Since the Alliance of Threatened Berlin Studio Houses announced the establishment of a center for socio-cultural purposes on a banner at the Berlin House of Statistics in September 2015, an art action has become urban politics. Today, the empty House of Statistics near Alexanderplatz is a unique model project in which a broad coalition of urban actors defines a pioneering urban development location: On more than 100,000 square meters, space for culture, social affairs, education, affordable housing, a new town hall and administrative uses is being created here in the heart of the city. STATISTA – the art project at the House of Statistics From May to December 2019, the STATISTA project investigates how cooperation oriented to the common good can succeed. In ten fields of action, STATISTA aims to develop artistic prototypes for an urban society based on common goods: from a crypto currency based on the welfare of bees to a … Read the article further on > DEEDS.WORLD   Image caption: STATISTA – das Kunstprojekt im Haus der Statistik STATISTA – State Art, Pioneer Use, Representation | Alexanderplatz – Contemporary Art – ART at Berlin  

The interview was conducted in German. Because we do not want to change the original tone of the interviewee, we deliberately do not translate. Please use a translation tool if you want to read the interview in your language. Herr Hiltner, die derzeit in der Galerie Kremers in Kreuzberg zu sehende, von Ihnen kuratierte Ausstellung „The New Abstract – An Atlantic Bridge – USA – BERLIN“ zeigt zum einen, dass abstrakte Malerei nach wie vor eine ungebrochene Faszination auf den Betrachter ausübt, zum anderen trägt sie im Titel das bezeichnende Wort „neu“. Was empfinden Sie als Kurator als das Neue an der abstrakten Malerei der hier gezeigten Künstler? Dass so viele Maler sich auf beiden Seiten des Atlantiks wieder intensiv der Abstrakten Malerei widmen, ist an sich schon neu, denn es sind ja nicht nur die hier vorgestellten, ich könnte sofort 20-30 weitere nennen. Fragmentieren und Neu-Zusammensetzen ist heute eine beliebte Computertechnik, Copy and Paste genannt. Dieses Prinzip hat nicht nur in der narrativen und gegenständlichen Malerei wild um sich gegriffen, sondern ist jetzt auch in der Abstrakten Malerei angekommen; das ist auch neu. Heutzutage haben sich Künstler dies und jenseits des Atlantiks über Instagram ständig im Blick, was zwangsläufig […]

until 08.09. | #2471ARTatBerlin | Galerie mehdi chouakri reopens the gallery rooms at Fasanenplatz on 25 May 2019 with the group exhibition Kunst über Kunst (Art about Art). Vernissage: Saturday, 25 May 2019, 7 – 9 p.m. Exhibition period: Saturday, 25 May – Sunday, 8 September 2019 Wo? Galerie mehdi chouakri, Fasanenstraße 61 / Ecke Fasanenplatz, Berlin-Wilmersdorf   Image caption: Mathieu Mercier, Drum and Bass (Lafayette), 2005, Regalsystem, blaue Plastikbox, rote Handtücher, gelbe Plastikfolie, gerollt, 100 x 100 x 20 cm. Courtesy of the Artist and Mehdi Chouakri, Berlin. Photo: Jan Windszus, Berlin Exhibition Kunst über Kunst – Galerie mehdi chouakri (Fasanenstraße) | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 27.07. | #2461ARTatBerlin | BORCH Gallery currently presents the exhibition Duets by the artist Matt Saunders. BORCH Gallery & Editions is pleased to present Duets, an exhibition of new works by Matt Saunders. Centered around a series of monotypes, the exhibition extends Saunders’ ongoing collaboration with BORCH to encompass new ways of working with print and situates the artist’s print work into the larger context of his practice in painting and video. Duets (Torsos), 2018, is a suite of monotypes created by transferring both sides of watercolors made on linen simultaneously to paper. The prints carry the weave of the fabric as well as the subtle symmetries and asymmetries of front and back. Saunders’ monotypes sit in a lineage of reversals and doublings explored in his previous print works, yet allowing him to work quickly and experimentally, drawing aspects of color and especially transparency into the work. Torsos—the bilateral cores around which we arrange our postures and identities—turn and shift and move through the series, and although few faces are to be seen, the images are charged with a mixture of psychology, homage, process, and materiality. Saunders describes his sources as figures “that seemed suspended in their media or […]

until 15.06. | #2462ARTatBerlin | EIGEN + ART Lab currently presents the exhibition Reflexxxions with artworks by the artist Signe Pierce. American artist Signe Pierce (* 1988, USA) describes herself as a reality artist: “I am pop and I am art. I am digital and I am physical. I am virtual and I am real”. “What is real?” is the central question that hovers throughout Pierce’s installations, photographs, performances and writings. Throughout her work, Pierce has utilized her own life and body as a surface to be projected onto, both figuratively and literally. As a performer and self-described “reality artist”, Pierce presents a provocative, hyperreal version of herself, confronting expectations surrounding femininity, sexuality, and perception. Signe Pierce, Uploading My Consciousness Into Unreality, 2018. Courtesy die Künstlerin und das EIGEN + ART Lab Pierce is at the forefront of a young generation of artists that reflects the current digital age. Her artistic material is the social and political reality as well as the rapid development of digital media and technology. The short film American Reflexxx (dir. Alli Coates, 2015) documenting a social experiment that took place in Myrtle Beach, South Carolina, is a heart wrenching technicolor spectacle that raises questions about gender stereotypes, […]

until 25.05. | #2462ARTatBerlin | Kronenboden shows until 25th May 2019 the exhibition Ersatz – Originale (Substitute – Originals) by the artist Billy Cowie. The dancer, who is projected into the gallery space and consists solely of light, is experienced by the visitors in the gallery space with the help of LCD shutter glasses, life-size and up close. Vernissage: Friday, 12 April 2019, 7:00 p.m. Exhibition period: Friday, 12 April to Saturday, 25 May 2019 WHERE? Kronenboden, Schwedenstraße 16, 13357 Berlin Wedding, U-Bahn Osloer Straße WHEN? by appointment (0152 09425100) and at the Kolonie Wedding weekend 26 to 28 April 2019   Image caption: Billy Cowie, tangochair Billy Cowie – Kronenboden | Contemporary Art Berlin Zeitgenössische Kunst Exhibitions Berlin Galleries | ART at Berlin

bis 15.06. | #2444ARTatBerlin | Esther Schipper currently shows the exhibition Some Other Life by the artist Ryan Gander.  On the occasion of Gallery Weekend 2019, Esther Schipper is pleased to present Ryan Gander’s second solo exhibition with the gallery. Some Other Life will feature new works—sculptures, installations, and a video—all articulated around the notion of illumination and enlightenment, both physical and metaphorical, notably through the use of neutral or middle grey, a tone that is perceptually about halfway between black and white on a lightness scale. Many of the exhibited works incorporate the use of rechargeable batteries for the storage of electricity that allow the works to function. In the artist’s own words: “Not only are many of the works conceptual timepieces unto themselves, but like our individual life cycles, they are quite simply running out. This relates to the mortality of the human condition and our anxiety around the influence we play in the world during our time here.” Upon entering the exhibition space, visitors encounter two rolls of pure white carpet, partially unrolled and positioned side by side on the floor, show wheel tracks and footprints left by two vehicles and their drivers in what could be […]

until 18.06. | #2440ARTatBerlin | Galerie Gesellschaft currently presents the exhibition by the Wien-Berlinischen Kunstarmee (Vienna-Berlin Art Army). On April 18, the Vienna-Berlin Art Army marches up in Berlin in a completely peaceful manner. Artists and art enthusiasts from these two cities have joined forces to make a radical contribution to the diverse Berlin and Viennese scenes. On the one hand, this happens out of a certain tedium with the tendencies of the art market, in order to circle oneself, satisfy narcissistic needs, supply demand and squint at complacency. On the other hand, the participants develop a pronounced enthusiasm for a higher status of artistic social reflection in uncertain and crisis-ridden times. However, her work only begins where words, gestures or mathematical equations can no longer grasp the world. In particular, she revolves around the role of identity and irony, the relationships between art and city life, and information and communication. Although (or precisely because) they are solitary existences, the artarmists form a complex adaptive system. Kai Hellbardt, Courtesy the artist and Galerie Gesellschaft This new cultural axis of the two German-speaking metropolises Vienna and Berlin is also attractive. It is up to the viewer to discover K&K or Prussian […]

