of pipe are loosely placed, at first resembles the characteristic orderly structure of a sunflower’s blossom or a hive’s honeycomb. The motif of bees and flower is a metaphor for energy: both for the warmth generated by a beehive and the sun and as […]

until 05.10. | #2563ARTatBerlin | Kuckei + Kuckei currently presents the exhibition Museum of the Revolution by the artist Guy Tillim. These photographs were made on long walks through the streets of the African cities of Johannesburg, Durban, Maputo, Beira, Harare, Nairobi, Kampala, Addis Ababa, Luanda, Libreville, Accra, Abidjan, Dakar and Dar Es Salaam between 2014 and 2018. The series takes its title from the Museum of the Revolution on the Avenida 24 Julho, in Maputo, the capital of Mozambique. The avenue was named soon after the establishment of Lourenço Marques as the Portuguese colonial capital. The 24th of July 1875 marked the end of a Luso-British conflict for possession of the territory that was decided in favour of Portugal. One hundred years later the name of the avenue remained the same, but its meaning changed. Mozambique’s independence from Portugal was proclaimed on June 25, 1975; the capital was renamed Maputo, and now the 24th of July is Nationalisation Day, celebrating the transfer of ownership of all Portuguese property and buildings to the state. A 15-year civil war followed, ending in 1992. The People’s Republic of Mozambique became the Republic of Mozambique and a new era began. In the Museum […]

until 02.11. | #2555ARTatBerlin | Galerie Martin Mertens presents from 10th September 2019 the exhibition The Light and the Dark with artworks by the artist Raquel Maulwurf. Raquel Maulwurf, born in Madrid in 1975, studied in Arnheim and is based in Amsterdam. She has made quite a name for herself with large-scale charcoal drawings, her works are a.o. in the collections of Rijkmuseum Amsterdam, Teylers Museum Haarlem and Stedelijk Museum Schiedam and have been exhibited in over 20 European museums. Her drawings are part of many private and museum collections. In 2017 she had a solo exhibition at Gemeentemuseum The Hague. In 2011 she was artist-in-residence at the prestigious International Studio & Curatorial Program (ISCP) in New York. For her first solo exhibition at Gallery Martin Mertens, Raquel Maulwurf developed a concept as a continuance of her recent solo exhibition “The Carbon War Room” at Gemeentemuseum The Hague. At our gallery she is showing large-scale charcoal drawings in contrast to very small drawings in “smartphone size”. While Maulwurf’s previous work dealt with the remnants and destruction of war, her new work captures our world’s chaos when hit by the forces of nature and ecological disasters; exploring the notion of whether […]

until 14.09. | #2576ARTatBerlin | Anaid Art Gallery shows from 12th September 2019 the Pop up Solo-Exhibition ONIRIX in the framework of Berlin Art Week with paintings by the artist Mihai Florea alias FM. The solo show, “ONIRIX” by Mihai Florea aka FM, spanning 9 (nine) paintings created by the artist in the last year. ONIRIX is an exhibition about the power of the human unconscious, the images that reside and resist in our memory after the dream. Nine years ago, Mihai Florea dreamt three dreams in three different nights. Scrutinizing the unconscious and remembering his dream images, the artist began to paint. Each dream has three sequences that were realized in painting as three movie shots. This exhibition takes place in cooperation with the Berlin fashion design label Maisonoée and is shown in the rooms of the Luna Studio (Zimmerstraße 91, 10117 Berlin-Mitte). Vernissage:  Friday, 13 September 2019, 6:00 -9:00 pm Exhibition period: Thursday, 12 September to Saturday, 14 September 2019, 10:00 am – 8:00 pm WHERE? Luna Studio, Zimmerstraße 91, 10117 Berlin-Mitte   Image caption: Mihai Florea (FM) – The Dangerous Backyard, Öl auf Leinwand, 120 x 140 cm, 2019 © Anaid Art Gallery Exhibition Mihai Florea aka […]

