until 02.04. | #4952ARTatBerlin | ChertLüdde shows from 2. May 2026 (Opening: 01.05.) the exhibition Who does the earth belong to while painting the wind?!  by the artist Petrit Halilaj. ChertLüdde is pleased to present the exhibition “Who Owns the Earth While Painting the Wind?!” by Petrit Halilaj, which has emerged from decades of collaboration between the artist and the gallery and is taking place at the Hamburger Bahnhof in conjunction with Halilaj’s largest institutional exhibition in Germany, “An Opera out of Time.” Opening Reception: Friday, May 1, 2026, 6:00–9:00 p.m. Exhibition Dates: Saturday, May 2 through Thursday, July 25, 2026 Preview: April 29–30, 2026, 11:00 a.m.–6:00 p.m. Caption Petrit Halilaj, Charred remains of a Kosovar quilim rug following an arson attack, Syrigana, 2025 Photo by: Esad Duraki He presents new works related to his 2025 open-air opera, incorporating materials and ashes that survived a politically motivated attack in which props and the set were destroyed and burned just days before the premiere. With great effort, Halilaj managed to redesign everything in time. Now he reinterprets these remnants both as a testament to resilience and as a material reminder of the event.   Bildunterschrift Titel: Portrait of Petrit Halilaj, Syrigana, Kosovo, […]

until 25.04. | #4985ARTatBerlin | The Galerie Kristin Hjellegjerde in Berlin shows from Friday, 27. March 2026 (Opening: 26.03.), the exhibition „Always, Everything“ by the artist Amy Dury. A family portrait: a father, a mother and two daughters. A nuclear family. So far, so ordinary. Each child holds a bright red rose. their legs are dappled with sunlight, a little dog lies at their feet in the grass, behind them is an abstract floral scene that seems to be on the verge of enveloping thern. And the mother is ablaze, her whole body burning from within. This is Always, Everything, the titular painting of Army Dury’s solo exhibition at Kristin Hjellegjerde Gallery, Berlin. Dury works from photographs drawn from our recent past images she describes as joyful holiday snaps. On the surface they capture familiarity, contentment and beauty. Yet in their subtler details, more complex narratives begin to surface. Through the painting process, she brings this underlying sense of unease to the surface, pointing to the complicated act of remembering itself-how the truth shifts, slips and dissolves so that we never quite grasp the full story. If I only could depicts a couple in a typically middle-class living room from […]

until 13.05. | #4981ARTatBerlin | Jarmuschek + Partner shows from 20. March 2026 the exhibition Birds of Prey by the artist Helena Hafemann. With the exhibition “Birds of Prey,” Jarmuschek+Partner Gallery presents new works by Helena Hafemann. This is the artist’s second solo exhibition at the gallery and includes compelling pieces as well as a new series. In her work, Hafemann takes objects from the everyday world, which she artistically alters, repairs, or transforms into new forms. These interventions create surprising constellations that place familiar objects in a new context and challenge the viewer’s perception. Opening: Friday, 20. March 2026, 7 – 9 pm Exhibition dates: Saturday, 21. March to Wednesday, 13. May 2026  Temporarily closed: Friday 3.–  Monday 6. April 2026 Special opening times: Friday 1.– Saturday 3. Mai 2026     Image caption: Courtesy of Jarmuschek + Partner Exhibition Helena Hafemann – Jarmuschek + Partner | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 18.04. | #4978ARTatBerlin | Raab Galerie shows from 13. March 2026 the exhibition Hoch-Tief-Flach-Durch-Druck  by the artists Giacomo Piussi, Alex Katz, Nicole Wittenberg, Ross Bleckner, Bill Hickey, Molly Goldfarb, David Kuijers, KH Hödicke, Markus Lüpertz, Rainer Fetting, Luciano Castelli, El Bocho, Eliot, Karoline Kroiss, Rachel Haaze, Eliot, Mando Marie, Paul Uwe Dreyer, Harry Kögler, Raws, Skenar73, Thomas Baumgärtel, Hubertus Giebe, Torsten Schlüter, Ronja Look, Lilith Nossol, Akware Elnah, Lilith Nossol und Ronja Look. We have been familiar with printmaking since Albrecht Dürer or from etchings from Andrea Mantegna’s time, which were of a high technical and intellectual standard. Today, works are often developed by the artist in collaboration with the print workshop. This leads to new approaches, ideas, techniques and processes. David Hockney, for example, has created highly complex works with the help of his sister and the latest technically sophisticated printers. Molly Godfarb also uses this technique, designing her prints in multiple layers on her iPad. In recent decades, new printing techniques have emerged whose brilliance and vibrancy enchant the viewer. Experimentation is taking place in spraying, and stencils are particularly attractive because an artist can work with different colours on the same motif, using the spray very […]

until 22.04. | #4974ARTatBerlin | Galerie Max Hetzler (Goethestraße 2-3) shows from 13. March 2026  the exhibition X-Rated (1972–1974) by the artist Wiliam N. Copley. Galerie Max Hetzler, Berlin, is pleased to announce the solo exhibition “X-Rated (1972–1974)” featuring paintings and works on paper by William N. Copley. This is the fourth presentation of the artist’s work at the gallery. Copley came to painting from an unusual direction. He initially aspired to become a writer before turning to painting, and in the late 1940s he briefly co-founded a gallery in Beverly Hills that specialized in Surrealists. The Copley Galleries—run together with his brother-in-law, the artist John Ployardt—brought him into close contact with Surrealists living in exile such as Man Ray, Max Ernst, and Marcel Duchamp, as well as the gallerist Alexander Iolas, who encouraged him to continue his budding artistic career. Around the time the gallery closed, he adopted the artist’s signature CPLY and, shortly before moving to France, presented his first exhibition in 1951 at a bookstore in Los Angeles. Although he was a generation younger than the Surrealists, Copley’s work is deeply shaped by the movement on both a conceptual and personal level. His distinctive black outlines and […]

until 18.04. | #4972ARTatBerlin | Konrad Fischer Galerie currently shows the exhibition High Voltage by the artist Jim Lambie. Konrad Fischer Gallery is pleased to present Jim Lambie: High Voltage—the first exhibition of 2026 and the artist’s third solo exhibition at the gallery since joining the programme in 2004. Rooted in the transformation of found and reused materials, Jim Lambie’s practice reflects a longstanding relationship with music and colour, shaped by his early years as a musician, as well as themes of space and light. His installations challenge viewers to readjust their perception and experience of their surroundings. In this dynamic interplay of ideas and an inventive yet rigorous line of research, Lambie creates experiences that often have an almost revelatory character. The exhibition title ‘High Voltage’ is an indirect reference to the gallery building’s former use as a substation. Spread over two floors, the exhibition highlights Lambie’s sensitivity to the architectural spaces in which his works are displayed. On the first floor, a new iteration of the iconic Zobop floor covered with vinyl tape introduces a chromatic field in which reflective chrome and white stripes – scaled to the width of the building’s supporting beams – trace the architecture of […]

until 18.04. | #4969ARTatBerlin | Galerie Société shows from Thursday, 12. March 2026 the exhibition “My Original Friend” by the artist Bunny Rogers. Bunny Rogers’ conceptual practice draws on deeply personal references to reflect on experiences of alienation and intimacy. Her complex narrative worlds often focus on “forgotten objects”, lending humble everyday items the presence of people and moments that have shaped her life. For Rogers, imagination is not secondary to ‘reality’ but a parallel structure through which experiences are processed and reconfigured. Drawing on the pop culture of the late 1990s and early 2000s, her multifaceted practice analyses how notions of identity and belonging were reshaped at a time when the virtual and the real began to overlap and merge in unprecedented ways. In his fourth solo exhibition at SOCIÉTÉ, Rogers transforms the gallery into an immersive installation that spatially translates the familiar iconography of video game missions. In this dark and strangely flattened environment of grey bricks, pseudo-classical columns and torch lighting, we encounter a series of self-portraits in the guise of Joan of Arc, a cartoon character from the short-lived MTV series Clone High. Joan acts as a mask or proxy for the artist, allowing Rogers to […]

until 25.04. | #4965ARTatBerlin | Loock Galerie shows from Friday, 6. March  2026 the exhibition betroffen  by the artist Renate Zeun . betroffen brings together vintage prints from Renate Zeun’s eponymous photographic series, produced in the first half of the 1980s, in which the East German artist turns the camera on herself. Created within a visual culture that long resisted the circulation of aged, ill, or damaged bodies, the work insists on visibility at a moment when such images were only just becoming permissible in the GDR. Zeun’s self-imaging resonates transnationally with artists such as Jo Spence and Robert Mapplethorpe, who similarly traced illness and corporeal change through their own bodies. Yet these photographs are neither confessional nor allegorical; instead, they sustain a cool, analytic intensity that collapses the distance between observer and observed. On view at LOOCK Galerie from 6 March to 25 April 2026, betroffen frames the body as a political and affective site, where self-representation becomes an act of resistance against silence, erasure, and sanctioned regimes of visibility. Opening: Friday, 6. March 2026, 3 – 8 pm Exhibition dates: Friday, 6. March  – Saturday, 25. April 2026     Image caption: Renate Zeun, 10. Dezember 1983 © Renate Zeun, Courtesy LOOCK, […]