until 29.06. | #2476ARTatBerlin | Galerie ART CRU Berlin shows from 24th May 2019 the exhibition with works by the artist Melanie Woste. ART CRU Berlin shows objects made of cardboard by Melanie Woste (born 1983, Münster), next to pictures and collages. In her first solo exhibition in Berlin, the Lippstadt-based Aktion-Kunst prizewinner and member of the artists’ group DAS ROTE ZEBRA is devoting herself to technical objects of daily use and interiors from the 1970s. The artist’s cardboard objects are complemented by collages of newspaper, such as a cassette recorder, which she creates by layering the smallest snippets of letters with captivating detail, and drawings/paintings, such as a small series of old cameras, which she has transformed into captivatingly elegant precision in watercolor and ink. o. T., 2019 Watercolour, ink on cardboard, 42,1 x 29,7 cm In her nostalgic works, Melanie Woste reproduces disused sound and communication media such as televisions, radios or record players on a scale of 1:1 and uses nothing other than packaging material that is also disused: old cardboard boxes. A transformation that she carries out with incredible meticulousness and precision. Television with hinged doors, 2017 shipping carton, 67 x 63 x 50 cm Chewing […]

until 22.06. | #2475ARTatBerlin | Galerie Z22 shows from 18th May 2019 the exhibition Foreign Interferenz with artworks by Mathias Hornung and Lars Fischedick.  Foreign Interferenz is a multimedia exhibition that is the result of international cooperation. Lars J. Fischedick (Cape Town) invited his German colleague – Mathias Hornung (Berlin) – to work together in the industrial area of the Corbeau building in Cape Town. They have dealt with the dynamics of foreignness – with the space, the place and the practice of the other. The term “interference” has both negative and positive connotations: In music it describes the layered collision of sound waves, but in a political context it means a corrupting influence. How can interference manifest itself in a non-objective artistic language, and what happens when two different voices work on a project? The linguistic interplay of English and German terms in the title refers to a tension between acoustic patterns and cultural values, between science and the existential. The project will be shown after a stopover at Galerie Z22 in Johannisburg in late autumn. Mathias Hornung + Lars Fischedick Vernissage: Saturday, 18 May 2019, 7:00 p.m. Ausstellungsdaten: Saturday, 18 May – Saturday, 22nd June 2019 Musique en […]

until 28.07. | #2477ARTatBerlin | Schinkel Pavillon currently presents the group exhibition Straying from the Line. Straying from the Line is dedicated to a fundamentally expanded perspective on the multiplicity of feminist tendencies in the art of the last 100 years. Instead of presenting a straight narrative of feminist art as a generation- and/or identity-specific style, the exhibition charts a network of multiple references, drawing connections between aesthetically and politically, geographically and historically heterogeneous perspectives. Different narratives and movements thus give shape to feminist tendencies that are not unified by any style or label. Their connection resides rather in a shared attitude towards art as a field of antagonistic relationships and hierarchical structures that traverse society as a whole. In 1969 this relationship between artistic and social hierarchies drew Lee Lorenzo to the conclusion that ‘there can be no art revolution that is separate from a science revolution, a political revolution, an education revolution, a drug revolution, a sex revolution or a personal revolution’. Understanding the personal as political as two sides of same coin was one of the most central feminist demands of the time: it articulated a common denominator of different, activist, theoretical and artistic feminisms across political […]

until 29.05. | #2465ARTatBerlin | Stella A. currently presents the exhibition Plan with paintings by the artist Peter Scior. In this exhibition we are presenting paintings from two new series by Peter Scior. One of those series is about spatial rooms and ties in with the theme of the interior. The deserted rooms are like stages awaiting action. The incoming sunlight is projecting stains and color patches on walls and objects, thereby forming a composition, a plane sketch on a plane- on the wall, on the floor, eventually on the flat canvas. Karton, Öl auf Leinwand, 40 x 30 cm, 2019 In the other series boxes can be detected waiting for their assembling. The boxes lie flat on the floor. Here too, the focus is on transitional states, on relocation, on removal into a future situation. The cool paintings of Peter Scior look like film stills referring to past or future situations. Raum 1, Öl auf Leinwand, 50 x 60 cm, 2019 In these as well as in other paintings Scior is focusing on the silent qualities of painting and make them visible. Experiences with abstract painting are echoed in the display of elementary shapes of light and shadow. „Space is created […]