until 26.10. | #2579ARTatBerlin | Michaela Helfrich Galerie shows from 12th September 2019 the group exhibition Spiel mit der Wirklichkeit (> Playing with reality) with the artists Horst Kistner, Thomas Gatzemeier, Gerard Waskievitz, Simon Czapla and Ulrike Pisch. Light and colour is the constitutive basis of the works, but they also always have art history in mind. Horst Kistner and Thomas Gatzemeier stand in the long tradition of an artistic attitude and develop their own impressive positions, Gerard Waskievitz mixes existential themes from Berlin city life with well-known Renaissance depictions, Simon Czapla creates a new space of meaning in his painting through the interplay of pictorial material, allusions and associations, Ulrike Pisch surprises with her painterly praise of dreams, chance and spontaneity in a constructive world. Vernissage: Wednesday, 11 September 2019, 6:00 to 9:00 pm Exhibition period: Thursday, 12 September 2019 to Saturday, 26 Oktober 2019   Image caption: Gerard Waskievitz, Paris Bar Berlin, 2019, Oil on canvas, 120 cm x 160 cm Exhibition Spiel mit der Wirklichkeit – Galerie Michaela Helfrich | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 26.10. | #2575ARTatBerlin | Galerie ART CRU Berlin shows from 20 September 2019 an exhibition with artworks by the arist Maria Concetta Cassarà. Galerie ART CRU Berlin shows pictures of the autodidact Maria Concetta Cassarà (born 1932, Mirto, Sicily), who died 2018 in Bologna. The artist came to painting late. After a life as a housewife, she worked as a confectioner and tailor. When she was over sixty, one day she began to paint spontaneously while looking after her granddaughter. Since then she has been working on her paintings every day, every evening until late at night. Thematically, her works are deeply rooted in the traditions of Sicilian religiosity and folklore with Madonnas, saints and a colorful animal and plant world, but she imaginatively expands this cosmos with elements of contemporary life in the Po Valley. O.T., O.J. – Temperafarben 70 x 50 cm We find female figures in evening wear with selected accessories, who pose frontally with the typical greeting gesture of the announcers at the beginning of the broadcast. According to Sara Ugolini, art historian, Cassarà was inspired by the television program, which is always shown while painting. O.T., O.J. – Temperafarben 70 x 50 cm Male […]

until 19.10. | #2554ARTatBerlin| Galerie Inga Kondeyne – Raum für Zeichnung shows from 30 August 2019 an exhibition by the artists Nadine Fecht and Beate Terfloth. Beate Terfloth Three artists: The first, Agnes Martin, gives the lines, the second, Sei Shōnagon, gives the colors, and the third, Beate Terfloth, makes something new out of it. As a draughtswoman, Beate Terfloth has oriented herself on the model of Agnes Martin’s division of the picture surface into grids, and from descriptions of clothes and other things, as the court lady at the Japanese imperial court of the Heian period wrote them around the year 1000 in her timelessly fresh ‘Pillow Book’, she has allowed herself to be pretended to have impressions of colour. In her pictures, two of which always belong together, she superimposes intense colours with a strong brush, for example blue over red, black over yellow, finding light, spontaneously gestural and at the same time calm pictorial bodies, layers, distillates of Shōnagons colours in Martin’s now mobile order. Günter Figal Beate Terfloth, 2018, Aquarell on Arches Rives laid paper, ca. 57 x 57 cm, from the series „Sei Shonagon, Agnes Martin und Beate Terfloth treffen sich im Café Steiner (07 […]

until 18.10. | #2552ARTatBerlin | Migrant Bird Space presents from 4th September 2019 the exhibition Embers by the artist Shi Zheng. “This is real time, it is modern history in the making.” —Sarah Charlesworth on Movie-Television–News-History, 1979 Convincing images. This is how scientists describe the computer-generated results of neural networks like PGGAN. They identify and predict. Input to output. Faces, yes, but also landscapes. In A.I. research labs across the world, computers have been taught to alter summer snapshots to look like snowy winter scenes, to convert horses into zebras, Monets into Van Goghs. Fake media, fake images. Fake, but convincing. I’ve been tricked by images like these. In Frosty Morning, Shi Zheng uses the same complex algorithm, a type of Generative Adversarial Net (GAN), to predict the cover of the New York Times. Using a data set of the newspaper’s front pages over the past six years, Shi’s program launches a “perpetual newspaper generator” that can, or tries to, predict the future. For Shi, the front page is a “narrative view of our world.” In a time of fake news, fake narratives multiply. Frosty Morning reenacts their production. Celestial Fable is based on Fluxus pioneer Alison Knowles’ computer-generated poem—one […]

until 15.09. | #2545ARTatBerlin | aquabitART shows from 23rd August 2019 the solo exhibition AQUABIT II, a light installation by the Dutch artist Peter Vink. After his extremely successful AQUABIT installation in 2017, Dutch artist Peter Vink returns to the gallery with a new site-specific concept. AQUABIT II is inspired by the spatial drawings of the Bauhaus teacher Josef Albers and his ability to create perspective, imaginary spaces. Peter Vink proposes a rotating structure derived from the architectural environment, which builds a three-dimensional drawing in the gallery space. The visitor is invited to discover the surroundings from a different perspective. Einladung zur Lichtinstallation von Peter Vink in der aquabitArt Galerie “Vink composes site-specific installations that suggest a new physical as well as intellectual space within the room in which they occur; by carefully balancing on the borders between art and design, functionality and visual pleasure, the work of Vink is not only to be perceived aesthetically but also conceptually.” An essay by Vanessa Souli The exhibition will be shown as part of Architecture + Art Weekend 2019. Vernissage: Friday, 23rd August 2019, 8:00 – 11:00 p.m.. The artist is present. Exhibition period: Friday, 23rd August – Sunday 15 September 2019 […]

