post-title Marcelo Brodsky + Hildegard Titus | Traces of Violence | ARTCO Galerie Berlin | 02.11.-11.12.2021

Marcelo Brodsky + Hildegard Titus | Traces of Violence | ARTCO Galerie Berlin | 02.11.-11.12.2021

Marcelo Brodsky + Hildegard Titus | Traces of Violence | ARTCO Galerie Berlin | 02.11.-11.12.2021

Marcelo Brodsky + Hildegard Titus | Traces of Violence | ARTCO Galerie Berlin | 02.11.-11.12.2021

until 11.12. | #3219ARTatBerlin | ARTCO Galerie Berlin presents from 2nd November 2021 the exhibition “Trances of Violence – The German Empire in Southern Africa” with works by the Argentinian artist Marcelo Brodsky and the Namibian artist Hildegard Titus. Both are also involved as activists.

The first genocide of the 20th century was committed by the German Empire in 1904-1908 in South West Africa, today’s Namibia. The genocide was directed against the Nama and Herero ethnic groups, the indigenous people of this region. In the course of the division of Africa by the European powers in the Berlin Conference of 1884/1885, the German Empire acquired the right to colonize South West Africa. Colonial policy included the expulsion of the local Nama and Herero communities from their fertile land so that German colonizers and farmers could settle there.

ART at Berlin - Courtesy of ARTCO Galerie Berlin - Marcelo Brodsky - We made your ...
Marcelo Brodsky, We made your women work for us

As an artist and human rights activist, Marcelo Brodsky believes in the importance of art in the social debate. Their ability to influence the public opinion-forming process and attract media attention.

ART at Berlin - Courtesy of ARTCO Galerie Berlin - Marcelo Brodsky - We tested the showers
Marcelo Brodsky, We tested the showers

The subject of human rights violations was and is a central part of his art.
Brodsky became internationally known with his work cycle “Buena Memoria” (1997) about the kidnapping of some of his classmates and his brother Fernando Brodsky by the death squads during the Argentine military dictatorship. Fernando’s body has not been found to this day. Other series of works followed, such as “1968 The Fire of Ideas”, “Africa Fighting for Freedom” or “Migrants”.

As part of his human rights activities, Brodsky met the German human rights lawyer Wolfgang Kaleck, who came to Argentina 20 years ago to defend the cases of German citizens who have disappeared due to state terror. Kaleck is the founder and director of ECCHR (European Center for Constitutional and Human Rights). This Berlin-based organization has a team of international lawyers who work for global justice, defend political prisoners and fight human rights violations and crimes against humanity with legal means.

ART at Berlin - Courtesy of ARTCO Galerie Berlin - Marcelo Brodsky - We hated you
Marcelo Brodsky, We hated you

Wolfgang Kaleck informed Marcelo Brodsky about the case and the genocide in South West Africa. With his help, Brodsky contacted the Ovaherero Genocide Foundation based in Namibia and offered them his collaboration to develop an art project on their case and present it in an art space in Berlin. The photographs that Brodsky collected in archives, agencies and universities for two years were taken by the colonialists or their helpers (soldiers, missionaries, journalists, etc.). They are irrefutable evidence of the brutal violence of the perpetrators.After reading Mark Sealy’s book “Decolonizing the Camera”, which describes that every time a colonialist image is shown, its violence is reproduced, Brodsky decided to radically rework these images.

ART at Berlin - Courtesy of ARTCO Galerie Berlin - Marcelo Brodsky - We shot you
Marcelo Brodsky, We shot you 

As in his previous series of works, Brodsky enlarges and reworks the photographs underlining of the aesthetic effect of the motif by reworking the colours by hand. The beautiful becomes more beautiful, the horror becomes more horrific.His own short text contribution, typical of his works, expresses the voice and point of view of the colonizers in every single coloured photo. They show violence very clearly, which makes it rather disturbing for the viewer.

Various representatives of Nama and Herero organizations present their views on the events more than a hundred years ago as well as their demands on German politics in short essays. In addition, scholars, art historians and lawyers from various positions write on this topic.

Hildegard Titus

Namibian-born artist and activist Hildegard Titus focuses her work on the effects of years of colonial rule on the complex structural contexts of Namibia’s population today.

ART at Berlin - Courtesy of ARTCO Galerie Berlin - Hildegard Titus - Us Now 2
Hildegard Titus, Us now

In her photographic works, the artist portrays exemplary young people from different communities in Namibian society. In addition to photography, Titus uses videos, films and performances.

ART at Berlin - Courtesy of ARTCO Galerie Berlin - Hildegard Titus - Us Now 3
Hildegard Titus, Us now

On the one hand, they provocatively criticise the way the German and Namibian governments deal with the genocide and the culture of remembrance of colonial rule. On the other hand, they denounce society’s treatment of the so-called “domestic workers”.

„Namibia’s history did not begin with independence 28 years ago.

It did not even begin when colonialism or apartheid first took over this region that was once called South West Africa. Our journey began thousands of years ago, as our ancestors left their marks on the world in caves to be seen and remembered for millennia to come. It began when our ancestors held ceremonies and feasts for every aspect of life, from birth to death. It began long before our cultures were brought together under the new utopian vision of a free and equal Namibia.

While we were focused on celebrating freedom and overcoming a past plagued by dark moments – war, genocide, apartheid – we forgot to truly listen to each other and heal wounds that had begun to fester. Tribalism, racism, colourism, sexism, ageism, ableism, and xenophobia continue to stain our country. We spend more time breaking each other down than listening to one another.

Us Now is a conversation and a dialogue for remembering and healing. It is an invitation to hear the voices of young Namibians from various backgrounds expressing their stories, their feelings, their aspirations, the way the relate to their heritage and identity, and the way we all relate to each other.

Looking back into Namibia’s old history books we can see the ways colonial images depicted and tried to define our existence and way of life. Today we define them for ourselves.

We are more than a caption: ‘Herero ’, ‘Nama’, We are a history, a present, and a brighter future. This is us now.“

ART at Berlin - Courtesy of ARTCO Galerie Berlin - Hildegard Titus - Us Now
Hildegard Titus, Us now

Soft Opening: Tuesday, 2. November 2021, noon – 7:00 pm

Exhibition period: Tuesday, 2. November – Saturday, 11. December 2021

Panel Talks: Friday, 19. November 2021, from 6:30 pm

ART & REPRESENTATION OF GENOCIDE
6:30 – 7:15 pm

Participants: 

Robert Rodriguez (A & M University, Texas, USA)
Mercia Kandukira  (Künstlerin, SUNY Binghamton University, USA)
Marcelo Brodsky (Künstler, Argentina & Spanien )
Heike Becker (Autorin, University of  Western Cape, Südafrika)
Hildegard Titus (Künstlerin, Windhoek, Namibia)

GENOCIDE IN NAMIBIA
7:30 – 8:30 pm

Participants:

Ngondi Kamatuka (Ovaherero Genocide Foundation, USA)
Barnabas Katuuo (Ovaherero Genocide Foundation, USA)
Vepuka Kauari  (Ovaherero Genocide Foundation, USA)
Rolando Vazquez (University of Utrecht, Niederlande)
Wolfgang Kaleck (European Center for Constitutional and Human Rights, (ECCHR), Berlin (Koordinator)

To the Gallery

 

 

Image caption title: Marcelo Brodsky, Merry Christmas

Exhibition Marcelo Brodsky + Hildegard Titus – ARTCO Galerie Berlin | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

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