until 25.04. | #4983ARTatBerlin | Luisa Catucci Contemporary shows from Friday, 13. March 2026 (Opening: 12.03.) the group exhibition La Vie en Rose by the artists Maike Freess, Barbara Boekelman, Clara Tournay and Mana Urakami. Curated by Luisa Catucci and Mario Bermel. Curated by Luisa Catucci in collaboration with Mario Bermel, the exhibition is the first to be presented under the new name “Luisa Catucci Contemporary” and marks the transition of the former “Luisa Catucci Gallery” into an expanded platform for contemporary art. Mana Urakami, courtesy of Luisa Catucci Contemporary The exhibition brings together works by Maike Freess, Barbara Boekelman, Clara Tournay and Mana Urakami, and unfolds around the presence of the colour pink – not as a decorative motif, but as a quiet, persistent pulse. Historically, pink has been layered with shifting meanings, ranging from spiritual embodiment and Rococo excess to its later gendered domestication; here it is reclaimed as a symbol of resilience and lived strength. It appears in drawings, paintings, sculptures, photographs and embroideries as a stain, a reflection, an interruption or a subtle trace, uniting tenderness and strength in a single breath. Maike Freess, courtesy of Luisa Catucci Contemporary The title alludes to Édith Piaf’s “La […]

until 15.04. | #4961ARTatBerlin | Galerie Barbara shows from 7. März 2026 the exhibition how to see | Robert Filliou. “What the visitor knows is enough. To accept the ‘knowledge that one knows,’ but also to ‘know what knowledge is’—that is the spirit of Permanent Creation.” – Robert Filliou / Joachim Pfeufer in Le Poipoidrome Ambulant 00, 1975 “I thought I could measure things according to the criterion of the moment. For example, I am a little over sixty tomatoes tall, and I am 111,225 Copenhagen–Paris train journeys old.” – Robert Filliou in an interview with Irmeline Lebeer-Hossmann, 1976 “Robert Filliou is one of the most important artists of the 20th century. Perhaps it will take the 21st century to recognize this.” Curator Anders Kreuger finds clear words for Robert Filliou, whom he presents not only as an artist but also as a playwright, poet, and thinker. In 2017, Kreuger curated a major retrospective at M HKA in Antwerp titled The Secret of Permanent Creation, accompanied by an outstanding publication. It was the fourth retrospective dedicated to Filliou since 1984. Although Filliou’s actions—he died in 1987—and even the retrospectives of his work now lie well in the past, Kreuger notes […]

bis 22.03. | #4958ARTatBerlin | Galerie Creative Game shows from 7. March 2026 (Opening: 06.03.) the exhibition – HIER UND JETZT – Im Dialog mit dem Modell (> HERE AND NOW – In dialogue with the model) by the artist Susanne Winkler. For the first time, an exhibition at the gallery is dedicated exclusively to nude drawings. Susanne Winkler’s works are created live during encounters with the model. The artist is less concerned with an exact reproduction of the body than with spontaneously capturing the charisma, posture, and presence of each pose. Susanne Winkler, Back view In dialogue with the model. Drawings and hybrid forms of drawing and painting emerge in short, time-limited sequences, preserving the fleeting nature of the pose. The intuitive capturing of the moment forms the central concept in Susanne Winkler’s artistic work and is particularly evident in her nude drawings. Susanne Winkler, Nude landscape She works with a variety of materials such as pencil, charcoal, India ink, acrylic, watercolor, or pastels. The drawings are not reworked and remain immediate snapshots of a moment. Susanne Winkler The works are imbued with the aura and presence of the model. Susanne Winkler’s artistic output encompasses not only figure drawing […]

until 28.03. | #4955ARTatBerlin | Galerie Soy Capitán currently shows the exhibition Francis – Paintings Drawings Sculptures 2023–2025 by the artist Shahin Afrassiabi. Soy Capitán presents more than seventy works that emerged from an intensive engagement with an iconic photograph by Francis Bacon taken in his studio in 1971. Starting with this image, Afrassiabi developed a multifaceted body of work over several years, which is not understood as a portrait, but rather as a series of variations and transformations of a motif. Recurring elements and formal shifts open up new pictorial spaces in which gestures, structures, and meanings are constantly changing. The photograph serves as the starting point for an open artistic investigation that increasingly detaches itself from the original image and generates independent visual worlds. Photo: Roman März, Courtesy Soy Capitán, Berlin The presentation deliberately avoids a hierarchical order, instead creating a dense, immersive situation in which the works enter into a dialogue with one another. The serial structure and the diversity of variations point to the possibilities of painting as a process between control and openness, repetition and difference. In this context, engaging with Bacon becomes a reflection on painting itself, as well as on fundamental questions of […]

until 17.04. | #4951ARTatBerlin | Galerie Gilla Lörcher shows from Saturday 7. March 2026 the exhibition “Jaune de Mars” by the artist Claudia Desgranges. The artistic work of painter Claudia Desgranges reflects an engagement with abstract modernism, minimalism, abstract expressionism, and color field painting. And in doing so, she creates something entirely new. When asked about her painting, she says: “My goal is to achieve freedom in painting, to transcend conventions, to initiate new ways of seeing. We are exposed to so many media; everything is constantly accelerating, many things happening simultaneously. I respond to this with the slow medium of painting… The aim is not to become immersed in a single image, but rather to allow the eye to wander.” Claudia Desgranges is known for her vibrant, luminous paintings characterized by intense color harmonies. Whether on canvas, foil, or metal surfaces, encounters with her artworks are always immersive. Claudia Desgranges demonstrates through her art just how inexhaustible painting can be. Claudia Desgranges (born 1953 in Frankfurt) lives and works in Cologne and Conilhac-Corbières, France. Desgranges studied painting at the Düsseldorf Art Academy / Münster branch. She received numerous scholarships and awards. including from: Kunstfonds Bonn (1988), Sparkassenstiftung Bonn (1998), […]

until 17.04. | #4948ARTatBerlin | Verena Kerfin Gallery shows from Monday, 23. February 2026 (Opening: 21.02.) the solo exhibition US: Slow Code by the artist Suzanne Stein. Suzanne Stein is a New York City–based social documentary and street photographer who describes her approach as social realism: presenting life as she sees it unfolding, as honestly as possible, so photography in public space can serve as a critical record. Her work is built in proximity and over time—most recently through years of photographing in Kensington, Philadelphia. „I came to photography late and out of necessity. I was a single mother raising a son on the autism spectrum while struggling financially in a wealthy part of Southern California. I spent years advocating for him inside a school system that treated him with misunderstanding and indifference. That experience changed the way I saw the world. It sharpened my awareness of who gets ignored, who gets blamed, and who gets left behind. When I picked up a camera in 2015, I had no technical background. I wasn’t thinking about photography as a career or an art movement. I was responding to what I felt. I found myself drawn to people living on the margins […]

until 18.04. | #4945ARTatBerlin | Galerie Thomas Schulte (Potsdamer Straße) shows from Friday, 13. February 2026 the exhibition Above and below the three worlds by the artist Matt Mullican. Galerie Thomas Schulte presents ABOVE AND BELOW THE THREE WORLDS, an extensive solo exhibition of works on paper, rubbings, and objects by Matt Mullican. Familiar systems of organizing and representing information and knowledge, including charts, models, and bulletin boards, coalesce with idiosyncratic ones that are at the core of Mullican’s practice. His use of primary colors and basic forms, particularly the circle or sphere, comes to the fore as initial legibility gives way to underlying complexity. Mullican has been developing his cosmology and system of signs and symbols since the ‘70s. Here, early works on paper from that period alongside recent rubbings highlight continuities and the elaboration of a reality structured across multiple levels – condensed and expansive, highly personal yet broadly encompassing. Opening: Friday, 13. February 2026, 6–9 pm Exhibition dates: Friday, 13. February until Saturday, 18. April 2026     Titel image caption: Matt Mullican, “Untitled (double-sided 1835)”, 2025 (detail), Oilstick on canvas, rubbing, 2 parts, total image, 200 x 400 cm | 78 3/4 x 157 1/2 in […]

until 07.03. | #4954ARTatBerlin | Galerie Z22 shows from 14. February 2026 the group exhibition 20 Years of Kunstkontakter featuring works by 13 artists. With: Thorsten Brinkmann, James Clancy, Anke Eilergerhard, Emess, Frank Massholder, June Newton, Edmund Piper, Peter Schlangenbader, Konstantin Schneider, Ha Schult, Jan Sobottka, Thorsten Solin, Gerard Waskievitz starring Matthias Arndt, Blixa Bargeld, Georg Baselitz, Roger M. Buergel, Jonas Burgert, Antoine de Caune, Kai Diekmann, Nezaket Ekici, Harald Falckenberg, Rainer Fetting, Marc Gisbourne, Herbert Grönemeyer, Asta Gröting, Ali Güreli, Eddie Hara, Jörg Heiser, Ernst Hilger, Damien Hirst, Candida Hoefer, Feng Huanian, Wolfgang Joop, Georg Kargl, Udo Kittelmann, Herlinde Koelbl, Aino Laberenz, Thomas Levy, Markus Lüpertz, Gerd Harry Lybke, Jonathan Meese, Angela Merkel, Hermann Nitsch, Dieter Nuhr, Thomas Olbricht, Hans-Ulrich Obrist, Yoko Ono, Jean Pigozzi, Peter Raue, Magnus Renfrew, Daniel Richter, Stefan Ringel, Thaddäus Ropac, Lorenzo Rudolph, Salome, Thomas Scheibitz, Cornelia Schleime, Christoph Schlingensief, Seo, Johanna Smiatek, Marc Spiegler, Ha Schult, Michael Schultz, Klaus Staeck, Werner Tammen, Wolfgang Tillmanns, Peter Weibel, Marc Wellmann special thanks to AVMGMbh Opening: Saturday, 14. February 2026, 7-10 pm Exhibition dates: Saturday, 14. February – Saturday, 28. February 2026 ATTENTION: extended until Saturday, 07. March 2026     Titel image: courtesy of Galerie Z22 […]