until 22.06. | #2435ARTatBerlin | Blain|Southern Berlin currently presents the solo exhibition Indeterminacy by the artist Bernar Venet. Blain|Southern Berlin presents two major bodies of works from the last decade by conceptual artist Bernar Venet (b. 1941, France). The exhibition debuts Venet’s Continuous Curve series, which stems from the artist’s renowned Indeterminate Line sculptures, several iterations of which are shown here, alongside related works on paper. Five large Indeterminate Line sculptures of looping rolled steel stand freely on the ground floor of the gallery. Their order and balance find their counterpoint in what appears to be the same loops, collapsed into a chaotic heap that obstructs the entrance. Venet describes this Effondrement: Five Indeterminate Lines and the accompanying Indeterminate Lines as “the result of improvised, intuitive, and empirical work. These sculptures don’t create themselves. One must witness their production to understand how difficult it is to cold-twist these full steel bars, the largest of which measure 11 centimetres in square section. One then understands the dangers to which I expose myself and the physical efforts that I am subjected to. At each instant it is necessary to find improvised solutions so that I can attain the desired goals”. The upper […]

until 26.05. | #2450ARTatBerlin | König Galerie (Nave) is currently showing an exhibition of new works by the artist Matthias Weischer. At the same time the artist Camille Henrot is shown in the Chapel of the gallery with the exhibition Tuesday. During Gallery Weekend, Matthias Weischer is showing 16 new works in the Nave, the main exhibition space at the former St. Agnes church. Having predominantly focused on landscape painting in recent years, he now returns to his origins. In the early 2000s he became well-known for his striking interiors, a subject matter that he takes up once again. These square, small-format works are defined by four color surfaces that form a kind of viewing box—a format that was already present in the artist’s work fifteen years ago. Observing the differences in the work between then and now, thus becomes even more interesting. Weischer now works in series, in which he portrays the same imagery on three or four canvases but with subtle variations, as in a group of paintings showing a mattress. The visual space of each work is identically constructed, and the images only differ in color and in the position of the depicted objects. In contrast to earlier […]

until 25.05. | #2453ARTatBerlin | The Association for the Promotion of Art and Culture at Rosa-Luxemburg-Platz (Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz) is currently showing the exhibition Traces of Truth by the artist Jana Müller. There always has been a considerable interest in real crime scenes and evidence objects of all kinds. In Traces of Truth Berlin based photographer Jana Müller follows this curiosity in pictures, collages and installations. She searches for clues and sets imaginative tracks. In the evidence rooms of the republic – often trivial places such as garages and empty shops – the artist has documented countless pieces of evidence. As banal as the individual objects often are, the shine of evil is not yet off. In a quite manipulative game with the associations of the viewer, new unpredictable stories develop. Looking at the province, the hype of media exploitation of scientific police work that has been observed for years – in particular forensic investigations in the form of fictional and pseudo-documentary police series – has been taken up and driven on. Ostensibly, Traces of Truth deals with the truth, more precisely with the relation of reality to fiction and the role of the […]

until 22.06. | #2432ARTatBerlin | Galerie Inga Kondeyne – Raum für Zeichnung presents from 10th May 2019 the exhibition by the artist Hanns Schimansky. “In the folds, as others have already mentioned, the artist transfers a drawing into a physical presence, a palpable thing whose folded surface works together with the drawn forms. The distances that separate the forms are as important as the forms themselves. And yet, once again, it is impossible to recognize an underlying order in its placement. The realm in which they find themselves and which they define is completely abstract. We have experienced a world outside discursive language that is at once unapproachable and intimate, reserved and expressive. By going beyond the scope of language and its ability to verbalize, Schimansky achieves very differentiated and specific seeing and viewing. These circumstances mix unlikely possibilities such as awe and fear, playfulness and despair, community and isolation. Such strong, imaginative blends are important components in the regeneration of our daily lives. That’s why Schimansky’s work is so important.” John Yau, Necessary Drawings, catalogue: Hanns Schimansky La Ligne Claire, p. 69 o.T., 2012, Faltung, Tusche, Gouache, 40,5 x 46 cm Hanns Schimansky, Born 1949; grew up in Stralsund […]