until 04.10. | #2544ARTatBerlin | Galerie Minimal currently presents the solo exhibition The Deconstructed Self with photographs by the artist Natalie Christensen. The Los Angeles Center for Digital Arts named Natalie Christensen one of the „Ten Photographers to Watch“. After exhibitions in London, New York and Los Angeles, the American photographer and psychotherapist presents her work „The Deconstructed Self“ for the first time in Berlin. Natalie Christensen – Deep Blue Pool Natalie Christensen finds her motifs in the banal scenes of the periphery of the American Southwest. Fascinated by the unmistakable light and crystal clear air, she composes photographs of suburban everyday life whose symbolism penetrates deeply into the subconscious, evoking stories that are often disturbing, sometimes amusing but always present. Speaking on The Deconstructed Self, Christensen states: “In 2014 I moved from the state of Kentucky to Santa Fe, New Mexico leaving my lifelong home and my 25-year career as a psychotherapist behind. While it was an exciting moment it was also a time of questioning and reflection. Like many artists who have come to New Mexico, I was immediately drawn to the distinctive Southwestern light. The beauty of the natural environment is evident to most people; however, my […]

until 05.10. | #2541ARTatBerlin | Semjon Contemporary presents from 31st August 2019 the exhibition “Tanz mit dem Raum – Das Geometrische Ballett und andere (performative) Projekte” (> Dance with Space – Geometric Ballet and other (performative) Projects) with artworks by the artist Ursula Sax. This exhibition is conceived as a supplement to the new performance of the Geometric Ballet and attempts to trace the development towards this piece, which is based on her diverse dance sculptures, and to relate it to her other sculptural works. The advance ticket sale for the premiere in the Radialsystem on 6 September 2019 for the re-appropriation of Geometrisches Ballett (Hommage à Oskar Schlemmer) is sold out. Tickets may still be available at the box office. There are only a few tickets left for the 2nd performance on 7 September. Tickets for the premiere of the Dresden Appia stage version on 20 September 2019 at the Festspielhaus Hellerau can be purchased here Choreography: Katja Erfurth; a production by Tristan Production | Management | Event UG in co-production with HELLERAU – Europäisches Zentrum der Künste. Initiated by Semjon H. N. Semjon, Semjon Contemporary. Supported by the Saxon State Ministry of the Interior and the Kulturstiftung Sachsen, […]

until 23.11. | #2540ARTatBerlin | Galerie kajetan Berlin presents from 14th  September 2019 the solo exhibition Forms of Aporia by the artist Jan Wawrzyniak. At the art berlin fair during Berlin Art Week 2019 the Galerie kajetan Berlin shows the artist Claude Viallat in the Special Project (learn more below). “What is my idea of a picture, what is it rooted in and how can or must a picture be in order to do justice to this idea? In the course of recent years, the idea of a picture as an open but at the same time  distanced and unstable opposite has grown so that neither the penetration of  the eye from outside makes it submissive, nor does it try to manipulate this exteriority. Such a picture would be an emancipated, responsible and aporetic picture. And that can only be, in turn, the visual assertion, which poses the question, which is located at eyelevel, which is sensitive, aloof and simple, but not completely transparent and not assimilable.” (Jan Wawrzyniak in conversation with Ulrike Kregel: Thus far and no further. In: Jan Wawrzyniak, Broken and Lost | Drawing, Ed. by Museum Wiesbaden, Kerber 2007) Jan Wawrzyniak, Sceptical Smile (19005), 2019, approx […]

until 11.10. | #2537ARtatBerlin | Galerie Gilla Lörcher presents from 7th September 2019 the solo exhibition continuous sculpture with an art work by the French artist Quentin Lefranc. Galerie Gilla Loercher is very pleased to present the solo show of French artist Quentin Lefranc during the Berlin Art Week season. Envisioned as a place of study, architecture serves as a framework, a territory, a playground to Quentin Lefranc. The artist always intends to visualize a conversation between the site and what is materialized in it. The continuous sculpture is the thirty-centimeter elevation of orthogonal fabric that spans the entire area of the exhibit. One cannot go around the sculpture. It isn’t an unreachable enclosure. it isn’t a defined center in a given space. There isn’t one point of view or a succession of points of view favored by the place that hosts it. There is no distance or hierarchy. The continuous sculpture is a proposal on the positioning of the art and its apprehension. Its borders are the same as the space that hosts it, it is its foundation. It is a consistent pattern; and through the presence of the sculpture and its size and the rhythm it creates, it takes […]