until 18.04. | #4940ARTatBerlin | Galerie Martin Mertens shows from Saturday, 28. February 2026 the group exhibition “Masters of Colour Woodblock Printing” by the artist Eline Brontsema, Brian Curling, Christine Ebersbach and Susanne Werdin. The exhibition brings together four artists who have continued the traditional technique of colour woodcut in very different forms and brought it to great mastery. In the 18th and 19th centuries, woodcut printing lost its importance due to new printing techniques and industrial reproduction. However, colour woodcut printing experienced a resurgence around 1900, particularly in the wake of the Japanese ukiyo-e woodcut, which gave European artists new impetus in composition, colour and surface design. In Germany, representatives of Expressionism such as Ernst Ludwig Kirchner, Erich Heckel and Karl Schmidt-Rottluff took up the technique and used colour woodcut as a direct, powerful means of expression. The strong simplification of forms and the expressive use of colour made it a central medium of modernism. After the Second World War, colour woodcut continued to be used in Germany and Europe in both fine art and book and graphic design, but increasingly outside the mainstream of art history. Since the 1970s, the technique has experienced a revival: contemporary artists are […]

until 01.03. |#4938ARTatBerlin | Galerie Creative Game shows from 14. Februar 2026 the exhibition “The search for the self between moderation and intoxication” by the artist Tobias Kielinger. Tobias Kielinger presents a retrospective that goes far beyond the purely aesthetic. Under the name of the gallery, he conducts an artistic experiment that understands painting as an existential game and radical self-questioning. Inspired by the philosophy of Friedrich Nietzsche, Tobias Kielinger reveals the tension between the two primal forces of human existence: the Apollonian and the Dionysian. Neue Horizonte 1. 2022, Acrylic on Canvas, 120 x 80 cm  Two ways of working – one principle for life The exhibition juxtaposes two contrasting poles of his artistic work. On the one hand, there are the Apollonian works: images of architectural clarity and deliberate austerity. They represent the search for order, structure, and mastery of form. On the other hand, there are the Dionysian works, which arise from a state of ecstasy and intoxication. Here, Tobias uses abstract painting as a tool for self-liberation. It is a conscious break with the control of the ego in order to give free rein to the impulses of the subconscious. For Tobias Kielinger, abstraction only becomes […]

until 18.04. | #4935ARTatBerlin | Taubert Contemporary shows from Friday, 13. February 2026 the exhibition Δs = kλ by the artist Sandra Schlipkoeter. In the exhibition Δs = kλ, Sandra Schlipkoeter explores the conditions of perception in the tension between line, light, and space. The title, borrowed from a physical formula, describes not a closed system, but a relationship: minimal shifts, differences, and distances that give rise to measurable changes. In Schlipkoeter’s artistic practice, this figure of thought becomes a precise model of seeing — a seeing that is not stable, but rather composed of overlaps, refractions, and temporal moments. For many years, Schlipkoeter has been working with the phenomenon of interference, the overlapping of light waves that is visible in both natural and digital image worlds. The starting point for her work is photographic observations of screen and camera light, whose supposed disturbances — lines, flickering, shifts — she translates into a painterly process. The focus is not on the representation of a motif, but on the translation of a visual event: light becomes structure, line becomes the carrier of movement and duration. The works on display evolve from painting into an open pictorial space. Pourings and line drawings […]

until 21.03. | #4932ARTatBerlin | Buchmann Galerie shows from 07. February 2026 the exhibition American Prospects by the artist Joel Sternfeld. Opening: Saturday, 07. February 2026, from 3 to 6 pm. Exhibition dates: Saturday, 07. February – Saturday, 21. March 2026     Titel image caption: Joel Sternfeld. Space Center Houston, Houston, Texas, March, 1979. Archival inkjet print. 142 x 177,8 cm, 56 x 70 in Exhibition Joel Sternfeld – Buchmann Galerie | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 21.02. | #4927ARTatBerlin | Galerie Esther Schipper is currently showing the Group exhibition “Winter 2026”. Esther Schipper Berlin is currently presenting “Winter 2026″, bringing together works by Saâdane Afif, Rosa Barba, Angela Bulloch, Julius von Bismarck, Martin Boyce, Etienne Chambaud, Thomas Demand, Ryan Gander, Dominique Gonzalez-Foerster, Pierre Huyghe, Ann Veronica Janssens, Lee Bae, Sojourner Truth Parsons, Philippe Parreno, Anri Sala, and Anicka Yi.  Over four decades ago, Gil Scott-Heron observed that – “politically, and philosophically, and psychologically” – there was only one prevailing season, “the season of ice”; words that, without doubt, mirror the current atmosphere. While the winter solstice promises the gradual return of light, days remain swayed in darkness for weeks on end. Though tiresome, this long night opens a space for introspection, even spurs the fire in one’s belly. Winter, for Scott-Heron, signified a state of frozen aspiration and inspiration. Yet this bitter condition provoked a moody, by now iconic, song that he liked to perform seasoned with a grain of salt. In this vein, and uncovering the creative underbelly of such chilled times, the works on view navigate the uncanny and the cosmic across decades, centuries, even millennials. They draw on a fossilized, charred, or blurred past and envision smart, weird, or weirdly rosy nurseries of the future; their aesthetics converge at a dense point of thick materiality and precise formal execution. Light fractures the exhibition space, transforming it into a chiaroscuro landscape suffused by shadow and spotlight.  The exhibition opens on a vexed double-entendre signaled by the figure of a […]

until 14.03. |#4926ARTatBerlin | Q Gallery shows from 21. February 2026 (Opening: 20.02) the group exhibition “CIRCULATIONS“ with works by six Latin American artists. CIRCULATIONS is a project that arose from the urgent need to convey everyday experiences and perceptions of identity, historical memory and representation in the works of six Latin American artists who share a common experience of migration. The starting point is the question of how to approach this implicit conversation, in which visual practices converge in their materiality and imagery without solidifying their respective narratives. Angie Bonino, Die Wiederkehr des Inkarri, erweiterte Realität, courtesy of QGallery Berlin The works on display navigate sensitive intersections between different historical moments and contexts in Latin America and its diaspora. They examine urban spaces, utopias and dystopias, and their relationship to still-effective “civilisational” paradigms. Fernando Hierro, Silent Matter, Akryl auf Canvas, courtesy of QGallery Berlin Participating artists: Víctor Hugo Bravo (Chile), Angie Bonino (Peru), Danilo Espinoza Guerra (Chile), Ricardo Fuentealba-Fabio (Chile), Fernando Hierro (Argentina-Sweden) and Iván Zambrano Downing (Chile). Opening: Friday, 20. February 2026, 7 pm. Exhibition dates: Saturday, 21. February – Saturday, 14. March 2026     Title image caption: Danilo Espinoza Guerra, Archivo Ochagavía, Rauch auf Leinwand, courtesy […]

until 05.03 | #4923ARTatBerlin | carlier | gebauer currently shows the exhibition Herz by the artist Asta Gröting. Paradoxically, the atmosphere of emptiness forms the heart of this exhibition, which refers like a delayed echo to the absent, the intangible. To what remains when seemingly nothing remains. Gröting brings minimal forms together to tell a story: squares on the floor complete a double bed, a washing machine performs gentle, rocking movements, all that remains of an intimate moment between two women is an imprint, a cold stainless steel heart with a needle poses the question of under what conditions one defends one’s country. The air has gone out of the pig. With these settings, Gröting creates a poetry of space within space, where the material, tangible works become protagonists just as much as the relationships between the objects themselves. In this exhibition, Gröting confronts us with the intimate and familiar, the everyday. However, she does so in a subtle and distorted way, so that the “secret” always threatens to tip over into the uncanny and alien. She exhibits a kind of inner life, yet leaves its precise definition and the question of what exactly constitutes it open. In Space Between […]

until 11.04. | #4920ARTatBerlin | Galerie Judin shows from 14. February 2026 (Vernissage: 13.02.) the exhibition Plein Soleil by the artist Zilla Leutenegger. Galerie Judin presents Plein Soleil, Zilla Leutenegger’s first solo exhibition at the gallery. The artist utilises the light-filled architecture of the main exhibition space, which was once built as a printing hall for the Tagesspiegel newspaper, combining installations, video projections and monotypes to transform the space into a sequence of experimental environments. The exhibition unfolds as a psychological and spatial journey through the life of the artist’s alter ego Z, with light as a central thematic and formal element, not only conceptually but also architecturally, as the striking skylights have a decisive influence on the perception of the space. The psychogram that Leutenegger draws with her installation focuses on the dialectic of light and shadow. Instead of presenting her alter ego as a fully articulated subject – the metaphorical source of light – the artist reveals its traces: the shadows cast by a life, its gestures and moods. The absent figure is hinted at through fragments and impressions, and we, the viewers, are invited to participate in the process of finding meaning. In the course of this […]

until 19.02. | #4916ARTatBerlin | Galerie Dittmar shows from Saturday, 17 January 2026 the exhibition “Erden” by the artist Sophia Berg. With Erden, Galerie Dittmar presents a solo exhibition by Sophia Berg, whose practice is firmly rooted in drawing. For Berg, drawing is not merely a representational tool but a process that actively shapes perception and the act of seeing. Her works are based on the direct engagement with sand and earth, combined with paper, graphite, stone dust and mineral pigments. A defining aspect of her approach is the deliberate distance between subject and execution: material and depiction come into contact without merging. Conceptually, Berg explores landscapes and geological processes, often in relation to human intervention such as resource extraction, gardening or nomadic land use, partly in collaboration with scientific institutions. The exhibition brings together two groups of works. Drawings on paper based on sand and stone from the southern Negev form cartographic compositions that emphasise fragmentation and movement. They are complemented by wooden panels using the sgraffito technique to reveal soil structures, opening up a depth dimension in which landscape and human history intersect. Opening: Saturday, 17 January 2026, 12:00–4:00 pm Exhibition dates: Saturday, 17 January until Thursday, 19 […]

until 21.02. | #4915ARTatBerlin | Galerie SCHMALFUSS BERLIN shows from Saturday, 17 January 2026 the exhibition “DIE LEERE UMARMEN – UMARMTE LEERE” by the artists Thomas Kitzinger and Jörg Bach. The exhibition “Die Leere umarmen – Umarmte Leere” brings together paintings on aluminium by Thomas Kitzinger and steel sculptures by Jörg Bach, creating a dialogue between surface and volume, reduction and movement, proximity and distance. Jörg Bach, Höhlenblock, 11, o. J., Cortenstahl, 88 × 84 × 133 cm. Thomas Kitzinger’s paintings are characterised by a rigorously reduced visual language. Here, emptiness is not conceived as absence but as a concentrated state shaped through restraint, precision and subtle colour fields. The works open up quiet pictorial spaces in which material, colour and perception are carefully recalibrated. Jörg Bach, Höhlenblock, 25, o. J., Cortenstahl, 63 × 75 × 80 cm. In contrast, Jörg Bach’s sculptures consist of interlaced and winding forms that often approach one another without fully touching. Despite the solidity of the material, the steel sculptures convey a surprising sense of lightness and transparency. Tension and near-contact become defining elements, forming a spatial counterpart to Kitzinger’s painterly restraint. Jörg Bach, Wasserspiel, 36, 2016, Edelstahl, 51 × 53 × 31 cm. […]

until 07.03. | #4912ARTatBerlin | Galerie EIGEN + ART Berlin shows from Thursday, 15. January 2026 the exhibition Lemmata by the artist Maja Behrmann. In her artistic practice, which spans painting, installation, object art, and textile art, Maja Behrmann forms schemata and formal structures into expansive ensembles. Color-intensive wooden sculptures, fluid knitted works, and collaged tableaux enter into a dynamic interplay between object, space, and viewer. The repertoire of formal fragments and elaborate characters is fed by a bureaucratic-seeming practice of collecting and organizing drawn outlines of exhibits from a wide variety of disciplines—including crafts, geology, architecture, design, and everyday objects—and is constantly expanding. Relationships between forms, transitions, and overlaps, as well as material-related conditions, continually generate new constellations and inventions. Each change of perspective opens up further overlaps and cutouts, relates elements to one another, and forges new connections. Sharpening tools, grinding. Changing the blade. Changing position. Changing my position. Threading, stringing together. Not new; transformed. Balancing, regrouping. (Against) the desire to categorize. Rotating to orient oneself in the gap in explanation. A set piece is movable and can be transferred, i.e., integrated from an existing context into a new one. Mobility, reuse, correction. Fill cavities with other material […]

until 20.03. | #4909ARTatBerlin | Galerie Volker Diehl shows from 17. January 2026 (Opening: 16.01.) the exhibition Shadow of the Future by the artist Irina Zatulovskaya. Irina Zatulovskaya (*1954) emerged on the Moscow exhibition scene during the years of Perestroika—a period in which censorship eased and nonconformist artistic practices became increasingly visible. Moving away from the traditional canvas, she turned to rough found materials, including metal sheets, wood fragments, limestone, and fabrics. Her engagement with stone materials developed in the late 1980s and stems from an early fascination with fresco painting. Even her small-format works retain a monumental presence. Biblical themes as well as scenes from rural and village life form central cycles within her oeuvre, often overlapping and conveying a worldview in which the everyday is imbued with sacred significance. Zatulovskaya is also a poet, and literature therefore plays an essential role in her work. She created extensive portrait series of artists, thinkers, and writers—from Socrates and Plato to Fyodor Dostoevsky. Despite the apparent lightness and simplicity of her visual language, her art is deeply rooted in the visual memory of world culture, ranging from ancient painting to the avant-garde of the twentieth century. Her work is often associated with […]

until 28.02. | #4905ARTatBerlin | Russi Klenner shows from Friday, 16. January 2026 the exhibition “CHURCH” by the artist Raphaël Fischer-Dieskau. Raphaël Fischer-Dieskau works with sound, light, sculpture and at the intersection of science and art. In his works, he explores how technological systems shape human existence. His installations combine traditional knowledge with new technologies and draw on religious iconography and ecological narratives to explore themes such as identity, detachment and the loss of collective beliefs. For his first solo exhibition at the gallery, the artist brings together gestures, symbols and rituals in a space where faith becomes an experiment. CHURCH understands faith as infrastructure – cherished, automated, outsourced or simulated, and slowly hollowed out. CHURCH unfolds in a culture that claims disbelief, yet obediently kneels before its own ideologies. Between devotion and doubt, it asks how the meaning of community survives its own erosion. The exhibition, which constantly pushes boundaries, tests visitors’ obedience and ability to act, forcing them to decide whether to give in or resist. It invites visitors to enter, actively participate and leave changed, without certainty about what was offered or received, and without any guarantee of absolution. Opening: Friday, 16. January 2026, 7:00 pm. Exhibition […]

until 20.02. | #4902ARTatBerlin | Galerie Gilla Lörcher shows from Friday, 16. January 2026 the exhibition “Mapping the concrete” by the artist Ivan Liovik Ebel. The exhibition Mapping the Concrete presents a body of work created between 2021 and 2025, in which Ebel explores the relationship between artistic practice and philosophical operation. The works mark zones in which “concreteness” is understood not as tangible materiality, but as a form of relationship: a mode that allows visual, conceptual, and spatial elements to coexist without hierarchy. The numerous references, which appear in a discreet or more obvious manner, do not serve as illustrations, but rather as operative traces that subtly shift the visitors’ perception. The central element of the exhibition is an A2-format plan that functions as a methodological map. It does not represent a classic overview, but opens up a space for thought in which the concrete itself is mapped: as a network of relations, overlaps, and possible paths through the exhibition, as a network of relationships between works and thoughts. The plan allows visitors to navigate and understand the conceptual architecture of the concrete. It serves both as a navigation tool and as a visual hypothesis—as a physical and metaphorical map […]

until 06.03. | #4897ARTatBerlin | Galerie Haas shows from Friday, 23. January 2026 the exhibition Lackskins by the artist André Thomkins. Gallery Haas is delighted to announce that is now representing the estate of Swiss artist André Thomkins (1930 Lucerne – 1985 Berlin). André Thomkins combines surrealist impulses, Dadaist language games, and experimental openness to create an artistic language that is truly one of a kind. At heart, Thomkins was less a painter than a draftsman, poet, conceptual and object artist with a penchant for poetic language systems and absurd worlds. Despite his experimental oeuvre, Thomkins is best known for his drawings. It was only in the last fifteen years that his group of works known as Lackskins was rediscovered; an unusual technique that the two-time documenta participant developed by chance in the 1950s: derived from a bookbinding process, he experimented with dropping lacquer onto a water surface using chopsticks. As in the traditional production of marbled paper, he worked on the resulting color film, incorporating chance, and finally removed the resulting image from the water with paper. Location: Niebuhrstraße 5, Berlin-Charlottenburg Opening: Friday, 23. January 2026, 6-8 pm Exhibition dates: Friday, 15. November – Freitag, 06. März 2026 Winter […]

until 28.02. | #4894ARTatBerlin | Galerie Max Hetzler (Bleibtreustraße 45) shows from 23. January 2026 the exhibition On the other land by the artist Barry Flanagan. For more than five decades, British sculptor Barry Flanagan worked with a wide variety of materials and forms of expression. His works range from stone, sheet metal and ceramics to monumental bronzes and reveal a consistent interest in materiality, scale and formal diversity. The exhibition focuses on this exploration and highlights four frequently used materials in particular, as well as Flanagan’s approach to size and weight. His early works include stone sculptures from the 1970s, which are characterised by their mass, three-dimensionality and close orientation to the properties of the material. These are complemented by sheet metal works known as ‘snoots’, in which organic forms, spirals and mythological references become visible. Flanagan’s interest in ‘pataphysics – a ‘science of imaginary solutions’ – shapes his playful and experimental approach. Another focus is on ceramic ‘pinch pots’ from the early 1990s. These small-format works are created using a simple, artisanal technique and illustrate seriality and repetition as central principles in Flanagan’s work. From the 1980s onwards, Flanagan turned increasingly to figurative art and became particularly well […]

until 31.01. | #4859ARTatBerlin | Galerie Z22 presents from 11. December 2025 the christmas exhibition Alles Was Ihr Wollt (All You Want) with works by 24 artists of the gallery.  Participating artists Ariane Kipp, Axel Bunt, BENKA, Bernadette Arnaud, Conrad Artworx, Danielle Benvenuto, Dietmar Brixy, Evelyn Sommerhoff, Frank Massholder, JOAX, Kerstin Dzewior, Lars J. Fischedick, Lavely Miller, Leah Rudolph, Manzur Kargar, Marina Markovic, Nadia Valeska, Patrick Slepica, Peer Kriesel, Sador Weinsclucker, Sascha Stüven, Silvio Ukat, Sophia Frese, Sorina von Keyserling. Opening reception: Thursday, 11 December 2025, 7:00–10:00 p.m. Exhibition dates: Thursday, 11 December 2025 – Saturday, 31 December 2026     Image caption title: courtesy of Galerie Z22 Exhibition Alles Was Ihr Wollt – Galerie Z22 | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 28.03. | #4888ARTatBerlin | Galerie Brockstedt shows from Thursday, 29 January 2026 the exhibition “Rückblick” by the artist Annette Schröter. Annette Schröter, born in Meissen in 1956, studied from 1977 to 1982 in Leipzig at the “Hochschule für Grafik und Buchkunst” and was a master student of Bernhard Heisig. In 1985 she moved to Hamburg together with the photographer Erasmus Schröter (1956–2021) and returned to Leipzig in 1997. At the center of her figurative, vehemently expressive painting is the human being in all his diversity and complexity. “The artist repeatedly seeks contact with reality, taking inspiration from chance impressions of everyday life, from representations fed to her by the mass media, from photographs by others and photographs she has taken herself. What she makes of all this, however, is far more than a mixture: it is a fascinating excerpt from the great world theater, as reality presents itself to Annette Schröter,” says Professor Dr. Anselm Riedl of Heidelberg. Annette Schröter, Kleine Schwester-Große Schwester II, 1996, 190 x 130 cm, Oil on canvas With intense, luminous colors and expressive gestures, the figures draw us into their world, speaking vividly of deep emotions—expectations, disappointments, fears and longings. In unusual scenic and […]

until 07.02. | #4885ARTatBerlin | Galerie feinart berlin shows from Thursday, 04. December 2025 the exhibition Here Today, Gone Tomorrow by the artists Michael Jastram and Michael Dressel. The sculptures of Michael Jastram and the desert photographs of Michael Dressel converge in their awareness of the essence of time. The exhibition is an encounter between two close friends in their artistic work, whose paths first crossed 47 years ago at the Kunsthochschule Weißensee, then scattered in different directions during the upheavals of the Berlin reunification period, and finally came together again in 2016. Just as external circumstances shaped their biographies, the sculptures of Michael Jastram and the photographs of Michael Dressel, taken in the North American desert, touch on a common theme: an awareness of the nature of time. One need not recall Hannes Wader’s lyrics to „Heute hier, morgen dort“ (1972) to hear a quiet melancholy about the fleetingness of the moment and the uncertainty of the future in the exhibition title chosen by the artists. Their works prove that there is a special beauty in the silence of this awareness. Michael Jastram, The Return of the Ten, 2024, Bronce, 34 x 103 x 14,5cm. ©M.Jastram Michael Jastram’s bronze sculptures […]

bis 24.01. | #4878ARTatBerlin | Sexauer Gallery shows from Ftriday, 21. November 2025 the exhibition “We measure the Distance” by the artist Sexauer Gallery. The nucleus of Ornella Fieres’s exhibition We measure the Distance is a photo album from the 19th century. It shows a French family who emigrated to Brazil. The photographs open a view into the past – black-and-white snapshots, preserved as memories. The album is bound in brown leather, the cover embossed with golden initials. We leaf through it. We immerse ourselves in the past. We? – No! An artificial intelligence. For over ten years, the artist has worked with machines, computers, algorithms, and artificial intelligence. Fieres instructed an AI to look at the photographs and interpret them. For years she has been exploring how artificial intelligence perceives images of the past. In doing so, she compares human and machine perception and examines their interaction. Sometimes Fieres manipulates the AI’s perception; sometimes she adopts its perspective and expands her own. Together with the AI, Fieres dives into moments of the past: a search for traces and a work of remembrance in a virtual coworking space. The exhibition presents four groups of works: The Essence of a Moment / Depth […]

until 17.01. | #4884ARTatBerlin | Galerie Tammen shows from Friday, 21. November 2025 the group exhibition All together now III: To the end of the year – little artpieces for lovers by the artists Joanna Buchowska, Ariane Boss, Dietmar Brixy, Persis Eisenbeis, Achim Freyer, Matthias Garff, Ellen Mäder-Gutz, Katharina Gerold, Harald Gnade, Johannes Hepp, Karsten Kusch, Michael Lauterjung, Volker März, Sabine Ostermann, Stephanie Pech, Rubica von Streng, Lars Theuerkauff, Sador Weinsĉlucker, Trak Wendisch, Uwe Wohlmacher and Bettina Sellmann. As the end of the year approaches, we once again have the opportunity to bring together the art and work of numerous artists in a comprehensive exhibition. The end-of-year exhibition All together now III pays tribute to the diversity of artistic positions that have shaped the exhibition programme over the past year. Opening: Friday, 21. November 2025, 7–10 pm  Exhibition dates: Friday, 21. November 2025 – Saturday, 17. January 2026      Titel image caption: Bettina Sellmann, „Dauphin“, 2024, Acrylic on canvas, 70 × 60 cm Exhibition All together now III: To the end of the year – little artpieces for lovers – Galerie Tammen | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 17.01. | #4875ARTatBerlin | BBA Gallery presents from Thursday, 20. November 2025 the group exhibition Threads of Gold. Gold fascinates as a symbol of power, divinity and eternity. The exhibition explores its significance beyond its material value. Presented by the BBA Gallery, 12 international artists use gold as a conscious choice – a medium to highlight, question and appreciate what really matters. Gold becomes a gesture, a form of resistance, a revelation. It draws attention to the essential, gilds the overlooked and challenges conventional values. A mixed media exhibition. Participating artists: Verena Bachl Anikó Boda Tim Bengel Claudius Clements Giulietta Coates Jahna Dahms Jens Juul Renata Kudlacek Katarina Kudelova Luca Ortis Kostas Papakostas Nicolas Vionnet Vernissage: Thursday, 20. November 2025, 6 pm, Dance Performance 7:30 pm with Ampelos Collective Exhibition dates: Thursday, 20. November – Saturday, 17. January 2026     Image caption title: Renata Kudlacek, Štity, 2025, Screenprint on Hahnemühle Paper, 48 x 40 cm, unique Group Show Threads of Gold – BBA Gallery | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 20.12. | #4871ARTatBerlin | WENTRUP is currently showing the exhibition ‘Blind Faith, Hope, Pandora’s Box, Messiahs’ by artist Karl Haendel. WENTRUP presents Blind Faith, Hope, Pandora’s Box, Messiahs, the fourth solo exhibition by Los Angeles-based artist Karl Haendel. Known for his consistent exploration of drawing, the artist uses scale, installation, materiality and photorealism to emphasise the relevance of this medium in contemporary art. In this new series of works, Haendel explores existential themes such as faith, hope, deception and projection. His large-format, detailed drawings focus on collective myths and the fragility of human beliefs. Haendel’s works operate at the intersection of precise technique and emotional intensity. They confront viewers with questions of meaning, truth, and the human longing for redemption. Opening: Saturday, 8 November 2025, 3:00–7:00 pm Exhibition dates: Saturday, 8 November 2025 until Saturday, 20 December 2025     Image caption title: Karl Haendel, “Blind Faith, Hope, Pandora’s Box, Messiahs”, 2025, (© des Künstlers / Courtesy WENTRUP, Berlin) Exhibition Karl Haendel – WENTRUP | Zeitgenössische Kunst in Berlin | Contemporary Art | Ausstellungen Berlin Galerien | ART at Berlin

until 20.12. | #4870ARTatBerlin | Kristin Hjellegjerde Gallery Berlin shows from Friday, 21. November 2025 (Opening: 20.11.) the exhibition ‘Among Ripples and Folds’ by the artist Gabriela Giroletti. Shimmering, iridescent forms that curve, bend, push, squeeze, hold and expand. Brazilian artist Gabriela Giroletti’s latest paintings take the form of shaped surfaces that evoke shards of crystal and stone, earthly textures, bodily processes, the transference of energy and elemental movement. Among Ripples and Folds, her fourth solo exhibition with Kristin Hjellegjerde Gallery, comprises all new work born out of a period of play and experimentation. For Giroletti, art-making has always balanced instinct with control, but her process is evolving. Where she once followed the interaction of colour and paint, she now begins by constructing her surfaces – cutting, sanding, and gluing pieces of wood until she reaches the desired shape. This shape becomes a container onto which she works more quickly and fluidly, allowing forms to emerge organically before she applies dark outlines that serve both as barriers and supports. Giroletti likens these lines to a form of writing: they are the artist taking hold of her material and leaving her mark, while also guiding the eye and suggesting shifting atmospheres, […]

until 07.02. | #4868ARTatBerlin | Galerie Martin Mertens shows from Friday, 21. November 2025 the exhibition „Colourful Abstraction“ by the artists Thorbjørn Bechmann, Antje Blumenstein, Katrin Bremermann, Joanna Buchowska, Martin Bünger and Matthias Kanter. At the end of the year, the Galerie Martin Mertens is presenting a group exhibition that brings together artists exploring the theme of color and abstraction. The artistic materials and forms of expression are incredibly diverse. The Danish painter Thorbjørn Bechmann‘s work explores the tension between chance and control. His pieces emerge from the interplay of freely moving paint, which makes its way across the canvas, and the artist’s constant, intuitive interventions. Bechmann creates soft gradients that resemble delicate veils of color. Through the process of layering many colors, he creates surfaces rich in tension. The large-format works possess an impressive luminosity and evoke shimmering, harmonious plays of light. In recent years, color, light, and spatiality have become central aspects of Antje Blumenstein‘s work. The Berlin-based artist frequently uses unusual materials such as neon tubes or fluorescent acrylic sheets, which she uses to create fascinating geometric color spaces through layering and/or milling lines. These spaces, through their interplay of transparency and density, generate an intensely colorful […]

until 17.01. | #4866ARTatBerlin | Galerie Isabella Bortolozzi shows from Saturday, 15 November 2025 the exhibition “Portals” by the artist Seth Price. Galerie Isabella Bortolozzi is pleased to present “Portals”, the fifth solo exhibition by Seth Price at the gallery. The exhibition features a new series of paintings alongside a concise presentation of the artist’s records, cassettes, books, and garments. Price’s new works merge digital image generation with material craftsmanship, combining acrylic paint, generative image reverse-transfers into acrylic polymer, and UV prints on aluminum composite. The resulting surfaces fluctuate between physical presence and algorithmic abstraction. Seth Price, Haruspex, 2025, Acrylic paint, generative image reverse-transferred into acrylic polymer, and UV-print on aluminum composite, 151.8 x 134.9 x 2.9 cm In works such as Nox Anima Lens (2025) and Haruspex (2025), Price explores the intersections of body, technology, and perception. His “portals” act as thresholds between worlds — between human and machine, surface and meaning, presence and digital residue. The exhibition invites visitors to engage with the tension between the analogue and the generative, a recurring theme in Price’s practice that has shaped post-digital aesthetics since the early 2000s. Opening: Saturday, 15 November 2025, 6:00–9:00 pm Exhibition dates: Saturday, 15 November 2025 […]

until 31.01. | #4863ARTatBerlin | Galerie Guido W. Baudach shows from 15. November 2025 (Opening: 14.11.) the exhibition “Great Cosmic Wall” by the artist Björn Dahlem. Björn Dahlem refers to a phenomenon f6om the field of astronomy: the Hercules–Corona Borealis Great Wall, a cosmic superstructure that so far only exists in scientific theory. It is supposed to consist of an enormous accumulation of gravitationally connected star clusters with a presumed extent of 10 billion light-years. This would make the Hercules–Corona Borealis Great Wall — if it actually exists — the largest and most massive structure in the observable universe. Great Cosmic Wall adds a new chapter to Dahlem’s oeuvre. Formally and in terms of content, it deals with specific borderline areas; be it those between microcosm and macrocosm, mundane everyday life and transcendent experience, or between order and chaos. Accordingly, Great Cosmic Wall can also be read as an allusive metaphor for the invisible barriers that separate our subjective experience of reality from the infinite: the mist between us and the universe; the curtain of light and shadow that separates space-time and matter. With Great Cosmic Wall, Björn Dahlem attempts not only to illustrate this borderline areas, but also to penetrate them in his sculptures. Opening: […]

until 10.01. | #4898ARTatBerlin | Galerie Dittmar shows from Saturday, 08. November 2025 an exhibition by the artist Ernesto Tatafiore. Ernesto Tatafiore was born in Naples in 1943. He participated in the Venice Biennale in 1970, 1980, and 1990. Since 1971, he has been in close contact with Jannis Kounellis. In 1969, he had his first exhibition at Lucio Amelio, one of the leading international avant-garde galleries of the time. Subsequent exhibitions included one there in 1981 with Joseph Beuys, Tony Cragg, Mimmo Paladino, and David Salle; in 1984, at Villa Campolieto, with Richard Long, Robert Rauschenberg, and Andy Warhol. In addition, there were other early groundbreaking gallery exhibitions, for example at Isy Brachot Paris, André Emmerich New York, Lisson Gallery London, and Paul Maenz Cologne. Exhibitions in numerous leading international museums with accompanying publications. Circe, 2008, Gouache und Aquarell auf Papier, 24,8 x 20,5 cm Tatafiore developed his forms of expression early on, working with different techniques and materials, combining painting and drawing, collage and object-like sculptures, and adopting a subversive approach. Central to his work is the theme of the French Revolution, which for the artist represents “a kind of ‘great metaphor’” (Jean-Christophe Ammann). Essential to this are […]

until 17.01. | #4856ARTatBerlin | Galerie Tanja Wagner shows from Friday, 14. November 2025 the exhibition “Radical Optimism” by the artist Anna Witt. The exhibition presents new works exploring radical hope as both an emancipatory force and a strategy for navigating crisis and social change. At the centre of the exhibition is the two-channel video installation Nights of Labour. The work positions dreaming as a deeply personal, visionary mode of imagination that serves as a crucial precondition for societal transformation. For the project, Witt invited a group of people to gather and dream within the former industrial hall of the Hydra Werke in Berlin, a space poised between its industrial past and the pressures of gentrification. The camera moves gently across the stage-like setting of carpets and furniture, capturing the participants’ faces as they lie in quiet concentration, imagining their hopes for the future. Daydreaming emerges as both an intimate and collective experience. In the second video channel, the dreams and ideas articulated by the group return as voiceovers. We encounter the same space; however, it now appears deserted and gradually disintegrating. The work draws inspiration from Jacques Rancière’s non-fiction book Nights of Labor, which tells the story of 19th-century […]

until 18.04. | #4853ARTatBerlin | Galerie Deschler shows from 21 November 2025, the exhibition NACKT – 30 Years of Galerie Deschler Berlin by the artists Elvira Bach, Luciano Castelli, Rainer Fetting, Gerhard Kehl and Salomé. To mark its 30th anniversary, Galerie Deschler Berlin will be presenting the exhibition ‘NACKT’ (Naked) from 21 November 2025, featuring works by Rainer Fetting, Elvira Bach, Luciano Castelli and Salomé – important representatives of the ‘Junge Wilde’ (Young Wild Ones) and their artistic milieu. The exhibition focuses on early erotic nudes from the 1970s and 1980s, which are regarded as symbols of sexual self-determination and artistic freedom. Special attention is given to the juxtaposition of Fetting’s ‘Figur an der Mauer’ (Figure at the Wall, 1987) with his sculpture ‘Die Drehung’ (The Turn), which takes up and continues the pose of the figure from the painting. Accompanying this, the ‘Blue Series’ by Gerhard Kehl, who died in 2024, in the basement commemorates the opening of the gallery on 16 December 1995 – as a tribute to three decades of committed, courageous and innovative gallery work. Opening reception: Friday, 21. November 2025, 7-9 pm Exhibition dates: Friday, 21. November 2025 – Saturday, 14. February 2026 – ATTENTION: […]

until 07.02. | #4850ARTatBerlin | Galerie Thomas Schulte (Potsdamer Straße) shows from Friday, 21. November 2025 the exhibition “Atkinson” by the artist James Gregory. Opening: Friday, 21. November 2025, 6 – 9 pm. Exhibition dates: Friday, 21. November until Saturday, 07. February 2026     Title image caption: “Juke-Joint”, 2023, Jukebox, vinyls (Leila Negra discography), Installation view, Portikus, Frankfurt am Main, Courtesy of the artist, Portikus, Photo: Eike Walkenhorst Exhibition James Gregory – Galerie Thomas Schulte | Zeitgenössische Kunst in Berlin | Contemporary Art | Ausstellungen Berlin Galerien | ART at Berlin

until 08.11. | #4859ARTatBerlin | Galerie Z22 shows from 30. October 2025 the exhibition „Bondage“ by the artist Evelyn Sommerhoff. Bondage refers to practices of tying up or restricting the body’s freedom of movement in BDSM. The term comes from English and means, among other things, “unfreedom” or “servitude”. The goal is sexual stimulation; However, there are special forms in which bondage is used for aesthetic or other reasons. (WIKIPEDIA) Bondage – figurines – as an artistic examination of the boundary between control and devotion. The exhibition does not explore the technical practice of bondage, but rather the complex experience of the body in the area of ​​tension between security, pain and release. It’s about the perception of one’s own body in changing life situations: elevated by adrenaline and risk, calmed by trust, challenged by boundaries and clear saying no. The works invite you to consider the subtle coherence of power, consent and self-determination – beyond clichés and pigeonholes. How does the experience of the body change when boundaries are pushed or tested? What role does consent, communication and safety play in the process of building and releasing tension? Which forms of devotion, trust and autonomy can be made visible without […]

until 05.12. | #4845ARTatBerlin | Verena Kerfin Gallery shows from Friday, 7 November 2025 the solo exhibition “Park Bench Paintings” by the artist Toby Ursell. British painter Toby Ursell (b. 1981, Cheltenham) transforms the park bench into a painterly display and a stage for images. A continuous wall drawing shows Olive Oyl at both ends of an endless bench; on its seat rest small oil paintings – spinach cans turned into vases, coffee pots, Popeye & Olivia – motifs oscillating between everyday object, brand image, and cartoon. Ursell weaves together comic and painting, commodity and still life, humor and form. The bench becomes a hierarchy-free frieze: it replaces the pedestal, brings the works closer to the viewer, and situates them within a social topography of picnic, waiting, and conversation. In their serial arrangement, tonal shifts, lettering, and painterly texture come to the fore. Following exhibitions in London and Berlin (Oyl Paintings, Verena Kerfin Gallery, 2021), Ursell once again reveals his “gentle anarchism” – painting as an open system that questions museum conventions while keeping the images precise, sensuous, and utterly present. Opening: Friday, 7 November 2025, 5:00–9:00 pm Exhibition dates: Friday, 7 November until Friday, 5 December 2025     […]

