post-title ON FIRE. Notions of Community in Post-Apartheid South Africa | Group Exhibition | Grimmuseum | 24.10.-07.11.2015

ON FIRE. Notions of Community in Post-Apartheid South Africa | Group Exhibition | Grimmuseum | 24.10.-07.11.2015

ON FIRE. Notions of Community in Post-Apartheid South Africa | Group Exhibition | Grimmuseum | 24.10.-07.11.2015

ON FIRE. Notions of Community in Post-Apartheid South Africa | Group Exhibition | Grimmuseum | 24.10.-07.11.2015

until 07.11. | #0231ARTatBerlin | Grimmuseum is pleased to present the group exhibition ON FIRE – Notions of Community in Post-Apartheid South Africa from 24th October 2015. It is curated by Manuel Osterholt.

… imagine a community with as lose a form as you will -even formless: the only condition is that an experience of moral freedom be shared in common, and not reduced to the flat, self-cancelling, self-denying meaning of particular freedom
J. Bataille, in Jean-Luc Nancy’s “ La communaute desoeuvree” (The inoperative community).

The Photography Exhibition brings to Berlin five South African photographers from different generations. Focusing on various aspects of social life such as spirituality, identity, immigration, family and LGTBI life, their visual approaches document, question, reveal and/or reinterpret in different ways the notion of “community” in the specific context of the “Rainbow Nation”.

The idea of “community” draws a vast landscape in social narratives and political imagination, that go from the lost utopias of the past, to the longing for the sense of togetherness of the future. Banalized through its extensive use in social media of all sorts, used and abused in political speeches from different if not opposed tendencies, “community” can appear as a port-manteau word. Or a common-place, precisely.

More over, we could ask, after french philosopher J. L. Nancy: has the emergence and our increasing consciousness of decolonized communities, the growth of unprecedented forms of being-in-common -through the channels of information as well as through what is called “multi-racial” society, triggered any genuine renewal of the question of community?

This exhibition explores a visual approach to that question. The selection of photographies (re)present communities that exist in concrete social realities of South Africa as well as in its projected, phantasmagoric or fantasized landscape. Communities appear in unexpected spaces, drawing a landscape between the globalized and the fragmented. Different from other identity narratives or signifiers (religion, gender, “ethnicity”, etc), the “community” appear both as a particularly useful concept to sign the complexity of certain disrupted realities in the crisis of old and more stable models of identification, and a concrete praxis that creates (or not) a sense of togetherness and belonging. What creates a sense of “community” seems needing to be redefined again and again. From the communion in the spiritual experience of the religious feeling (as beautifully portrait in the work of Andrew Tshabangu), to the documentation of the illegal migrant workers that Dean Hutton portraits in the „Zuma Zumas“ series, communities appear in these works in the sharing, diffusion, or impregnation of an identity by a plurality, and interrogate the possibility of an “absolute immanence of human to human”.
VernissageFriday, 23. October, 7 p.m.

Exhibition period: Saturday, 24. October – Saturday, 07. November 2015

Zu Grimmuseum

 

Image caption: Musa N. Nxumalo, Sihle Khambule (1) – Alternative Kidz series, 2009. Courtesy of the artist and SMAC gallery.

ON FIRE – Grimmuseum – Kunst in Berlin ART@Berlin

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