until 28.06. | #2428ARtatBerlin | Galerie Gilla Lörcher presents from 26th April 2019 the solo exhibition Beauty treads a razor edge with works by the artist Joanna Jones. Artist statement: Beauty treads a razor edge „Let the bitter be bitter and the sweet be sweet until the bitter and the sweet become one. These words, that I first heard spoken by activist and mystic Jim O’Dea, stayed with me during the 16 month period in which I made these paintings. I paint using a performative process that positions my body as an agency of a particular kind of knowing, taking painting into the territory of an event – a constitution of elements that make something happen: the consistency of the paint, my choice of colour, what concerns my mind, what vibrates through my body, what rings in my ears. Alexander Kluge said that the only thing that we own is ourselves – it’s true but there is nothing to which we are not connected.“ – Joanna Jones March 2019 The British artist Joanna Jones lives and works in Dover (UK). Following a foundation year at Northwich College of Art, she continued her studies in London at the Byam Shaw School. […]

until 05.06. | #2433ARTatBerlin | Michaela Helfrich Galerie presents from 26th April 2019 the exhibition The Figurine as a Measurement – A Retrospective with artworks by the artist David D. Lauer. The materials and techniques used, whether bronze, marble, steel, gypsum, are diverse, always in perfect craftsmanship without room for errors in the pursuit of perfection. At the same time and in contrast to this, his drawings, spontaneously brought onto the sheet with speed, quickly and no less masterfully, are a sculptural work that is essentially oriented towards the human being. David D. Lauer’s late works will be on public view for the first time in Berlin at the Gallery Weekend 2019. Not only his own work, but also his teaching at the Staatliche Akademie der Bildenden Künste Karlsruhe from 1974 to 2004, are essential for Lauer’s career; Lauer lived and worked in Gleisweiler and Karlsruhe. He died in 2014 at the age of 74. David D. Lauer – Installation – Courtesy of Michaela Helfrich Galerie Parallel to this, the exhibition Different will be shown in the second room of Galerie Michaela Helfrich: Paintings by Simon Czapla, Ulrike Pisch, Gerard Waskievitz. A tribute to dreams, chance and spontaneity in a […]

until 20.06. | #2431ARTatBerlin | GALERIE SPRINGER BERLIN shows from 30th April 2019 the exhibition GENIUS LOCI by the photographer Winfried Muthesius. After the first exhibition in 2016, Galerie Springer Berlin is delighted to present two new series by the artist Winfried Muthesius. True to his style, he is again working with a cross-border approach, layering several tiers of painting and photography on top of each other, so that the different image elements become intertwined and create completely new realities in which parts of the photographic element almost completely withdraw or largely recede into the background. Galerie Springer Berlin is presenting two series in the current exhibition. The first, Genius Loci, which gives the exhibition its name, emerged in Berlin at ‘non-places’, such as former industrial sites on the edge of the Moabit district and around Zoo Station. In complete contrast is the Triomphe series, which originated in Paris at monumental and central locations such as the Arc de Triomphe, the Eiffel Tower and the Seine, close to the Place Concorde. In both series’ works, the clichés that we associate with these locations interestingly disappear. The glamour of Paris and the dirt, stench and inhospitality of the ‘Berlin non-places’ merge, […]

until 22.06. | #2442ARTatBerlin | Galerie Pugliese Levi presents from 26th April 2019 the exhibition almost nothing with white works from painting and sculpture. To celebrate its second anniversary and on the occasion of the open weekend for galleries in Berlin, Galerie Pugliese Levi is pleased to present the exhibition almost nothing with white works by: Mats Bergquist, Achim Bertenburg, Julian Birbrajer, Claudia Doderer, Jeffrey James, Marc Lambrechts, Birgitte Lund, Jakob Roepke, Rebecca Salter RA, Shawn Stipling, Tünde Újszászi, Maibritt Ulvedal Bjelke and Xiaohua. The almost exclusive use of the colour white and the extreme reduction of the superfluous characterize all the works and are the golden thread of this minimalistic exhibition. The smallest details are given the highest importance, while being in fact almost nothing. “Almost nothing. When I first was given the white invitation I was far from imagining how daring this single colour challenge was going to be. The essence of my painting is nothing but colour – colours and light. Being limited to white, this reduction or even denial of colour, at first, appears to resist meaning and interpretation. Using only white seemed to take my work to extremes. And no matter how hard I tried, […]

until 01.06. | #2437ARTatBerlin | Kristin Hjellegjerde Berlin presents from 26th April 2019 the exhibition Woven and Illuminated with the artists Sinta Tantra and André Hemer. How can light transform our perspectives and even objects themselves? This question unites the complex and multi-layered artistic processes of Sinta Tantra and André Hemer. For their first ever joint exhibition at Kristin Hjellegjerde Gallery Berlin, the artists present distinct works that explore the fluctuating relationships between space, time and materiality. Aptly titled ‘Woven and Illuminated’, the exhibition brings together a collection of artworks that weave through dimensions, taking the viewer on an intimate voyage into the artistic process. Sinta Tantra’s multifaceted artistic practice encompasses everything from public art and installation to sculpture and painting. Known primarily for her practice of ‘colour collage’ whereby separate elements are united through architectural lines and vibrant colour, Tantra has recently developed an interest in weaving with regards to both the ancient physical practice and the concept of interconnecting space, object and time. Whilst this fascination is perhaps most apparent in Tantra’s installations in which the viewer is often invited to walk around the three-dimensional artwork, there is also a sense of depth in her paintings. Once the […]

until 21.06. | #2429ARTatBerlin | Köppe Contemporary presents from 10th May 2019 the exhibition Zwischenwelten (> Intermediate Worlds) with artworks by the artist Thomas Ritz. Thomas Ritz (*1966) was awarded the Rheinische Wirtschaft Prize (1995), the ARK Baseler Kunstpreis (2001) and the Keller-Wedekind-Stiftung (2017). Thomas Ritz has been represented with exhibitions in Switzerland and abroad since 1987. O. T. – 2015-2016, Pigment and acrylic resin on canvas, 184 x 150 cm – Kat.Nr. 2015-2016-797 “Thomas Ritz is a painter and draughtsman. He is interested in the representational representation of ambivalent motifs, be they imaginary, constructed landscapes, frozen-looking scenes or figures and animals in the broadest sense. […] The artist’s works are based on memories, his own or found photographs, media images, film stills, or show reminiscences of art history. In some cases, current political situation images also find their way into his oeuvre. […] His works are characterized by a sublime, gruesomely beautiful balance: For all the beauty of painting, there is always a precarious moment of loneliness, vulnerability, transience, or even threat. Some works seem disturbing or uncanny. In his works, the artist deals with fundamental questions of image and pictorialness. Our traditional viewing habits are challenged and questioned. […]

until 30.06. | #2439ARTatBerlin | axmann kunstgalerie presents from 26th April 2019 an exhibition with paintings by the French artist Alain Ponçon. Alain Ponçon is a French painter whose artistic power comes from creating his works of art through liveliness and sensitivity in an expressionist style in harmonious, strong colours. An exciting exhibition awaits you. Alain Ponçon, Série des baisers, Doux baisers, huile sur toile, 2018 In addition, the axmann kunstgalerie will show further works from painting and sculpture by artists of the gallery such as Jan-Peter Aurich, Michela Crisotomi, Michel Yseboodt, Daniel Thérasse, Veronique Wibaux, Gilles Bonnin and Ernst Leonhardt. ATTENTION! Special Opening hours during Gallery Weekend 2019: Friday, 26th April to Sunday, 28th April 2019, 11:00 a.m. to 7:00 p.m. Exhibition period: Friday, 26th April to Saturday, 29th June 2019   Image caption: Courtesy axmann kunstgalerie – Alain Ponçon, Série des baisers, Doux baisers, huile sur toile, 2018 Exhibition period Alain Poncon – axmann kunstgalerie | Zeitgenössische Kunst in Berlin – Exhibition Berlin Galleries – ART at Berlin        

until 15.06. | #2430ARTatBerlin | White Square Gallery presents from 13th April 2019 the exhibition SONNENDUFT with paintings by the Danish artist Pia Andersen. Pia Andersen, born 1960 in Frederikshavn, Denmark, attended the Kolding College of Arts and Crafts from 1981-83 and 1985-86 and the Academy of Fine Arts in Krakow, Poland, from 1983 to 85. Her works, which include painting and drawing as well as ceramics, porcelain and glass, have been shown at numerous Danish and international solo and group exhibitions since 1985, as well as in museums and collections around the world. Pia Andersen, VERANO SECO, 2018, Öl auf Leinwand,150 x 180 cm Vernissage:  Friday, 12th April 2019, 7:00 – 9:00 p.m. Exhibition period: Saturday, 13th April – Saturday, 15th June 2019   Exhibition Pia Andersen – Sonnenduft – White Square Gallery | Zeitgenössische Kunst | Contemporary Art |  Kunst in Berlin | Exhibitions Berlin Galleries | ART at Berlin