until 20.12. | #4842ARTatBerlin | Galerie EIGEN + ART Berlin shows from Thursday, 30 October 2025 the exhibition “news, Pinsel und eine Lilie” by the artist Uwe Kowski. Galerie EIGEN + ART Berlin is pleased to announce the exhibition news, Pinsel und eine Lilie by Uwe Kowski, opening on Thursday, 30 October 2025, at 5 pm.In his canvases and watercolors, the artist unites object and dissolution, linear structure and surface. His works emerge through a painterly process that powerfully combines intuition and control, emotion and composition, constantly opening up new pictorial spaces. In a reflection on his artistic approach, Kowski describes his relationship to painting as follows: “Something should happen that doesn’t work verbally. I usually enter uncertain territory because, although I have an idea, I don’t actually know where it will take me. It can also fail because I want this pure painting, but I need that little piece of story, a beginning, a theme. (…) That’s also why I often say: the painting is not abstract, it always comes from somewhere. Abstract for me is red, green, yellow. Just like that. I find the term ‘abstract painting’ doesn’t say much. The message is: painting! And the path to […]

until 24.01. | #4838ARTatBerlin | CAMERA WORK shows from 22. November 2025 an exhibition by the artist David Yarrow. The exhibition shows works from David Yarrow’s ongoing themes The Natural World and Storytelling, which are characterised by their cinematic composition. The deliberate use of light and shadow creates a tension that echoes the visual compositions of classic Hollywood productions. This visual language gives the works a strong narrative layer and elevates Yarrow’s animal portraits in particular beyond a purely documentary character. References to places of longing, sporting events or cinematic scenes from the collective memory are elements in the artist’s work that create emotional spaces in which nature, culture and aesthetics merge to create iconic visual worlds. David Yarrow realises his photographic projects in various international locations, including the USA, South Africa, China, Great Britain, Scho’land and Italy. About David Yarrow David Yarrow was born in Glasgow in 1966. His passion for photography began early on. At the age of 20, he took the legendary portrait of the jubilant cup winner Diego Maradona in the final of the World Cup in Mexico City for The London Times. Yarrow turned to artistic photography much later, devoting himself to nature and wildlife. […]

until 15.11. | #4835ARTatBerlin | Kristin Hjellegjerde Gallery Berlin shows from Thursday, 16. October 2025 (Vernissage: 15.10.) the exhibition “Body Archive” by the artists Manuela Benaim, Makiko Harris and Emily Pope. Fragmented body parts, twisting torsos, masked and floating faces. Body Archive brings together three artists whose practices variously explore the female body as site, surface and symbol. Drawing on art history, mythology, and contemporary representations of femininity, the works in this exhibition examine the complexities of selfhood, desire, memory and the performance of identity. Emily Pope’s tightly cropped paintings place us in the unsettling role of the voyeur, as if we are peering through a letterbox or observing a peep show, catching glimpses of a body that feels both familiar and strange. This is especially true in the work depicting a voluptuous, milky torso and exposed breasts. The body here is an archetype, derived from a compilation of art historical references and the artist’s personal archives – a form we feel we’ve encountered before, but can’t quite place. Similarly, paintings of a woman’s raised collarbones and tightly corseted body evoke a haunting sense of recognition, even as the context for these figures is deliberately stripped away, leaving us to fill in the […]

until 17.01. | #4831ARTatBerlin | KLEMM’S shows from 31. October 2025 the exhibition “Eternal 20th Century“ by the artist Sven Johne. In Eternal 20th Century, Johne retraces the landscapes of history through the body, pointing at the threshold of presence and erasure. In times of war, the exhibition speculates on a century of conflict that refuses to end, insisting that history, under the crushing weight of its repetition, remains inscribed in the body and psyche like an after-image—fragile, exposed, yet enduring. In the exhibition, Johne opens up space for associations that are crucial to the realization of its claim: to create metaphors of being and to conceive alternative myths in times when violence and its effects permeate every aspect of public and private life. “The war-torn, gruesome 20th century began on June 28, 1914, at the Latin Bridge in Sarajevo, and we thought it had ended on November 9, 1989, at the Böse Bridge in Prenzlauer Berg, Berlin. We thought the end of history had been reached, but now we see that the 20th century never ended. I spent a summer driving along the Oder and Neisse rivers, through the destroyed inner cities of the last war. These are still traumatized […]

until 20.12. | #4829ARTatBerlin | Luisa Catucci Gallery shows from Thursday, 16 October 2025, the exhibition “De Rerum Naturae” by the artist Lidó Rico. Luisa Catucci Gallery presents De Rerum Naturae, an exhibition by Spanish artist Lidó Rico exploring the profound relationship between humanity, matter, and the natural world. Inspired by Lucretius’ philosophical poem of the same title, Rico examines the physical and existential roots of human existence, questioning the boundaries between the organic and the artificial, nature and technology, body and consciousness. Working with liquid resins cast into silicone moulds – some taken from his own body, others from brains provided by the University of Murcia – Rico creates sculptures that expose the vulnerability of the human condition in an age of technological dependence and performance culture. Lidó Rico, De Rerum Naturae, Portrait. © Courtesy Luisa Catucci Gallery & the artist In De Rerum Naturae, humanity appears as a being increasingly detached from its biological origins. Rico’s fragmented figures – heads, brains, and distorted faces – embody the fatigue of a society obsessed with productivity and self-optimization, revealing the psychological and ecological toll of constant acceleration. His sculptures act as metaphors for the violence of self-exploitation and the exhaustion […]

until 25.10. | #4826ARTatBerlin | Laura Mars Gallery shows from Thursday, 02. October 2025 the Group exhibition “Treibende Kräfte” by the artists Lada Nakonechna, Mykola Ridnyi, Dana Kavelina, Olha Marusyn, Olga Gaidash and Eugene Shimalsky. The title Treibende Kräfte implies in German both a self-determined, dynamic forward movement as well as being driven by forces beyond one’s control. The conflict between these states characterizes a currently prevailing mood that has also manifested itself in many artistic works in recent years. The exhibition features sculptures, photographs, videos, and paintings from the years 2011-2025, most of which are being shown in Berlin for the first time. Two of the artists live in Ukraine, while all the others have been in exile in Germany since 2022. While some works refer specifically to Russia’s war of aggression in Ukraine, others focus on longer-term, sometimes international social and political developments. The exhibition accompanies the international conference (Un)Safe Plurality: Ukraine and Beyond, held at the Institute for East European Studies, Free University of Berlin, on September 30–October 1 in cooperation with the Leibniz Center for Literary and Cultural Research (ZfL). Both events conclude the project (Un)Disciplined: Pluralising Ukrainian Studies – Understanding the War in Ukraine (UNDIPUS, 2022–2026), conducted at the Universities […]

until 08.11. | #4822ARTatBerlin | GALERIE STEFAN RASCHE shows from 05. September 2025 the exhibition “ROKOKOKOKOTTE” by the artist Eilike Schlenkhoff. A brushstroke, a splash of colour or a graphic gesture – Eilike Schlenk-hoff deals with such pictorial elements of abstract painting. However, she pursues an artistic camouflage that is based on a surprising re-evaluation of pictorial means: With a palpable desire to experiment, she works on overcoming supposed opposites, because the abstract suddenly becomes a tangible object, gains space, changes its state, its meaning and its meaninglessness. In recent years, this has developed into a complex painterly cosmos that constantly produces new pictorial sensations – and reveals very different ways of dealing with the inherently abstract colour figures. There are, for example, singular brushstrokes that cast a shadow on the picture ground like ominous flying objects. Then again it is a calyx, a thread or a collection of floating particles that the painter traces in a trenchant manner. Or whole bundles of brushstrokes emerge, resembling a fountain, an ambiguous organism. Brummbeere, 2025, Öl auf Leinwand, 60 × 50 cm The basis of her pictorial inventions is almost always a monochrome surface, which becomes the sounding board for such colour […]

until 25.10. | #4819ARTatBerlin | Buchmann Galerie shows from 12. September 2025 the exhibition “Horizons” by the artist Bettina Pousttchi. The exhibition brings together new photographic works on canvas from the eponymous series „Horizons”, as well as new polychrome sculptures made of ceramic and steel. The point of departure for all three groups of works is, in different ways, the urban experience of Berlin. Coinciding with the exhibition at the gallery is the inauguration of the six-meter-high sculpture “Vertical Highways V02″ by Bettina Pousttchi in front of the Istanbul Modern as part of the museum collection. With her new series „Horizons” Bettina Pousttchi continues her conceptual approach to an expanded notion of photography, bringing together photographic methods with painterly means. The „Horizons” series alludes to the artist’s highly acclaimed photo installation „Echo”, which covered the entire façade of the Temporäre Kunsthalle Berlin with 970 photographic prints on paper for six months in 2009/2010. The artist photographed sections of these paper prints showing the reflective window surfaces of the Palast. Captured in these motifs are details from the original photographic print now bearing the marks of natural weathering over a period of six months. The works thus form a layered depiction […]

until 11.10. | #4816ARTatBerlin | Galerie Société shows from Thursday, 11. September 2025 the exhibition “Every water has the right place to be in” by the artist Anh Trần. “What have you done to my water?” the Lord asked in a 2013 short story by Joy Williams. “My living water…” “Oh,” the engineers said, “we thought that was just a metaphor,” their pipes defiling the fluid the Lord sipped from his glass. Literal talk is seldom wise. Don’t figures of speech press with some other kind of weight, double as vessels, a reality lodged within the word? Symbols, it turns out, are not mere abstractions, but structurally, if not sacredly, material bodies that call for concern. In keeping with a certain legacy of her painting genre, that is what does not happen in Anh Trần’s abstractions. Mercurial, graphic, nervous, generous, her signs do point to something beyond themselves and yet wallow in a physicality hard to translate into a tongue we know. Grounded and ungrounded at once. We are left to conjure a subterranean dragon ghost on the canvas (Are the clouds in the Oculo like oblivion?), a very cloudy metropolis (It isn’t cold if you have a dream), a diaphanous […]

until 25.10. | #4809 ARTatBerlin | Galerie Isabella Bortolozzi shows from 11. September 2025 the exhibition “Now we are on Easy Street” by the artist Marc Kokopeli. Opening: Thursday, 11. September 2025,  6 – 10 pm. Exhibition dates: Thursday, 11. September until Saturday, 25. October 2025     Title image caption: Marc Kokopeli © courtesy of Galerie Isabella Bortolozzi Exhibition Marc Kokopeli – Galerie Isabella Bortolozzi | Zeitgenössische Kunst in Berlin | Contemporary Art | Ausstellungen Berlin Galerien | ART at Berlin

until 01.11. | #4811ARTatBerlin | WENTRUP shows from Friday, 12. September 2025 (Vernissage: 11.09.) the exhibition „Dein Gesicht in meinen Händen“ by the artist Magnus Plessen. Wentrup is pleased to present Dein Gesicht in meinen Händen (Your face in my hands), Magnus Plessen’s first solo exhibition with the gallery. Magnus Plessen’s latest body of work was shaped by a moment of personal reckoning: the death of his father and a return to childhood memories of ancestral portraits. Paintings emerge from this intimate landscape, turning memory and perception into tactile, layered images that oscillate between abstraction and figuration.  Vernissage: Thursday, 11. September 2025, 6 – 10 pm Exhibition period: Friday, 12. September – Saturday, 01. November 2025     Image caption: Magnus Plessen, Untitled, 2025, Oil and charcoal on canvas, 60 x 50 cm | 23 1/2 x 19 3/4 in, WENTRUP Berlin Exhibition Magnus Plessen – WENTRUP | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 01.11. | #4807ARTatBerlin | Contemporary Fine Arts shows from Friday, 12. September 2025 (Vernissage: 11.09.), the exhibition “Corpo de Cor” by the artist Márcia Falcão. Corpo de Cor—translated as Body of Colour—serves as both the title and conceptual framework of the exhibition. In her work, Márcia Falcão interweaves a sustained reflection on painting as a medium with an exploration of the body, which emerges not merely as a physical entity but as a vessel of history, identity, and political significance. Using thick, impasto layers of oil paint and a dynamic brushstroke, Falcão creates strikingly voluminous nudes. Her paintings possess a visceral and painterly urgency that recalls the fleshy materiality of Lucian Freud and the monumental representations of Jenny Saville. Yet Falcão distinctly positions the body as that of a Black woman—often her own, shaped by personal experience. Her approach to painting is deeply metalinguistic: through an interrogation of the medium’s formal qualities, she develops works that weave complex narratives and connections to femininity, motherhood, art history, marginalization, and violence. This exhibition, in the artist’s words, “condenses over twenty years of research into painting through the body, articulated across five continually evolving series”: Ioga Psicológica, Monumentais, Capoeira em Paleta Alta, […]

until 22.11. | #4808ARTatBerlin | Galerie Thomas Schulte (Charlottenstraße) shows from Thursday, 11. September 2025 (Vernissage: 10.09.) the exhibition “Assembly ” by the artist Dan Walsh. Galerie Thomas Schulte is pleased to present Assembly, a solo exhibition featuring recent paintings by Dan Walsh. Here, Walsh continues his process-oriented approach to generating images that are reduced in vocabulary yet layered in intricate systems. Initially appearing as smooth, minimalist patterns of discrete units, they gradually reveal disruptions, irregularities, and gentle traces. These compositions are structured around geometric, grid-like rows and columns, where the images’ cells soften at the edges, becoming fluid and, at times, taking the form of pods or capsules. Accumulations of time, paint, and form produce continuous shifts: from vibrant juxtapositions of color and alternations of black and white that recall classical optical illusions, to faint changes in contrast and nuanced gradients. In the square, medium-scale canvases, seriality and its subtle variations playfully unfold, as the images envelop us in their visual world—seemingly constructing their own internal logic only to subvert it. Vernissage: Wednesday, 10. September 2025, from 6 to 9 pm Exhibition period: Thursday, 11. September until Saturday, 08. November 2025 – ATTENTION: extended until Saturday, 22. November 2025 Special […]

until 25.10. | #4802ARTatBerlin | Galerie Barbara Thumm shows from Friday, 12. September 2025 (Opening: 11.09.) the exhibition “Painting the Town”by the artist Carrie Mae Weems. Weems created this series in 2021, in the aftermath of George Floyd’s murder and the Black Lives Matter protests across the United States. The resulting photographs transform the scars of civic unrest into powerful visual and political statements. When the protests began, store owners from Weems’ hometown of Portland, Oregon, put up chipboard panels on their windows to protect their stores. These makeshift barriers became canvases for protesters to write slogans and graffiti. Authorities soon attempted to erase the messages by covering them with broad swathes of dark paint. What began as gestures of protection by local businesses, evolved into platforms of expression, only to be suppressed by local authorities who muted the cries for justice. During a consequent visit shortly after the events, Weems strolled through the streets and encountered these painted-over surfaces. What remained were fields of black, gray, and muted tones that unexpectedly reminisced mid-20th century Abstract Expressionist paintings. Recognizing their aesthetic force and political charge, Weems photographed them with the precise light, framing, and perspective that distinguish her practice. The […]

until 15.11. | #4798ARTatBerlin | BQ Berlin prensents from Friday, 12th September 2025 (Opening: 11.09.) the exhibition “Rion” by the artist Matti Braun. Opening: Thursday, 11. September 2025, 6-9 pm Exhibition dates: Friday, 12. September to Saturday, 15. November 2025 Special opening hours during Berlin Art Week: Sunday, 14. September from noon to 6 pm     Image caption: Matti Braun (detail), courtesy of BQ Galerie Exhibition Matti Braun – BQ Berlin | Zeitgenössische Kunst in Berlin | Contemporary Art | Exhibitions Berlin Galleries | ART at Berlin

until 14.09. | #4795ARTatBerlin | Dorothée Nilsson Gallery shows from Saturday, 6 September 2025 the solo exhibition “MEHR LICHT” by the artist Sascha Weidner, marking the tenth anniversary of his passing. “MEHR LICHT” presents Sascha Weidner’s poetic and emotionally charged visual worlds. His works create a subjective, radical reality shaped by perception, longing, and coded symbolism. Faces under hoods, androgynous bodies, and energetic hands appear in images bridging sky, water, earth, forest, and stone. Weidner combined works from different series and formats in non-linear, asymmetric arrangements that covered entire walls. Sascha Weidner, Mehr Licht II, 2009, 120 x 120 cm Individual, seemingly unrelated images merged into a larger narrative, inviting viewers to form their own associations. The exhibition coincides with the release of “Estate und Künstlernachlass” by Ole Truderung, the Sascha Weidner Estate, and Inka Schube, curator of photography at Sprengel Museum Hanover. Opening: Saturday, 6 September 2025, 6:00–9:00 pm Exhibition dates: Saturday, 6 September – Sunday, 14 September 2025     Image Caption Title: Sascha Weidner, Hand II, 2009, 30 x 30 cm Exhibition Sascha Weidner – Dorothée Nilsson Gallery | Zeitgenössische Kunst in Berlin | Contemporary Art | Ausstellungen Berlin Galerien | ART at Berlin

until 15.11. | #4793ARTatBerlin | Galerie Friese shows from 12. September 2025 (Opening: 11.09.) the exhibition So rot, so rot by the artist Elvira Bach. Elvira Bach became world famous at the latest with her participation in documenta 7 in 1982. With unmistakable expressiveness, striking colours and subtle humour, she placed the diverse identities of women at the centre of her art in her self-portraits and portraits of women. The artist has lived and worked in Berlin since 1972. She studied at the Berlin University of the Arts under Hann Trier, worked part-time as a prop master at the Schaubühne theatre and consistently pursued her work as a maverick. The Friese Gallery is showing Elvira Bach’s work for the first time, focusing on her early works from the 1970s and 1980s, supplemented by a group of new ceramics created especially for this exhibition in the summer of 2025. They testify to Elvira Bach’s inexhaustible creativity, her ability to lend her own signature to the things around her and to find an expression for the joy of existence. Opening: Thursday, 11. September 2025, 6:00–10:00 pm Exhibition dates: Friday, 12. September to Saturday, 8. November 2025 – ATTENTION: extended until Saturday, 15. […]

bis 25.10. | #4789ARTatBerlin | Galerie Sievi presents from 6. September 2025 the exhibition Farben des Angeborenen und Nuancen des Gelernten (> Colours of the innate and nuances of the learned) with works by the artist Jeanne Fredac (1970-2025). Jeanne Fredac was a French multidisciplinary artist who lived in Berlin since the mid-2000s. Her explorations of architecture, urbanism and the passage of time led her to a comprehensive reflection on our environment. Jeanne Fredac’s art actively addressed contemporary issues and emphasised the urgency of redefining our perception of ourselves and nature. She explored a representation of humans and nature that expressed both their deep connection and their inherent opposition. She wanted to rethink the dynamics between the innate and the learned. It was the constant search for balance and universality that guided her work and imbued her art with an emancipatory social function. These works built a bridge between art and science, between reality and perception, between figuration and abstraction, between nature and culture. In recent years, Jeanne Fredac had participated in numerous solo and group exhibitions, including the European Month of Photography 2014 and 2018 (Berlin, DE), the Biennale de Cachan 2021 (FR), in Prague (CZ) with the NSPU […]