until 13.10. | #2535ARTatBerlin | König Galerie (Nave + Chapel) presents from 19th August 2019 the exhibition WHAT BEAUTY IS, I KNOW NOT, curated by Kasper König. Kasper König is the father of the gallerist Johann König. The exhibition shows art works by : POLLY APFELBAUM, OLLE BAERTLING, ALISA BAREMBOYM, THOMAS BAYRLE, ALIGHIERO E BOETTI, NICOLE EISENMAN, FISCHLI & WEISS, THOMAS HIRSCHHORN, MIKE KELLEY, ANNETTE KELM, MARKO LEHANKA, MORRIS LOUIS, JUSTIN MATHERLY, EMEKA OGBOH, MANFRED PERNICE, SUSI POP, HEIDI SPECKER, NIELE TORONI, ROSEMARIE TROCKEL und ALISA YOFFE Kasper König’s thematic exhibition does not follow any commercial interests. Beyond the dialogue with his son Johann, he was attracted by the extraordinary architecture of the gallery in the former Catholic church of St. Agnes. The high nave, preserved in its original proportions, today presents itself as a fabulous exhibition hall, representing a challenge for every artist and curator. König exhibits works by Polly Apfelbaum, Olle Baertling, Alisa Baremboym, Thomas Bayrle, Alighiero e Boetti, Nicole Eisenman, Fischli/Weiss, Thomas Hirschhorn, Mike Kelley, Annette Kelm, Marko Lehanka, Morris Louis, Justin Matherley, Emeka Ogboh, Manfred Pernice, Heidi Specker, Susi Pop, Rosemarie Trockel and Alisa Yoffe in the staircase of the tower as well as in the […]

until 21.09. | #2533ARTatBerlin | Galerie Z22 shows from 17th August 2019 the exhibition subject-object / object-subject with sculptures and reliefs by nine artists. On show are artworks by DANIT, Mark HUEBNER, JOAX, Volker KIEHN, Christian LÜTTGEN, Eric MASSHOLDER, PELE, Patrick SLEPICA and Kurt WOLDMANN. „Allen […] Anschauungen ist eines gemeinsam: sie erfassen das Sein als etwas, das mir als Gegenstand gegenübersteht, auf das ich als auf ein mir gegenüberstehendes Objekt, es meinend, gerichtet bin. Dieses Urphänomen unseres bewußten Daseins ist uns so selbstverständlich, daß wir sein Rätsel kaum spüren, weil wir es gar nicht befragen. Das, was wir denken, von dem wir sprechen, ist stets ein anderes als wir, ist das, worauf wir, die Subjekte, als auf ein gegenüberstehendes, die Objekte, gerichtet sind. Wenn wir uns selbst zum Gegenstand unseres Denkens machen, werden wir selbst gleichsam zum anderen und sind immer zugleich als ein denkendes Ich wieder da, das dieses Denken seiner selbst vollzieht, aber doch selbst nicht angemessen als Objekt gedacht werden kann, weil es immer wieder die Voraussetzung jedes Objektgewordenseins ist. Wir nennen diesen Grundbefund unseres denkenden Daseins die Subjekt-Objekt-Spaltung. Ständig sind wir in ihr, wenn wir wachen und bewußt sind.“  CARL JASPERS, Einführung in die Philosophie. […]

until 02.10. | #2532ARTatBerlin | Galerie Pugliese Levi shows from 10th August 2019 the exhibition Entanglement by the artist Marc Lambrechts. Reception with Marc Lambrechts: 14th September 2019. New works by Marc Lambrechts will be shown. In these works the artist playfully takes up the phenomenon of entanglement, one of the most fascinating aspects of quantum mechanics. On September 14, 2019, as part of the Berlin Art Week 2019, the gallery will host a reception at 6 p.m. in the presence of the artist, who will personally give an introduction to the exhibition that evening. Start of exhibition: Saturday, 10 August 2019, from 1:00 p.m. Reception: Saturday, 14 September 2019, 18:00, with an introduction to the exhibition by Marc Lambrechts Exhibition dates: Saturday, 10 August – Wednesday, 2 October 2019   Image caption Marc Lambrechts, Entanglement dance 3, 2019, 15 x 30.5 cm Exhibition Marc Lambrechts – Entanglement – Galerie Pugliese Levi | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin